Watching Jiang Wen's movie is like drying a bottle of two pots in 5 seconds.
Exploded.
The hearts of all the people followed the sudden sound of his sudden gunshots.
Flew.
This July, the much-anticipated movie is finally here!
"Evil Does Not Pressure Righteousness"
Douban score fell from 8 points all the way down to 7.2, people who scolded it said that Jiang Wen collapsed, and people who liked it said that Jiang Wen was still so energetic.
After watching the movie, Sister Shan, just want to say, thank you Jiang Wen, in addition to him, there is no second person in the domestic director who can show us such a movie.
Running bare on the roof, enlarging the feet of women with small feet, dropping money from the sky, stamping the buttocks of noble women.
Jiang Wen once again presented the most crazy symphony in his mind on the big screen.
From the moment the subtitle appears, you know that this is a movie stamped with Jiang Wen and did not run.
Jiang Wen made a martial arts story into "Kill Bill", made into "Crouching Tiger, Hidden Dragon", made into "Ecstasy", and made into "The Prince's Revenge".
"Evil Does Not Pressure justice" is Jiang Wen's heroic world, Jiang Wen's happiness and revenge, and Jiang Wen's dream tenderness.
At the moment, I don't care about the negative reviews about the film, I just say out loud how I feel:
Two words:
pretty!
In one word:
refreshing!
The story is adapted from zhang Aijia's uncle Zhang Beihai's novel "Xia Yin", he misses old Beijing, but the era can not return to the original Beijing, although Mr. Zhang Beihai said that the most suitable director to change his work should be Hu Jinquan.
But looking around, most of China's film circles can only make a "traditional and modern, the city and the rivers and lakes, the most Chinese and the most Western, the most ordinary and the most legendary Beiping" into a furnace, and the mixed and coexisting Beiping, only Jiang Wen.
Six movies, each one is like this: the story is old-fashioned, the aftertaste is flowing, the robe and cotton shirt have a Western style, and the brash talking leper is also a decent person with affection and righteousness.
The focus of "Xia Cain" is the retreat of xia in modern society, and Jiang Wen only uses the basic framework and character relationship of the story of "Xia Cain", and he directly extracts the essence of "Xia Cain" - evil does not suppress righteousness.
Since the beginning of "Animal Fierceness", Jiang Wen has never been a person who insists on restoring novels, and "Evil Does Not Pressure the Right" is another deviant to the original work.
The story takes place in the Republic of China, on the eve of the July 7 Incident.
At the age of thirteen, Li Tiantian (Peng Yuyan) witnesses his brother Zhu Qianlong (Liao Fan) and Japanese Nemoto Ichiro (Kenya Sawada) killing their entire family because of opium.
Li Natural escaped death, was sent to the United States by the American Dr. Hendler to study medicine, and received special training, martial arts, marksmanship, and a cornice wall, roof parkour stunts.
Fifteen years later, Li Tiantian accepted the task and secretly returned to China.
In addition to returning to China on a mission, he also wanted to avenge his master's family.
Zhu Qianlong, the former enemy, is already the chief of the Peiping police station, and Nemoto Ichiro has also ascended to a high position.
The situation is complex, and the road to revenge is difficult.
While waiting for his revenge, he met two women.
Tang Fengyi, 70 years old, comes to his hospital every week to get injections, he is the woman of the enemy, but people can't stop.
Also, Guan Qiaohong, the first tailor of Beiping who insisted on enlarging her little feet, was so special that she could go to the room with him.
When the great war broke out, the war of revenge also came to life.
There are two biggest attractions in the film.
Watch point one: Peng Yuyan, who has muscles similar to Bruce Lee, some people say that Zhang Beihai likes Bruce Lee, so Jiang Wen let Peng Yuyan become Bruce Lee.
Watch point two: women.
Jiang Wen is a straight male cancer patient, and his movies are full of pistols. But he never gave up the woman's play, and in his eyes, the woman was a god-like being.
Jiang Wen said that he read early, surrounded by big sisters, so since he was a child, he has a special "covetousness" for mature women, the women he likes are never pure, Liu Xiaoqing is the elder sister Zhou Yun is a young sister.
In Jiang Wen's memory, when the female teacher was writing on the blackboard with her back, the looming underwear strap was the one who could most provoke him.
Chen Chong also said that Jiang Wen, he really had feelings, the length of the skirt, the transparent buttons, he remembered.
Tranquil and thick calves, Chen Chong's wet hair, Liu Jialing's breasts, Shu Qi's big long legs, and Xu Qingfeng's ass are all projections of his desires, which are the female bodies that directly make men have physical desires.
From "Sunny Day", "Let the Sun Rise As Usual", "Let the Bullets Fly", "One Step Away" to "Evil Does Not Pressure the Right", as he grows older, the women in his films become more and more turbulent, and the older Jiang gets, the hotter he gets.
This time when I arrived at Xu Qing, it was really a riot to the bone, and the large-pitched cheongsam knelt on the bed of the hospital.
The way she was lying on the bed and "just say do it" was actually what Jiang Wen had come up with.
Jiang Wen even taught Xu Qing to use the breath between words to seduce people, Xu Qing said that I am not such a girl in life at all, if it were not for Jiang Wen looking for me, I would not come.
In each of his plays, there is such a red rose representing desire.
Of course, there are also white roses that bring thoughts to men.
She is a crazy mother who stands on the roof and reads in Wenzhou dialect, "The white clouds are gone forever, and the white clouds are in the air for a thousand years."
She was holding a gun and aiming one hand at the enemy, the other hand at her own flower sister.
She is a Martial Artist who can sing and make movies.
She was the first female tailor in Beijing who magnified her little feet and could always find him.
This white rose, covered tightly in Jiang Wen's play, can make the male protagonist think day and night.
The characters played by Zhou Yun have always been mature in appearance and naïve in their eyes; they are brave and strategic, dare to break and dare to stand.
She was the woman who could match him perfectly in soul, and the only one who could make her wife a goddess was Jiang Wen.
The characters in the film are bounded by eaves and are layered.
Li Naturally likes roof parkour, bricks and tiles are like waves under his feet, and he seems to be galloping among the waves
Big Fish, here is the world of him and Qiao Hong, is the most romantic and clean place in the whole play.
And under the eaves, there is a place full of intrigue and violence.
The reputation of "One Step Away" is seriously polarized, and Jiang Wen said that I will never do this kind of dumpling feeding to pigs again.
When it came to filming "Evil Does Not Pressure the Right", he pulled a small abacus again, clearly choked the film critic, film critic Shi Hang played a famous film critic in the movie, but this film critic only had five words per film review, the sixth word did not know how to write, and finally was kneeled to death by Jiang Wencha with a double knife.
Like a child, remembering revenge, holding a gun and a stick in the movie scolds people, but people can shoot the case.
Regarding storytelling, there are two Jiang Wen, one is the smooth and exciting Jiang Wen of "Sunny Day", and the other is the story of "One Step Away" that makes the audience despair and suffocate.
In fact, if you read the second Jiang Wen, you will find that he is a genius in storytelling, and what he gives you is not a story that is deduced according to time, he is to let the story ferment, so that the emotions of the people who understand it explode in fermentation.
The story is all stirred, friction, ambiguity, and circling between the hidden and the exposed.
Enemies are generally hidden in the shadows, and in Zhang Beiping's novels, Zhu Qianlong is a sneaky person.
However, in the movie, li tiantian saw the enemy Zhu Qianlong on the night of his return to China, and since then, the enemy will dangle under his eyes almost every day, and every day he has not killed him, what is he waiting for? He's waiting for your emotions to come into place.
Li Natural is no longer the head of the overall situation with a calm nature, he loves roof parkour, loves to stamp the ass of noble women, and takes off his clothes and exposed flesh at every turn, making people shy enough to look at it directly. He left a father, and a new father came, when to take revenge, when to kill, he said it didn't count.
A martial art has become a chess piece in a game of chess.
To put it bluntly, everyone here is pressing down on that.
Since "Let the Bullets Fly" eight years ago, Jiang Wen's films often have a word to pay attention to.
Carefully examine each character in "Evil Does Not Pressure Justice", each person is both exquisite and decent.
Mr. Lan, a mysterious person played by Jiang Wen, wears a worn-out cotton jacket and cotton pants to buy vinegar in the first scene, you think that people are tenants, but people are renting houses.
For that little vinegar, wrap a meal of dumplings, exquisite;
Li Natural has two enemies, one is Zhu Qianlong, and the other is a Japanese fundamental, he can kill one first and then kill one, but he is just not happy.
He wants to kill together, so that this is the most relieving way of revenge, exquisite;
The role of Tang Fengyi, the charm of the wind, the eyebrows and demeanor are all frivolous women's looks, he can casually leave a business card for men, can instantly ask for forgiveness, but she is not afraid of life and death.
Tang Fengyi has both the style of a woman and the wind and bone that regards death as a homecoming.
The design of the last jump and two lives is also exquisite.
In fact, the most exquisite is Jiang Wen, who let so many people cross the mountains and mountains to the Great Wall Theater in Gubei Water Town, Beijing, waiting for the time, waiting for local interests, waiting for people and people to watch an open-air movie.
Can you write the truth in your diary?
No!
What is the name of writing the truth?
Despicable.
There are too many such classic lines in the movie, a person who eats at a table, with ulterior motives and words in his words, his screenwriter said that the workload of writing a script for Jiang Wen is far greater than others. A dialogue scene can write 70,000 words repeatedly.
Many people say that the story of "Evil Does Not Pressure the Right" is not as wonderful as "Let the Bullets Fly", in fact, in the eyes of Sister Shan, it is too easy for a genius like Jiang Wen to tell a story that makes everyone excited, and what he wants to convey to us is the inside of the story, which is the invisible and untouchable thing, like righteousness and evil.
Like Li Tian's father.
No one told us who his real dad was.
The American dad is dead, and here comes another Chinese dad.
Who is my dad?
No solution.
For whom am I taking revenge? For justice?
In such a turbulent era, a special situation, Jiang Wen saw not right and wrong, but no solution.
Because that's life, C'est la vie.
(Movie Rotten Tomatoes Editorial Department: Sister Shan)