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When love partes, it does not want to see the ring of betrayal
When love parts, don't want to hear a hypocritical explanation
When love parts, tell yourself to forget your name
When love parts, there are still many unforgettable past events
Time passes, but memories never fade; popularity changes, but classics are always classics. Every time I listen to nostalgic music, it always feels the same way. From Hong Kong and Taiwan songs to film and television songs, and then to mainland music, Long Meizi's "When Love Parts" is famous in my heart.
The tail of April, the fingertips of May, the social interaction of spring and summer, hope and passion are alternating, but also the interweaving of joy and sadness. I believe that this season, I am not alone, all those who are facing graduation and those who have already faced graduation are like this.
It's almost May again, and this emotion, as always, is spreading again. The Afghan-American writer Khaled Al-Husseini has this passage in his "The Kite Chaser" that may be aptly interpreted: "Many years have passed, and people say that old things can be buried, but I finally understand that this is wrong, because the past will climb up on its own." ”
What kind of lock needs what kind of key to unlock. For most people, the key to unlocking this annual lock is this song "When Love Leaves".
From the beginning of the song title, it directly and involuntarily pulls people closer to that scene. Teacher Zhao Zhongxiang's low narration entered the ear pinna before the accompaniment, which caused many listeners to complain, and they were accustomed to Zhao Zhongxiang's dubbing in "Animal World", such a seemingly unclassified collocation, which was indeed unacceptable.
But if you understand the outstanding achievements of producer Chen Xiaolong in the music industry, perhaps your "anger" will be slightly suppressed. Since the hit of "Money No Money To Go Home for the New Year", Chen Xiaolong's production level and talent have begun to emerge steadily and continuously. Always be able to sing the song in their own way according to their own production logic just the right seamless diagonal street and blend together.
The narration and singing begin with such a strong interpretation. One is a low statement with grief, and the other is a song with blood and tears in the cry. Long Meizi's voice suddenly appeared, officially dragging the audience's emotions into the story atmosphere created in the song. The lower the voice, the stronger the sadness.
It's like a person who, in the midst of great sorrow and pain, holds back his cry and tells you a story as rationally as possible, don't tell the story first, such a voice can already make you move. With the arrival of the climax of the song, especially when the song "Just let the Rain of May wet my heart, let the Wind of May take away my heart, I don't know how I can prove that the only person I really love in my life is you", emotions began to gush out.
Some say it's a kind of crying, which is understandable; some say it's a pain, and it's not wrong. But I feel even more that this is a kind of determination, a final statement after the imminent letting go. The voice of Long Meizi, in this part of the control is the most appropriate, people are not exhausted.
At this time, the baton on the track was handed over to the hands of the arranger Yuan Yang by the producer Chen Xiaolong, the ethereal spirit of the flute, the characters of the guzheng, the drums in the strong or weak boost of the plot and the progressive emotions, tapping on the audience, or tapping on the heart door of the people with stories.
The song was written and arranged by Pan Pan, and if Long Meizi can use sound to mix emotions in the chest cavity at will, then Pan Pan is the one who can easily use words between brushstrokes to shape three-dimensional and layered emotions. This music producer, who has worked deeply with Wu Qilong, Liu Shishi, Zhuang Xinyan, Li Qi and others, is still the same level as ever.
When listening to the whole song carefully, and then closing your eyes to reminisce, Zhao Zhongxiang's voice still seems to be floating in his ears, and the infectious power of this emotion is spreading, or it can be said that it is close to his heart. The song makes the inner emotions appear to be surging and the monologue is like the moonlight spreading on the waves, accompanied by ups and downs.
This song was released in 2013 and still resonates after 6 years. As long as there is a gathering and dispersion, in another 20 years, I am afraid that it can still hit the heart of the latecomers.
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