There were many poets in the Qing Dynasty, but weng Fanggang was not to be tolerated in terms of whose works were more than those, and his existing poems were as many as 7,000 poems, which was enough to make the poets of the same era hopeless.
Weng Fanggang
Weng Fanggang (1733-1818), a native of Daxing, Shuntian (present-day Daxing District, Beijing), was a scholar of the 17th year of the Qianlong Dynasty (1752) and a scholar of Guangdong, Jiangxi, and Shandong.
He was knowledgeable and knowledgeable, and was proficient in the study of evidence, gold stones, calligraphy, genealogy, and scripture. He was also a famous poet, writer and calligrapher of the Qing Dynasty, whose calligraphy was on a par with Liu Yong, Liang Tongshu and Wang Wenzhi, and was known as the "Four Great Masters of the Qing Dynasty".
Weng Fanggang has a deep relationship with Jinan, once served here, during which he traveled all over Jinan, composing hundreds of poems, inscriptions, calligraphy, steles, inscriptions, miscellaneous examinations, etc., of which the BaixueLou near Baotu Spring and Baotu Spring, the ruins of the Twenty-Four Springs Caotang, Daming Lake and Daming Lake Lixia Pavilion, Xiaocanglang Pavilion, Tiegong Ancestral Hall, Buddha Gong Ancestral Hall, Zeng Gong Ancestral Hall, and Mingshixuan have written dozens of poems (articles), adding historical and cultural heritage to the lake spring scenery of the world's first spring scenic spot.
On September 17, the fifty-sixth year of Qianlong (1791), Weng Fanggang was ordered to supervise Shandong Xuezheng. After taking office, he was busy with government affairs until June 9 of the following year, when he had the opportunity to spend time with his friend Pan Daming Lake and rest in the Small Canglang Pavilion, and composed the poem "June 9th with Friends Across the Lake, Rest in the Small Canglang Wave". At the end of June of that year, jinan's trial was completed, and it coincided with the completion of the newly built Tiegong Ancestral Hall and Buddha Ancestral Hall on the north bank of Daming Lake, which was then the envoy of Shandong Salt Transport. At the time of the worship, Arin Bao instructed Weng Fanggang to write a record of the clerical stone. Weng Fanggang wrote two articles on July 1, "Records of the Iron Ancestral Hall" and "Records of the Buddha's Ancestral Hall". The next day, he wrote a book called "The Tale of the Little Canglang". After the completion of the Tiegong Ancestral Hall and the Buddha Ancestral Hall, Arin bao invited Weng Fanggang and others to feast at the Xiaocanglang Pavilion in the new temple, and Weng Fanggang wrote two poems impromptu to present the dukes sitting together. On July 11, Weng Fanggang also traveled to Xiaocanglang on the night of the moon and wrote a poem "Xiaocanglang Moon Night". In July of that year, he also visited the former site of the Twenty-Four Springs Caotang of Wang Ping (Zi Qiu Shi) and gave two poems, "Visiting the Ruins of the Twenty-Four Springs Caotang of wang qiushi". In August, he inscribed baotu spring on the stone.
In September, Weng Fanggang Shandong Tixue envoy was fully appointed and was ordered to remain in Shandong Xuezheng. On October 4, Weng Fanggang left Jinan again, successively according to Yizhou, Huimin and other places, and did not return to Jinan until November, after which he revisited the former site of Wang Ping's Twenty-Four Springs Caotang, once again to the Iron Ancestral Hall, and composed "Gurudwara Gong Ancestral Hall, Lake Pavilion" (two poems). On the afternoon of November 7, Yu Xiaocanglang Pavilion looked at the Snow of Thousand Buddha Mountain and composed a poem "Snow Lake Pavilion".
In the same year, in addition to the poems inscribed on the wind objects under the calendar of Weng Fanggang, there are also "Evening Rest Small Waves, Denghui Wave Building", "Baotu Spring", "White Snow Building", "Mingshi Xuan Poems, Titled Jiang Fan Bo Zhai Bi" and so on. According to these poems, this year, Weng Fanggang visited Daming Lake, Baotu Spring and other scenic spots several times, and once rested in Xiaocanglang, Denghuibo Lou, Gurudwara Ancestral Hall, Inscription Shixuan, LinbaixueLou.
On the second day of February in the 58th year of Qianlong, Weng Fanggang left Jinan again and successively went out to Dongchang, Linqing, Caozhou, Yanzhou, Jining, Qufu and other places, and did not begin to return until June 4, the fifth day to Jiyang, the sixth to the city of Jinan, and the ten days to compose two songs, "With the Friends of The Little Canglang". On June 11, Weng Fanggang received the visiting Qian Yong at the official residence; on the fifteenth, he made a joint for xiaocanglang Pavilion: "Nagisa Spring Lotus accompanies the North Sea, and xiguang jasper knows the remains of the mountain." ”
On July 7, Bu Wenxingzhi adjusted Weng Fanggang back to Beijing. The next day, Weng Fanggang set off from Jinan to return to Beijing, and before leaving, there were two poems of "Leaving the Title of the Embassy".
In this year, in addition to the poems written by Weng Fanggang in the calendar, there are also poems such as "Thirty-two Rhymes of the Gurudwara Xue Gong Ancestral Hall", which contains verses and notes on clouds: "The vicissitudes of the present resort, the ancient pavilion base." Also more than Chengdu guests, taste the same As Beihai Jie. Lake embankment Hundred Flowers (Xue Wenqing with 'Wanli Bridge West One Grass Hall' seven characters seal back, now given 'Hundred Flowers Pond Water that is, Canglang' seven characters engraved on its side), Quehua two peaks rules. The reeds are wide and the clouds are thousands of acres, and the moon and half of the Lotus Bay are half a pi. ”
In the autumn of the fifty-eighth year of Qianlong (1793), Weng Fanggang's term of office expired and he left Jinan with a reluctant mood. However, Jinan's world-famous baotu soaring, Quehua smoke and rain, Ming Lake moonlit night, Jinan's beautiful landscapes and rivers have left a memory that can never be erased in Weng Fanggang's mind.
Image source: Wang Chengyong, Wang Xiao, Wang Qin, Chopper Cloud Sword, etc