In ancient China, fishing, trees, ploughing, and reading were often regarded as an idealized way of life by literati and doctors, and were often used as the theme of literary and artistic works to express the author's desire to escape from the world, especially the material of "fishing hidden" was the most common. By the time of the Yuan Dynasty, the Han literati had no way to enter, and their social status plummeted, and the Jiangnan shi people suffered especially. As a result, "Yu Yin" appeared more frequently in paintings, of which Wu Zhen's "Fisher Father Diagram" was the most typical.
Fisherman Figure Yuan Dynasty WuZhen
The picture depicts the Pinggang bush trees in the water town of Jiangnan, and a fisherman's father drives a boat between the colors of the lake. The ink color of the whole picture is pale, and the mountains, trees, and branches and leaves all notice the alternating use of ink color to express the hierarchical relationship and highlight the main objects. The variety of penmanship and the rubbing and dyeing can show the author's superb pen control ability. The secluded and lonely mood between the lakes and mountains jumps out of the paper, giving people a sense of being far away from the world. Wu Zhen's "Fisher Father Diagram" is mostly matched with the beautiful cursive "Fisher Father Group", and the poems, books and paintings complement each other. In this picture, the book reads: "The smoke and waves are blue or not, the frost withered maple leaf brocade is blurred, the thousand feet of waves, the four-cheeked perch, and the poetry tube is relative to the wine gourd." The poem is the finishing touch, truly expressing the hidden sentiment of "a leaf with the wind".
Xishan Gaoyin Tu Yuan Dynasty WuZhen
The picture is slightly darker, the mountain is high but round, the grass is luxuriant, the mountain road is steep, the stream under the mountain is flooded, and there is a deep and deep atmosphere. The painting method is generally derived from the juran method, the cloak is more sparse, the ink color is more gentle and moist, and the composition is full.
This picture takes the scenery of Jiangnan Mizusawa, close-up painting of the earthen hills on the banks of the river, two large trees standing in the wind, a hut under the tree, and a winding path to cross and reach the riverside. On the vast river, the waves are clear, and near the reeds on the shore, a flat leaf boat floats quietly in it. Two people on the boat, the former dressed as a scribe, overlooking the river, and then a child servant, sitting quietly and holding a pen. On the opposite shore, there are several mountains, smoke trees are misty, and several houses are hidden in the forest, which is a beautiful landscape with a leisurely style and quietness. The mountain stone lines are softly outlined, and the method comes from the five generations of Juran Phi Ma All the Way, and the whole picture is covered with a layer of light ink, fully grasping the performance of the atmosphere and light. Judging from the self-titled poem on the painting, the painting is a scene of the moon and the night. Wu Zhen is proficient in numerology, advocates the Taoist spirit, and has never been a master in his life. This picture and poem can be described as a portrayal of his happy landscape, the life of smiling and proud of the rivers and lakes, the gaoshi who supports the fisherman on the riverbank, or the sustenance of his smoke and wave anglers' self-condition and hidden feelings.
Dongting Fishing Hidden Axis Yuan Dynasty WuZhen
Fisherman's Father Picture Scroll Yuan Dynasty Wu Zhen
There are fifteen fishing boats and fourteen fishermen in the picture, which is very widely divided. He also used beautiful calligraphy to achieve the effect of complementing poetry, books and paintings. The author's pen is clear and strange, and the wind god is dashing. The mountain stone is covered with hemp, the method is slender and smooth, light ink rendering, wet pen dot moss, clear layers, elegant and timeless. Several miscellaneous trees on The Topaz, old branches and maples, coiled and vertical, outlined by the center of the bald pen, leaves and treetops are mostly "introduction" and "crab claws", and the secret places are sparse and curved.
Qiujiang Fishing Hidden Map Yuan Dynasty WuZhen
Between the cascading cliffs, a cascading waterfall cascades down. Among the trees and stones, there are village houses, and in the distance, there are empty rivers and mountains, and a small fishing boat swings in the center of the river. The full width uses a center-forward bald pen, the method is calm and powerful, the stain is thick, and it is combined with the majestic cliffs and tall pine trees, which feel majestic and thick.
Lutan fishing boat map Yuan Dynasty Wuzhen
Wu Zhen's landscape painting is the only "Fisherman's Father Diagram", which is depicted through the scene of "a leaf with the wind and a thousand miles, and his hidden feelings are pinned on." This painting is a flat boat on the water surface of the cliff, the fisherman hangs up the fishing rod, plucks the beam to go home, the scenery is desolate, the emotion is very leisurely, and the image conveys the hidden Coats' bosom of "hanging up the fishing rod and not fishing". The composition of the work is simple, the brush strokes are rough, the ink color is thick and light, and the style is majestic and moist, reflecting his mature appearance in his later years.