Zhang Bi (1425 ~ 1487) character Ru Bi, home near the East Sea, so the name of the East Sea, later known as the East Sea Weng. A native of Huating County, Songjiang Province (present-day Songjiang, Shanghai). Emperor Mingxian became a second-year soldier and had long been a soldier, and had no scruples in discussion, and became the prefect of Nan'an (present-day Dayu, Jiangxi), who loved things and won peace with the people. Longer than poetry, cursive is very good, and is rated as "upside down". I tasted that my book was not as good as poetry, poetry was not as good as literature, and he wrote "East Sea Collection".
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In the book world, Zhang Bi has changed the "Taiwan Pavilion Style" norm of neatness and stability, roundness and elegance, and fine and smooth in the early Ming Dynasty, and pursues a free and free style of writing. Zhang Bi was a typical representative of the calligrapher at that time, the style of writing was greatly influenced by Huaisu's wild grass indulgence, the work was strange with pen, the lines were smooth, and the ribbon pen was freely waved, making the turn vivid and lively, the momentum was penetrating, and the changes were rich, reflecting the typical appearance of Zhang Bi's cursive writing. Zhang Bi was a representative figure of cursive writing in the early Ming Dynasty. He liked to write large cursive letters, and the history books recorded that he was drunk and prosperous, and he could write dozens of pieces of paper in an instant, as fast as wind and rain, like a dragon and snake, and the world even thought that Zhang Xu (Zhang Xu) had come back. Dong Qichang said that Zhang Bi's cursive writing was to learn HuaiSu, in fact, his relationship with Xie Jin's wild grass was more direct. They represent an understanding and use of the Tang Dynasty wild grass in the early Ming Dynasty. On the one hand, as the antithesis of the popular Taige body at that time, they were more representative of themselves and were valued by people; On the other hand, they enlightened the direct lyrical spirit of cursive writing in the late Ming Dynasty. Zhang Bi's small-character cursive writing is less circulated, the works are mature and vigorous, and the structure and rules are natural and varied. Zhang Bixing's book is compact and vivid, and he uses square pens more often to form his own style and characteristics. Zhang Bi's cursive writing, modeled after Zhang Xu and Huai Su in the Tang Dynasty, is also the continuation of the early Ming Dynasty cursive calligraphers who want to change the Qingyan style of the Yuan Dynasty since Zhao Mengfu and pursue indulgence. Some of his works, which add Chapter Cao to Zhang Xu and Huai Su's wild grass, are ideologically similar to those of the early Song Ke and Yu He. However, many of his works have completely abandoned the pen of Zhang Cao, and the structure is mainly open and closed, and the penmanship is fast and floating. Therefore, Zhu Yunming once said: "Zhang Gongshi is still close to the previous rules, and then he is fluttering, although the sound and light are haiyu, and the Zhiyin sighs", believing that the frivolous posture in Zhang Bi's works is not advisable. However, Zhang Bi's reformative style of seeking new changes became the trend of the times at that time, and many people studied him, and even overseas countries also bought his traces. There must be a difference between the good and the bad. Chen Xianzhang commented on Zhang Bi's cursive writing: "It is extremely good and extremely vulgar." It is true that the four words are very derogatory, but the good is very praiseworthy. Dong Qichang's generation of calligraphers also praised Zhang Bi's "QingyunTang Thesis": Shi Duo pushed his wild grass, to Zhu Xizhe's commentary, and to push his pen of his prime years alone, when he did not see Weng Zhi's full ear. At this moment, all the bodies are ready, whether intentionally or unintentionally, or as dignified as a ceremonial person, or as dashing as a person who is as elegant as a meal. Although he is drunk with Xi Zhe's classmates, and the crazy and angry Zhang is inevitable, Weng Wu is also.
Regarding cursive writing, Zhang Bi once answered a question "(Chang) deeply understand calligraphy, or ask Zhang Rubi cursive, saying: 'Good to the extreme, vulgar to the extreme.'" , Q: 'How is it okay?' A: 'Write about the benefits, change to the point of clumsiness.' "This passage should be helpful for understanding Zhang Bi's cursive art and thought." Du Mu said: "Zhang Gong cursive calligrapher Song Changyi, Chang descendants of guang: "Hongwuchu and Song Ke (Zhongwen) and Song Pu (Zhongyan) are known for their books, known as the Three Song Dynasties'. However, the critic said that the Chang yi book was not caught compared with the second Song Dynasty, and its pen was continuous, and it was not an ancient law. (The Allegory). Dumu's praise and criticism can be seen here. The main basis of the detractor is that "the pen is continuous, and the non-ancient law is also." This may have been a problem at the time, and there will be many supporters, but from our understanding today, the "ancient law" is not only this law, but also another style. Even if Zhang Xu's cursive writing is taken, there are also "pens that continue to exist, and the continuous grasses such as Wang Duo and Fu Shan in the late Ming Dynasty are even more popular today, which shows that you should not be paranoid about your own views."
Zhang Bi is often drunk with books, so he is drunk and has a quick stroke of the pen, such as a whirlwind of rain, which is always changing, and can see Huai Su's will. Zhang Bi believes that his wild grass big characters are the best, and when he examines his calligraphy, what he says is also reasonable, which is about to be related to a drunken word.
Zhang Bi's work can be seen that his calligraphy is huaisu, and his name is moving. The pen written in this volume is smooth, the gestures are flying, the lifting is free, and the level of Zhang Bixing's book can be seen.
Title: Po Gong's poetry is different from the Tang people, and it seems to be revived from the discussion. However, this poem is so emotional for thousands of years. Nan'an County's pumice poems are each with ink lines, that is, Weng Zhi mud on the finger claws also, the temple worship Wei Ranye? But it is so worldly, ancient and modern, and there are not many books, and books are recognized. Seal: Ru Bi
Explanation: Life is everywhere like what it is, but it is like Flying Flying On the Slush. Occasionally left finger claws on the mud, Hongfei which recounted things.
