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Ming Zhang Bi Cursive Su Shi 'Taibai Immortal Poems' volume Partial
Commentary:
Towards the clouds of Phi Yumezawa, Kasa fishing is clear. Find the silk to get a double carp, which contains a three-element chapter. The seal word Ruodan snake, yishi is like flying. Return home to ask the heavens, the Upanishads are immeasurable. The golden knife cuts the green pigment, and the spirit is rotten and magnificent. Swallow the twelve rings, and see the immortal room. Mo crossed the purple scales, and the sea air invaded the muscles and cooled. Long Zi is good at changing and transforming into Meihua makeup. Give me a lot of beads, and be beautiful in the bright moonlight. Persuade me to wear a wisp and tie it as a skirt. Take it with you, talk and laugh and smell the incense.
The candle of life is brilliant, and the light is extinguished. The spring breeze wind around the head of the tree, the day and the answer to the communist (the word "answer" point to go) chemical industry into. I only know that the rain is greedy, and I don't smell the zero falling. When I used to fly bones, I saw the grave when I was smeared. Qingsong mist chaoyang ("yang" character point go) Xia, Miaojiao Mountain Village. Dead and bright moon, there is no glass soul. Thinking of this, he let go of Kunlun and roared long. Drunk in a phoenix coat, the star bucket can be bent over. On July 10, 1988, Dan Yuanhou passed on these two poems.
Knowledge: 钤 "弼" Zhu Wen Fangyin, "Ru Bi" Zhu Wen Fangyin.
Jianzang Seal: Modern Xia Jiquan: "Yuncheng Xia Bozi Golden Stone Map Secretary" Zhu Wen Changfang Seal.
Modern Zhou Mengpo: "Multi-age Examination and Approval" Zhu Wenfangyin.
There are also "Khotanese" white text square seals.
Zhang Bi (1425-1487), also known as Ru Bi (汝弼), was a Chinese poet who was known as Donghai (东海翁). A native of Huating (present-day Songjiang, Shanghai). In the second year of Chenghua (1466), he was the head of the military department and the governor of Nan'an. Cursive calligraphers Zhang Xu and Huai Su have a smooth pen, a rapid pen gesture, and a strong writing style. As the most popular wild grass school at that time, it affected the style of writing in the middle and late Ming Dynasty, and later generations collected its cursive writing and carved it into "Tiehan Lou Ti". He is the author of the "East China Sea Anthology".
Zhang Bi has not written much, and this volume is a rare masterpiece in his surviving works. The full volume of pen and ink is full, the momentum is flying and smooth, the lifting and closing are full of changes, and the dry and delicate are resigned to nature. Each multi-thread connection between the words, the strokes are thick or thin, the glyphs are large or small, they are natural, and the line is penetrating and moving, forming a unique style of writing with ups and downs.
This volume of Zhang Bishu originated in the nineteenth year of Ming Chenghua (1483), and after Liang Kezai of Nanhai obtained su Shi's "Taibai Immortal Poems" volume (this volume is now in the Osaka Museum of Art, Japan), he and Zhang Hong' third son Zhang Hong went to Nan'an and asked Zhang Bi to do it. His son Hongzhi wanted to record it, so Zhang Bi bingzhan helped to record two poems of Su Shishu Taibai Xian, the original volume after the tail of the Jin Dynasty Cai Songnian inscription, and Zhang Bi's own inscription.
Text: Calligraphy and Painting Research Department Pan Heng Zhang Xia
Editor: Media Center Ying Liu