Liu Yi, former vice chairman of the China Book Association, appreciation of exquisite cursive works, netizens: innovative and successful new cursive calligraphy association former vice chairman Liu Yi exquisite cursive works appreciation: Introduction of the book: written at the end of the article:

Chairman Liu Yi's calligraphy skills are profound, the real grass is attached to the seal, and the knotted knot is excellent, especially the cursive is free from nature, and the art of calligraphy is not inferior to the ancients. Compared with modern people, it is nothing more than the ancients used a brush as a writing tool, and the brush wrote more than today's people. But in modern times, many calligraphers do not necessarily spend less time practicing with brushes than the ancients. Some people say that the words of the leaders of the book association have lost the original meaning of calligraphy, that is, graffiti. The atmosphere of the book world is not right, the book association has become a "book evil" and even a "book oblique", full of rivers and lakes, exhibition bodies, naïve bodies, ugly eight strange bodies, dry firewood and dead branches, thatch flying, speculative drilling camps, deception and theft of fame, traditional calligraphy has been ruined beyond recognition! On the contrary, it is folk, there are a group of people who really immerse themselves in traditional calligraphy, silently cultivate, have a solid foundation, and improve their calligraphy, they are the real mainstream of calligraphy! Or the saying: the master is in the folk.

Xiaobian believes that now is definitely the flourishing of calligraphy, cursive innovation and popularity, in many aspects indeed surpass the ancients, the ancients are also people, do not look at as gods can not be surpassed, contemporary calligraphy materials unprecedented, masters gathered, exhibition exchange information circulation unprecedented, colleges and universities of professional institutions unprecedented personnel, what reason is not more than the ancients, and the production technology of brush rice paper ink are high-tech, everything is available, only owe the cursive master to appear to lead. Cursive innovation is only a small number of people with cursive cultivation to appreciate, must not be shocking! Of course, the level of contemporary traditional calligraphy inheritance is also very high, and the level of innovation in this regard is also very high, which should be taken by name and cannot be attacked by each other.

<h1 class="pgc-h-arrow-right" > Appreciation of Liu Yi's exquisite cursive works, former vice chairman of the China Book Association:</h1>

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<h1 class="pgc-h-arrow-right" > booker introduction:</h1>

Liu Yi, formerly known as Wang Ping, was the son of Wang Shizi. Famous calligraphy everyone. Born on January 25, 1931, he was born in Taichung City, Taiwan. He once served as the vice chairman of the Chinese Calligraphers Association, the director of the Creative Review Committee, and the editor. He is currently an advisor to the Chinese Calligraphers Association and enjoys a special allowance from the State Council. Liu Yi grew up in a family with a strong artistic atmosphere, and his father Liu Jintang (also known as Wang Yuezhi) was a famous oil painter and art educator, and was one of the pioneers of the Chinese New Art Movement at the same time as Xu Beihong and Lin Fengmian. He graduated from the Department of Western Painting at the Tokyo School of Fine Arts in 1921 and was the first painter in Taiwan to study in Japan. Mr. Liu Jintang's family donated more than 40 of his posthumous works to the state and were collected by the National Art Museum of China.

<h1 class="pgc-h-arrow-right" > written at the end of the article:</h1>

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