The just-finished "Ideal City", which focuses on the construction industry, is known as the ceiling of domestic workplace dramas. The characters in the play are wonderful, and the actors are brilliant. In the play, there are workplace idealists, there are office "old fritters", there are industry helmsmen who are strategizing, and there are small employees at the bottom who are holding back. In this "Colosseum", others are desperately trying to climb up or keep their positions, only Wu Hongmei has always been a promise, low voice, trembling, representing the most non-existent kind of person in the workplace.
Wu Hongmei could not cope with the aggressive boss, in the eyes of the boss, her work ability, manners, dress is useless, the whole body is "wrong". She was also caught in the mire of marriage and her original family, the marriage was like a pool of stagnant water, her parents spent her savings, and took her as an outsider. Wu Hongmei, who is in the "low pressure" of the whole play, finally has a big change at the end of the play that makes the audience stunned.
As soon as the drama was launched, many viewers did not recognize that Wu Hongmei, who was stoic and stoic, was played by actor Gao Ye, because this role was very different from Zhang Shoufang played by Gao Ye in "The Young Marshal", Li Xiangxiang in "The Twelve Hours of Chang'an", and Liang Annie in "I Am Yu Huanshui". Zhang Shoufang has a bold personality, even flying; Li Xiangxiang is full of charm and makes people unforgettable; Liang Anne is domineering and leaks, and she wanders among a group of working men with ease. These roles are very different from Wu Hongmei. But Gao Ye accurately performed Wu Hongmei's depressed and sleepy state and aura, contributed the most empathetic acting skills, and let the audience remember her.
Before the hit "I Am Yu Huanshui", many people did not know Gao Ye. She gave Liang Annie in the play the qualities of domineering and sexy, and the kind of ease of manipulating the characters, so that the audience can see her acting skills. Gao Ye said that before this play, there were no heavier roles to find her, she did not have many opportunities, she could only take some very small roles, but even if it was as small as a few scenes, she must be fully committed to interpreting this role. After several works were broadcast this year, more people saw Takaba's unlimited performance and liked her more and more. Gao Ye said that she is now busy at work, in a state of pain and happiness, and getting more attention allows her to have more roles to interpret, and will no longer watch those good roles and good scripts slip away from her hands.
<b>Played the red rose of Wei Nono,</b>
<b>Every scene has to be emotional</b>
<b>Qilu Evening News Qilu One Point: How do you understand the character of Hongmei in "Ideal City"?</b>
<b>Gao Ye:</b> In the workplace, Hongmei is a state of being like a person and going with the flow. The great change in the red rose at the end is due to the favor of the chairman, who told her: "Everyone has the good of each person, and you are also very good." This is a big impact on Hongmei, because in addition to her girlfriend Su Xiao, her life has not been affirmed by many people, and people of the chairman's level and position affirm her, and they are recognized by the people they look up to, and this power is huge. The internal cause of her transformation is actually the growth of Su Xiao, which makes Hongmei see hope in herself, and the unwillingness and ambition in her heart are also stimulated.
Hongmei is a more realistic and "landed" character in the whole drama, and I think the audience should feel her compromise most about this character, whether it is for her family, Xiaobei or for work, she is compromising, and there is a suffocation in it. In my performance, the most impressive thing was the few scenes where Hongmei quarreled with Xiaobei, which was one of the few scenes where Hongmei could vent her emotions. Neither she nor her family ever vented her emotions.
<b>Qilu Evening News Qilu One Point: This character has an introverted personality, which is very different from your previous role, what will you do to prepare to get close to the state of Hongmei after getting the script?</b>
<b>Takaya:</b> After getting the script of this play, I would think about some of the characters in the books I had read before, and I would go to a big company to observe what kind of staff were working in it. I don't really know much about the workplace of big companies, so I can only rely on more observation. The most important preparation is how to enter the role of red rose, how to find the state of red rose from all aspects such as shape, language method, and shape.
Playing Hongmei, she is more "introverted" in her performance. In fact, I have a lot of uncertainty in interpreting this role, not as 100% sure how to perform as the character I am good at. In terms of performance, I will be more restrained by some things that belong to Takaba. Some of the other outgoing characters I can put into my own personality, but this role can't put too much of myself in.
The play space of each role is actually the same, and playing a character who contrasts with his own personality has a lot to consider or determine. If the character is similar to my own personality, the emotions are accurate or inaccurate, I can know at once. But for the characters who have a relatively large gap with my own personality, every scene has to check whether the emotions are accurate, which will take a lot of effort.
<b>"I am Yu Huanshui" also wanted to pick a beam before</b>
<b>But there was no chance</b>
<b>Qilu Evening News Qilu One Point: Li Xiangxiang, Liang Annie, Wu Hongmei, these three roles, three states, which role is very helpful to your growth?</b>
<b>Takaya:</b> Actors are very eager to try more styles, more types of characters, and always play a kind of person, which I think is a kind of laziness.
I prefer to try different character types, playing different characters can experience the lives of different people, for actors this is the most magical place for performance. I can't be like Wu Hongmei in my life, but when performing this role, I need a long time to be a non-committal person, to feel her pain, hardship, and to feel her annoying places. Why this person is like that, the actor can go and understand it carefully.
I put a lot of effort into each role, in fact, there is no way to say which role helps me more, because I am fully committed to each role. Like if you have four or five kids, can you pick one you like the most? The choice itself is a very cruel thing.
<b>Qilu Evening News Qilu One Point: You will take some "very small" roles, but it will still attract the attention of the audience. What mindset do you have about character size?</b>
<b>Takaya:</b> (Laughs) Before "I Am Yu Huanshui" was seen by everyone, there were not some "very big" characters to find me, and there were not many opportunities, so I could only take some so-called "very small" roles. But in my opinion, the roles are no size, no small roles, only small actors. No matter how small the role I am given, I will definitely devote myself to interpreting this role well. Whether the role is big or small, my mentality has not changed much, and I do not have a sense of distinction in the size of the role, which may be the reason why playing a small role still attracts attention.
However, the soldiers who don't want to be generals are not good soldiers, and I also want to pick the big beams, but I lacked opportunities before, and works such as "I Am Yu Huanshui" and "Ideal City" allow me to contact some "big roles" and also give me more opportunities to play.
<b>Hope to get a "shadow queen",</b>
<b>Draw a comma for your own efforts</b>
<b>Qilu Evening News Qilu One Point: In the words of netizens, you are an acting school "drama throwing face", what is your understanding of good acting? At different stages of life, will the pursuit be different?</b>
<b>Takaha:</b> Good acting is accuracy. There is no right or wrong in acting, only the difference between high and low. The "accuracy" of the performance is very difficult and very important.
I felt that my interest in acting was like following the magic. Why do some people who are hurt in love still run to love without hesitation? Why? There is no way to say that acting is also like this, it is very magical, it is a means of realizing self-worth.
When I was a child, I wanted to be an actor, in fact, at that time, I probably wanted to be a star, and then after entering the film school and slowly discovering the magic of acting, I wanted to be a good actor who acted steadily. The goal now is to take a "movie queen", hoping to draw a trademark small comma or small period for the hardships he has paid for so many years in the performance.
I'm busy at work now, in a state of pain and pleasure. As an actor, really busy, the consumption of people's bodies and emotions is very large, which is the part of "pain". Happy because you have more roles or bigger scenes to interpret, you can also receive some roles that you especially like, and you will no longer watch those good roles and good scripts slip away from your hands, which is the happiest part.
<b>Qilu Evening News Qilu One Point: Compared with when I first entered the industry, what is the biggest understanding of the profession of actor and acting in the past ten years?</b>
<b>Takaya:</b> My motto is "Contentment is insufficient, and there is a way to do something". Our circle is a circle where all aspects have been magnified, and I think that in such an environment, the most important thing is to be "content, to know the lack", to know where their deficiencies are, and then work hard there, and after some things are available, they must learn to be content, and they cannot go astray for their own momentary selfish desires. After "being content and knowing enough" is "content, not knowing enough", some directions need to be more determined to work hard, of course, things that cannot be touched must not be touched. In the big environment, there may be many temptations that will make you gradually lose yourself, so you must "have a blessing".
<b>Qilu Evening News Qilu One Point: At the moment, it is exactly a time to go to "traffic" and "rice circles", what do you think this will bring to good actors?</b>
<b>Takaya:</b> Times are changing, and so will everyone's needs. Going to "traffic" will give actors more opportunities to perform, or the opportunity to get a good script. At present, as an actor, I can be seen, recognized, and affirmed by everyone, and I also want to thank the arrival of this era.
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