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<h1>Calligraphy and painting | taste life</h1>
[The first person to paint bamboo in the Qing Dynasty | Zheng Banqiao】
Zheng Banqiao, one of the "Eight Monsters of Yangzhou" in the Qing Dynasty
In his later years, he wrote a poem in a "Bamboo stone map":
Forty years of painting bamboo branches,
Daytime brush strokes and nighttime thoughts.
Redundant and thin,
When the painting is raw, it is cooked.
Zheng Banqiao painted bamboo for 40 years,
Finally, I realized that painting must remove the complicated essence of the truth.
Hi bamboo loves bamboo and I am one
The bamboo charm of Zheng Banqiao is transcendent, first of all, it is derived from the love of bamboo. He believes that bamboo is strong: whether it is wind and rain or cold and hot sun, it is straight. Green and lush, bamboo "humble heart": whether it is a giant bamboo in the mountains or a green branch in front of the house, it is hollow and consistent, and it is never arrogant and self-respecting. Bamboo has "knots": it can withstand hardships and does not "renegade". The style of bamboo is in line with the temperament of Itabashi, and things and things are blended.
Admire the bamboo sniffing and observing
Zheng Banqiao once said: "Where I paint bamboo, I have no teacher, but more than paper windows, powder walls, daylight, and moon shadows." "Yes, he spent his life with bamboo, and he planted a lot of bamboo in front of his house. In the summer, he put a small bed in the bamboo forest. Lie down and read, admire the bamboo, smell the bamboo. In autumn and winter, he cut bamboo poles into small pieces, made them into window ledges, and pasted them with white paper. When the wind and the sun are warm, the bamboo shadows are reflected on the window paper, like a natural bamboo painting.
Brewing repeatedly
Zheng Banqiao once described the scene of painting bamboo: "In the early autumn of Jiangguan, looking at bamboo in the morning, smoke, sun shadow, and dew are all floating between the dense leaves. The chest is full of emotion, so there is a sense of painting. In fact, the bamboo in the chest is not the bamboo in the eye. Therefore, grinding ink, spreading paper, dropping pens, and making disguises, the bamboo in the hand is not the bamboo in the chest." This passage of his tells the law of painting creation: the bamboo in the eye - the bamboo in the chest - the bamboo in the hand, that is, looking at the bamboo, thinking about the bamboo to painting the bamboo. The same goes for the writing process. When we write, we are often excited about what we feel and lack a deep understanding, which requires contemplation, vertical and horizontal comparison, and calm thinking, grasping its appearance and essence.
"The heart of the king is like facing the river, and there is no rest in the east day and night." When conceiving, hold your breath and concentrate, think hard, and brew repeatedly until the people, things, things, and rationales are familiar with the chest, the levels, the contexts are ready, and the forms of expression are considered mature. The article embryo is the beginning.
The god Bishaw uses objects as metaphors for people
Zheng Banqiao said in the "Zhengqiao Bridge Collection and Inscription Painting Bamboo": "The body of the cover bamboo, thin and lonely, the branches are proud of the snow, the knots are thousands of clouds, it is like a gentleman's arrogance, not vulgar." Therefore, Itabashi painted bamboo, not especially for bamboo to write the gods, but also for bamboo sketching. Thin and lonely, it is its god also; heroic and soaring, it is (its) life also. The "life" here refers to the external image of bamboo; the "god" here refers to the inner temperament. The shape of the god Bishaw, empathy to things, entrustment of meaning, can enhance the appeal of art.
Zheng Banqiao wrote and painted bamboo all his life, and he loved yong bamboo even more. His bamboo poetry is timeless and contains a strong philosophical reason. When we often mention the pen and write articles, we will think of his "cutting out the complicated and simplifying the three autumn trees"; when we are studying the words at the window, we will think of him saying "do not be a former ink slave"; when we are depressed, we will think of "suffering losses is a blessing" and "rare confusion". Flipping through his poems and articles, after more than 200 years of time, I realized what he thought, confused, felt and realized, and it was still so kind.
<h2>[The ink bamboo of Xia Chang, the first person to paint bamboo in the Ming Dynasty].</h2>
Biography:
Xia Chang (1388-1470), also known as Zhongzhao, was a native of Kunshan, known as a master of painting bamboo. His initial surname was Zhu,chang (昶), and later his surname was Xia (夏), for which Emperor Taizong changed his name to Chang (昶), the character Zhongzhao (仲昭). No. 10 ZiJushi, also known as Yufeng, a native of Kunshan, Jiangsu, Xia Fudi. Orthodox Lieutenant to Taichang Temple's secretary-general's cabinet. Painting ink bamboo master Wang Fu, can get his magic, push the first, famous in the world, and strive to buy it with gold.
In the thirteenth year of Yongle (1415 AD), he was a jinshi of the Hanlin Temple. Emperor Wen greatly appreciated his calligraphy and was recommended to introspect and confer the title of Zhongshu Sheren. Yongle Destiny Book Palace List. Try to travel from the emperor to the south and north of the capital.
In Xuande (1426-1435 AD), he was transferred to the chief of the work, and was still provided for the inner straight. In the Orthodox (1436-1449 AD), he was promoted to Changqing. He was frank and easy-going, informal, often in and out of the ceremonial room, and people did not blame him much. In his later years, he returned to his hometown to live and entertain himself with poetry and painting.
Xia Chang, who painted bamboo and studied Chen Ji, had his own face and reputation greatly surpassed that of his teacher.
His brother Xia Yang (夏昺), also known as Meng Yang (孟旸), was also known as the Calligraphy Summoner, and was ordered to worship the Zhongshu Sheren with Chang, then known as the "Great and Small Zhongshu". Painting landscape master Yuan painter Gao Kegong; and good bamboo stone, Xiao Xiao has the atmosphere of a forest, but he does not do much in his life, so the world generally only knows Xia Chang ink bamboo, but does not know his brother Chang.
Artistic Features:
Xia Chang painted bamboo in calligraphy, and the bamboo branches he made were smokey and rainy, straight and thick, and each of them followed the momentum and rhymed vividly. At that time, many people learned to paint bamboo, and the history of painting records such as Qu Zhi (Zi Chu Cheng) of Li (Kunshan), Zhang Xu (Zi Tingrui) of Haiyu (Changshu), and Zhan He (Zi Zhonghe) of Qiantang (Hangzhou). And qu is prominent. Ming Wukuan's "Collection of Daggers" said: "Nowadays, people have a lot of people, and they often come out of their hands, and the truth and falsity can be distinguished by themselves." Xu Qin's "Ming Painting Record" said that Xia Chang "called the first when writing bamboo, was famous in the world, and competed for gold purchases, so there was a rumor of 'Xia Chang one bamboo, Xi Liang ten ingots of gold'". The bamboo branches made smoke posture rain color, the value of the thick, the movement and the degree of the haze, the cover connoisseur also. Kunshan's people have been teachers for generations, and they are quite subservient, and what people get is often out of their hands. You Jing Kai Fa, Yongle Fortune Book Palace List. Died at the age of eighty-three.
Representative works:
Ming Xia Chang Xia Yu Qiu Sound Chart On paper, ink pen, length 151 cm, width 63.7 cm. Collection of Shanghai Museum.
Ming Xia Chang Ink Bamboo Diagram On paper, ink pen, length 116cm, width 52.3cm. Palace museum.
This painting is self-titled: "Windward." Eastern Wu Xia Chang pen. "There are three inscription poems such as Wu County Monk Qi and Yunjian Qianbo.
This depicts the bamboo leaves swaying in the wind. In the picture, Cuizhu picks up the pen and closes the pen to transport it in italics, which not only makes the pen and ink thick, but also has a dashing and clean posture. The arrangement of bamboo leaves is staggered, the ink is dropped, there is no double pen, and the ink color is thick and light, and the front and back are clearly layered. The bamboo knots are strong and strong with a pen, and the rods are thin and the leaves are fat. The gestures are varied and energetic. The layout is novel and the breath is fresh. The bamboo leaves sway in the wind, fully embodying the meaning of "facing the wind".
Xia Chang Yi Ugly (1445) As Lone Peak Qingcui Vertical Axis 143×55cm
Xia Chang Ink Bamboo Mirror Heart
Xia Chang Bamboo Stone Figure 123×42cm
Title: Tai Chang Qing Xia Chang pen. Source: Japanese reflux.
Xia Chang Cypress Bamboo Stone Vertical Shaft 142×54cm
Title: Zhongzhao Xia Chang.
Seal of Xia Chang
Tibetan Seal: Wufu Wudaitang Ancient Rare Heavenly Treasure, Wucheng Jiang Gu Sun PingSheng True Reward
Xia Chang Qingfeng High Festival Vertical Shaft 155×74cm
Yin: Natsuji Nakaakiin, Nakaaki
Knowledge: Qingfeng Gao Festival, Eastern Wu Xia Chang Zhongzhao for the Taishou He Gong when the Tianshun three years of dragon set himself Meng Chunwang four days later also.
This painting of the "Qingfeng Gaojie" depicts a pillar of lake stone, the wind bamboo number pole, the bamboo leaf falling ink is, there is no double pen, the lake stone is written horizontally with an axe splitting, from the beginning to the end, the qi pulse is connected, and it is integrated. Xia Chang painted bamboo, emphasizing the charm of qi, advocating "one breath", bamboo leaves falling ink is, no compound brush, mountain stone with axe splitting method large brush flank swept away. Xia Chang's ink bamboo is not just a simple literati-style expression, but also a bamboo in its natural growth environment, and the brush and ink artistic conception of landscape painting is integrated into bamboo painting, showing profound skill and unique artistic style.
Xia Chang (model) Cangshi Cui Huang Figure Vertical axis 102.5×44cm
Plutonium Seal: Eastern Wu Xia Clan Chang Zhongzhao Calligraphy and Painting Seal
Title: Cangshi Cui huang. Eastern Wu Xia Chang Zhongzhao pen.
Hong Liangji (1746-1809) Inscription Poetry Hall: Dry qingyun and straight up. Shōnen Hung Yoshi. Plutonium Seal: Hong Liang Ji Yin, Zhi Cun
Side Question:
1. Yang Tingxi (Qing Dynasty) Title: Ming Xia Gongzhong Zhaomingchang, a native of Kunshan, orthodox official Tai Changqing. It is easy to be simple and simple, informal, good at books, especially ink and bamboo. The writing is constant and self-respecting, and there are more hanging gold overseas to buy. For hundreds of years now, it has been passed down like a phoenix. This frame is silk with no damage to the etching. The collection has been increased, and the seal is verifiable. Write on the bamboo number of poles, dense and dense. There are curly stones, special woods ugly, and sen ruren standing. The short branches are sparsely leafed, covering the stone, and the denser and clearer they are. In the distance, there is the tendency of the clouds to sway, and the near one has the rain to wash the purity of Juanjuan. Its magic is directly the mystery of the Yangzhou Jade Bureau, and the product that is not easy to see is also. Ranyu Yu Zhenchuan Mr. Huai Zhu said that the painting of Tai Chang was not destined for the bamboo person, but also suitable. Taste its words, there is a deep line with the clouds of the eastern slope, "a gentleman can mean things, but not attention to things". The words of the second public are profound in purpose. Yu Bao this frame, suitable and allegorical. The book is on the side and right, one to benefit the eyes, and the other to use self-encouragement. Let me know my hobby, cover its things and not serve them. In the leap autumn of the fourth year of Shi Xianfeng (1854), Yang Tingxi, a native of Shizhishan in Liangxi, met in Chenghuai Hall. Plutonium printing: Yang Ting tin seal, half window crescent moon
2. Yan Rong (Qing Dynasty) Title: Too often paint bamboo like a picturesque dragon, vertical and horizontal changes stratus clouds from. The dragon is the spirit of Akiya, and the bamboo is also ethereal. Too often write bamboo and write stone, strange as a ghost face, people standing and bare-faced, nonchalant mouth, tooth sensen, like the maple of the dragon, and like a dragon jumping tiger lying down. Yin and yang squirt and boo, fluttering and fluttering. I don't know that at that time, the pen was also the spirit of the dragon, the change of the tiger, and the land of the ghost away from the light monster. But aware of the pen, the bottom of the wrist flew out of the frost smoke shop. Too often the product of the gentleman, writing bamboo is also self-portrait of the ear. How strong is the trip too often, grinding without phosphorus stone a punch. Dragons have grandchildren, and bamboo is like its own. Shi Ruhu was shocked. Linchi splashed ink he dripping, bamboo angry stone gradually, the size is strange. Cangjie made words, rained and millet, and ghosts cried at night. The secret of the creation of the leak, there is also the axis of the map of the too often. Xianfeng fourth year autumn early August Huan, South Xuliao Qiu Shi Yan Rong inscription. Seals: Chenrong, WanSonggangqiao, Zishou
3. Ye Daofen (Qing Dynasty) Title: Xia Taichang painted bamboo not only for the crown of the Ariake generation, but also for the wen and can be passed on to Uchi. Yuanzhi Li Shi Zhai Can't Win Also.
Xia Chang Bamboo Stone Diagram Vertical axis 182×68cm
Knowledge: Xia Chang Zhongzhao. Seal: Xia ZhongzhaoYin (White) Twenty-Eight Su Zhongren (Zhu)
Xia Chang (model) Orchid Bamboo Album 39×44cm×7
Title: Imitate Nan Weng's penmanship. Xia Chang system.
Tibetan Seal: Wang Sui Dengyin, Baigu
Xia Chang Bamboo 70×33cm
Xia Chang Xiangjiang River Over the Rain Figure Hand Scroll Inscription 26× 102cm Painting Heart 26×407cm
Inscription:
(1) The ancients were known for their ink and bamboo, and since the Tang dynasty kings Mo Jie and Wang Zizheng, in the Song Dynasty there were Wen Youke and Su Zizhan, and in the Yuan there were Ke Jingzhong, Li Xizhai, Gu Zhengzhi, Zhang Minfu, Liu Guangzhi, and Song Haogu. In the Yongle room of the National Dynasty, those who write bamboo are known as the gentlemen, then there is the Zhongshu Sheren Jin Ling Wang Mr. Meng Duanyan, mr. Works straight to the ancients, there are those who write about it, if they get the luminous arch. Now Tai Changqing Wu County Xia Gong Zhongzhao, learned from Mr. Yu, further studied his samadhi and has the reputation of blue, especially so it is rare. Chinese and foreign scholars and doctors hold the silk to knock on the door of the public, and those who seek it have no vain day. If you get it, you think it is happy, just as the Shaoling poem said, "When the princes and nobles get their handwriting, they feel that the barrier is glorious." A volume of Xiaoxiang □ rain map written by ziyiguan gong can be seen with its smokey leaves, jagged and hidden, straight and horizontal branches, and thousands of branches. And its dense and thick, overlapping side, far and near high, each interesting. And Tingzhou reflection belt, water waves, the sound of the wind and rain, Xiao Fluttering, back to the thin is the water, listen to the endless. The scenery of the mist and mist, the endless view, like the song of the Xiangchuan River, makes people feel nostalgic and irrepressible. Whoever is like this, who is not a genius, who is handy, who is born at the end of the pen, who does not know what it is? Although the plants of the world are good, the gentleman is deeply taken from bamboo, why not? Isn't it true that with his humble heart, he will not be invaded by frost and snow, and will not change The Wayy Yeye at four o'clock? Zhongni yue: "Years cold, and then after knowing the pine cypress, it withers." "Bamboo and pine cypress, which is taken by a gentleman, is it not also appropriate?" For this reason, it is said in the poem of Wei Feng, and Dongpo Suzi also knows: "It is better to eat without meat than to live without bamboo." No meat makes people skinny, no bamboo makes people vulgar. People are thin and fat, and civilian customs are not healable. And the prince of Jin, Youyou, loved everything he did, that is, to plant bamboo, he said, "How can there be no such thing (Jun)for a day?" "By the name of this king, his love is also the greatest." Is it to build a bamboo house without asking the owner, although it is defamed and not to think that it is strange, not the so-called bamboo lover? Ruofu Zhuxi's Six Yi, the Seven Sages of the Bamboo Forest, among which the rate is more indulgent and desolate, yi Ah Yang Wang, not following the rope inspection of the people, but the false bamboo of the Qing, in order to fit its loose and wandering ears, its heart may not be taken from the bamboo, and it is not appropriate for the gentleman of etiquette. Bamboo and know, and what is known is that it is pleasing to the eye. (See) Si also said that the meaning was unspoken, and the book thought that it was a record, Shi Tianshun first year Ding Ugly Meng Qiu Ji, Ne Weng book in Cang Xuexuan. Seal: Guibi books, self-entertainment Daoists
(2) Right ink bamboo scroll, Xia Tai often wrote to Give Qinchuan Chen Weng Yu Bo, Yu Gai De's Son Wei Xiao. Nowadays, Mr. Taishi Lu of Dongjiang can be said to be a fresh breeze to the deceased. Yu Bo was a high priest at that time, Zhongzhao was a friend, and Bogu Jing seal carved and created a bronze seal, and after I left, I only saw his person. In December 1519, Qian Renfuzhi was killed.
Xia Chang Half Window Spring Rain Hand Roll 42.5×84.5cm
Seal: A layman
Title: Spring rain in the half window. Eastern Wu Xia Chang Zhongzhao pen.
Signature: Tomorrow summer mid-show half window spring rain authenticity. CShen reloaded. Also the Annunciation Department.
Xia Chang Qiyuan Jixue Vertical Axis 150×72cm
Xia Chang (model) QiuZhu Xiao Xiao Jingxin 42×58cm
Inscription: Rhyme drifting mountains verdant cold, sound and wild spring clear. Eastern Wu Xia Chang. Plutonium Seal: Pei Jingfu income Zhuang Tao Ge cheats
Xia Chang Qifeng Towering Vertical Axis 137×68cm
Title: Strange peak towering green. Tai Changqing Xia Chang wrote. Seal: Xia Gao Books, Donghai Xu Yuanyu Father, Wu Gong
Xia Chang (model) Sakaya Breeze Vertical shaft 166×50cm
Title: Ridge Valley Breeze. Eastern Wu Xia Chang Zhongzhao pen. Seal: Eastern Wu Xia Chang Zhongzhao Calligraphy and Painting Seal, Taichang Books, Hu Tong Moving Pillow To Persuade Guests to Undress
Xia Chang Linggu Qingfeng Diagram Vertical Axis 64× 136cm
This bamboo stone map depicts a pillar of lake stone, the wind bamboo number pole, the bamboo leaf falling ink is, there is no double pen, the lake stone is written horizontally with an axe split, from the beginning to the end, the qi pulse is connected, and it is integrated. The painting is self-titled "Breeze of the Valley". The so-called "Ridge Valley" is the place where the good bamboo is produced in myths and legends, and it is said that it is located in the north of Kunlun Mountain. In the lower part of the picture, there are two medallions of Mr. Qian Jingtang, a famous collector in modern times, one is "Haichang Qianjing Tang Collection" and the other is "Counting Qingcaotang". The outer signature of the scroll is the inscription of the famous painter and appraiser Wu Hufan, "Ming Xia Zhongzhao Ridge Valley Qingfeng Map". Two famous appraisers escorted this figure, and their treasures can be known.
Ming Xia Chang Qingfeng High Festival Chart Axis Metropolitan Museum 81x29cm
Xia Chang Xiangjiang Smoke rain Hand roll 38×630cm
Inscription: From the ancient museum of the people luo in the chest, there is nothing, so its yan leisure between a reward and a play, the ancient and modern heaven and earth of the wonders, but in the middle of the gains, in the things are all obtained. Xuepu ChengJun is a confucian of the world, a pen and ink lover, a taste of ancient and modern famous deeds, a unique eye, writing ink and bamboo in each play, happy to put the pen to fit, people have beggars, vain people, people are constant. He haixia, Zhao Yu deng his new Yan Yu building, immersed in the painter, two yue yue. Often out of his usual hiding, so that the old eyes are confused, it is not enough to give rewards. This volume of the Xiangjiang River smoke and rain map, is too often Shaoqing Xia GongZhongzhao made, people are excited to see the sense, Xia Gong lineage Yongle Yi wei jinshi, was selected Lun Pavilion, retreat to eat the time, game Han Mo, ink bamboo master Wen Huzhou, do their best, at that time every is not easy to get, there are two poles, one pole and two poles, enshrined and secret, there is no long scale, as many as dozens of hundreds of rods in such volumes. Under the exhibition, the smoke loomed, the clouds swallowed steam, the rain was clean and the wind dragged, the water was alive and the stone was runny, sprinkling and blowing, all of them were divine, and they wanted to see the paper flying, and when they were full of pride. He who is afraid of the will of the husband will cherish it, and it is the wonder of the pen and ink of the scroll for a while, and the other words of the first book are at the beginning of the volume, so how often do this, in order to entertain himself? Or do you hold a gift to others and not a great book to a gentleman who is a queen? Naiyue has not been erased for hundreds of years. Now it is the collection of the academy, and the husband also has a kind of survivor Yes? Yu is a person who is good at hiding and unharmed, and he is too often known, and he should be attributed to the academy. The bamboo of the garden of learning, and the true and good stepfather too often, because of the rate of writing this, in order to see the naturalistic, every foreign object under the world, and from the bamboo of the too constant, to enter the bamboo cloud of the garden. Seventy-six old man Xiting Yang Jinzhi.
Seal of Yang Jin, Zihe, Xiting, home in the first peak of Yushan Mountain, old age seventy six
illustrate:
1. Xia Chang, the character Zhongzhao, is a resident of The Number of Freedom, a native of Kunshan. Painting ink bamboo master Wang Fu, can get its magic, famous in the world. You Jing Kai Fa, Yongle Fortune Book Palace List.
2. Yang Jin (1644-1728), Zihe, Xiting, Changshu, Jiangsu. Shanshui was Wang Yi's disciple. Yang Jin was a court painter of the Qing Dynasty, known for his paintings. "Seal of Yang Jin", "Home in the First Peak of Yushan Mountain", see "Chinese Calligraphers and Painters Seal Recognition", P1273, No. 37, 87 Seal.
The advocacy and painting practice of the literati painters of the Yuan Dynasty, led by huang, wang, Wu and Ni Yuan, laid the foundation for the position of the literati painting of the Yuan Dynasty in the history of Chinese painting with the trinity of poetry, books and painting as the main features. Appealing to the taste of pen and ink and even the literati atmosphere beyond pen and ink has become a further metaphysical pursuit that transcends traditional painting techniques. The early Ming dynasty calligraphers Song Ke, Song Fu, Shen Du, Xie Jin, and the painters Wang Fu, Xia Chang, Du Qiong, Liu Jue and other art giants, their works, all in pen and ink, inherit the connotation and extension of the literati paintings of the Yuan Dynasty, which is comparable to the previous dynasty.
Like Du Qiong and others, Xia Chang's heirloom works are rare. Xia Zhongzhao is good at painting bamboo, when pushing the first dynasty, smoke and rain, movement and moment change, there is a "Xia Qing a bamboo, Xi liang ten ingots of gold" reputation. This volume of "Xiangjiang River Smoke and Rain Map", 38 cm high and 630 cm long, painted with smoke and rain bamboo orchid, water flow shirun. In the roll, the old bamboo basket, the cliff turbulence, the orchids, the fist stones, a scene of Xiaoxiang in the rain. Xia Zhongzhao painted bamboo master Wen Tonghuzhou, and this volume of ink is dripping with ink, which is quite similar to Wu Zhen Zhonggui's pen and ink. At the end of the volume, there is an inscription of 444 words by the famous Kangxi scholar Yang Jin when he was seventy-six years old, and the volume is extremely admired and praised: "(Xia Chang's works) At that time, every one was not easy to obtain, there were two poles in between, one pole and two poles, and there was no long scale of tens of hundreds of rods that were so rolled up, under the exhibition, the smoke loomed, the clouds swallowed steam, the rain and the wind were pure, the water was alive and the stone was moist, everything was divine, I wanted to see the paper flying, and when I was full of pride, it can be inferred from the text that this volume may be left for self-amusement because it is Xia Chang's "proud and satisfied" work. When Yang Jin read this volume, the title of the volume still had Xia Chang's self-titled name, and because it was "held as a gift" by Qian Hou, he did not write the upper paragraph. Xia Chang's inscription is no longer visible today, and it should be used for the sake of the latter good deeds to use Xia Chang's self-inscribed font size for other purposes, or divide the scroll into two, the first half of which has a Xia inscription, and the second half of which is even Yang Jin's inscription, is another, in order to make a good profit.
Looking at this volume of "Xiangjiang Smoke and Rain Map", there are hundreds of bamboo baskets of smoke and rain in Yangyang, and there are 444 characters of Yang Jin 280 years ago, which has the reputation of "Xia Qing one bamboo, Xi Liang ten ingots of gold", although the money is not well received, it is still a masterpiece of Xia Zhongzhao that can be cherished.
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