Peng Hongwei, Professor of the School of Literature and Media of China Three Gorges University, Doctor of Literature, Master Supervisor, Executive Director of the Chinese Fu Society, Member of the China Quyuan Society, Director of the Quyuan Society of Hubei Province; He has published a monograph "Research on Qu Yuan's Cultural Personality" and presided over the Hubei Provincial Department of Education Humanities and Social Sciences Project "Qu Yuan's Spirit of Inquiry and Its Modern Interpretation".
"Research on Qu Yuan's Cultural Personality" explores Qu Yuan's cultural personality, that is, Qu Yuan's temperament, moral character and artistic personality, focusing in particular on the tragic connotation of Qu Yuan's temperament and personality and their influence on Qu Yuan's creation. The main content includes the three dimensions of cultural personality: moral, psychological and aesthetic;
Qu Yuan's moral personality in classical QuXue
, the moral personality of Qu Yuan in modern and contemporary Qu Studies. The study of Qu Yuan's psychological personality looks at the tragedy of Qu Yuan's personality from the five-factor model of personality, Qu Yuan's narcissistic personality, Qu Yuan's mental journey in the middle and middle age, Qu Yuan's abnormal psychology in middle and late years, double anxiety and Qu Yuan's death. Qu Yuan's aesthetic personality interpretation is indignant with lyrical creative concepts, melancholy and painstakingly obsessive mentality and creative psychology,
The establishment and extension of sentimental aesthetic character.
The book discusses the historical value of Qu Yuan's cultural personality, including rational values, personality paradigm values, and so on.
Peng Hongwei believes that as an aristocratic intellectual in the period of prosperity and decline of the Chu State at the end of the Warring States period, a poet who was full of creativity and emotional agitation, Qu Yuan's personality had distinct imprints on the personality of a scholar, such as traveling around the world, staining the morale of a scholar, a strong spirit of self-realization, and a personal dignity that could not be insulted; but his origin, unique life experiences, and high-cold ideals made him not exactly the same as the personality of a scholar. And these differences are highlighting Qu Yuan's noble personality and the personality of the pre-Qin gentleman.
The project "Qu Yuan's Spirit of Inquiry and Its Modern Interpretation" aims to discuss qu Yuan," a great patriotic poet in Chinese history, representing the soul of the Chinese nation, and his spirit of inquiry has a profound impact. The untamed, hard-working, and unswerving Chu culture is the soil for the growth of Qu Yuan's quest spirit, and the positive and promising Confucian thought and the Central Plains culture are the internal support of Qu Yuan's quest spirit, and the unique understanding of Taoist thought on the life of the universe is the qi pulse charm of Qu Yuan's quest spirit. Qu Yuan's quest is mainly embodied in the pursuit of the value of individual existence, the quest for the destiny of the people of the country, the appeal to the ultimate ideal of mankind, and the quest for the natural knowledge of the universe. This spirit of inquiry has unlimited expansiveness in Chinese history and plays an important role in the construction of the consciousness of the Chinese nation. Only by interpreting qu yuan's quest spirit in line with the historical origin can we more smoothly realize the docking with the modern spirit.
In addition to Peng Hongwei, there are also some professors and teachers of China Three Gorges University who have written and dissertated in the study of Qu Yuan culture, which is difficult to describe due to the limitations of experience and academic ability. Among them, Professor Wu Baisen wrote "Commentary on Qu Yuan's Drama", Professor Jin Daoxing wrote "I See Vanilla Beauty", and Zhang Qiyun, a special teacher in middle school, wrote "Qu Yuan's Treatise".
Kim Isho-yuki is a professor at the School of Literature and Media at China Three Gorges University. His "I Look at Vanilla Beauty - Psychoanalysis of Qu Yuan" is a book that breaks the pattern and limitations of "Qu Xue" for two thousand years! The book uses psychoanalytic methods to interpret Qu Yuan and interpret Chu Ci, and for the first time restores Qu Yuan, who has been sent to the altar for two thousand years, as a person with flesh and blood, love and hate; a person whose narcissism and love are never in harmony, and whose soul is never at peace. The first time "beauty" was proposed was qu Yuan's controversy over the hundred families of the sons. Although his beauty failed, he wrote poetry, he succeeded, and he became the first lyric poet in China and the world to regard beauty as the highest ideal. For the first time, from a large number of folk songs in Qu Yuan's hometown, from the study and reflection of the totem worship of the Ba people, and the marriage and funeral customs, the telepathy of Qu Yuan and the Ba people was found, and the water and milk of Chu Ci and Ba culture were read, and it was determined that Chu Ci should be "Ba Chu Ci".
The editor recommended that this book be a book that was hotly discussed on the Internet and rated as "the most worth reading", a book that interpreted Qu Yuan's up and down and sought beauty, a book that reduced Qu Yuan from God to a human being, and a book that made a psychoanalysis of Qu Yuan for the first time.
Professor Zhang Qiyu's "Collection of Treatises on Qu Yuan" is an important work launched by the Yichang Yanhuang Culture Research Association. Li Quan, former chairman of the Yichang Municipal Committee of the Chinese People's Political Consultative Conference and president of the Yanhuang Cultural Research Association, wrote in the preface: On the occasion of the 2350th anniversary of the birth of the great poet Qu Yuan, the Yichang Yanhuang Cultural Research Association launched Mr. Zhang Qiyun's book "Qu Yuan's Treatise" to commemorate it.
Yichang is Qu Yuan's hometown, and the beautiful mountains and rivers of the Three Gorges gave birth to this great poet who has been famous for thousands of years. As the Yanhuang Cultural Research Society in his hometown, it is an unshirkable responsibility to carry forward the spirit of Qu Yuan and explore Qu Yuan's cultural resources. Over the years, we have published a large number of articles commemorating and studying Qu Yuan, hosted many related academic seminars, and published many monographs such as "Huang Zhong Da Lu Ge Chu Soul - Commentary on Ancient Qu Yuan's Plays", "Interpretation of Qu Yuan's Poetry", "Song Song Qu Yuan's Ancient and Modern Poetry Selection" and many other monographs, which have achieved remarkable results. Mr. Zhang Qiyun, the author of this book, has published many articles such as "Several Questions On Qu Yuan's Family Lineage and Birthplace", "Three Lu Doctor Examination", "Three Lu Doctor Re-examination" and so on in this journal "Three Gorges Culture".
The book "Qu Yuan's Treatise" is the crystallization of the results of his painstaking research over the past fifty years. The author does not believe in superstition, does not pander to the existing conclusions of authority, and dares to put forward his own opinions and propositions. For example, with regard to Qu Yuan's thought, Mr. Zhang Qiyu denied the views held by many people in ancient and modern times, or Confucianism, or Law, or Taoism, and clearly emphasized that "Qu Yuan's thought is self-contained." This view of his has been widely recognized by the academic circles of Chu Ci. Another example is the character of "female concubine" in "Leaving Sorrows", there are many theories in ancient and modern times such as Qu Yuan's sister, concubine, and female companion, which Mr. Zhang Qiyi rejected one by one, and put forward the views and opinions of Qu Yuan's wife, which are quite innovative and reasonable.
At the same time, the author's research angle is novel, the vision is broad, the topic selection is unique, and the argument is thorough. There are several topics in this book that have often been previously ignored by researchers or rushed to conclusions without sufficient argumentation. For example, the title of "Three Lu Doctors", is it Qu Yuan's official name, or his title? Who is the ancestor of the Qu Yuan family? There are also some topics that are rarely touched upon by previous generations, such as the economic and living conditions of the Qu original people. There are also some topics that involve various figures who served as officials and worked with Qu Yuan in the same dynasty, and the reason why the author studied it is mainly to confirm Qu Yuan's criticism and accusations against them in his poems, which are based on evidence, not exaggerated. It's also a creative job.
Professor Wu Baisen's "Huang Zhong Da Lu Ge Chu Soul - Commentary on Ancient Qu Yuan's Drama" was also launched by the Yichang Yanhuang Cultural Research Association. This book is devoted to opera and is an attempt to push the dimension of Qu Yuan's cultural research forward. Qu Yuan and his works have always been taken from various literary and artistic creations, such as poetry, literature, painting, music, etc., and are often found in ancient opera, although there are few generations today, but it reflects the common trend of the development of Opera in the Qing Dynasty, showing the style of Chu culture, which is worth sorting out and studying.
Qu Yuan's image is found in the long history of opera, and the book lists the youren haiku that has been abused from Chinese opera above, Qu Yuan's drama repertoire from the Ming and Qing dynasties to the Ming and Qing dynasties, followed by You Tong, Zheng Yu, Zhang Jian, Wang Zhu, Zhou Leqing, and Hu Xiaopeng, which resounded the "Huang Zhong Da Lu Song Chu Soul". Professor Wu Baisen examined the era, region and author of the six Qu Yuan plays he selected, accurately grasped the artistic advantages and disadvantages of these miscellaneous plays, as well as the characteristics of emotional content, and quoted a large number of relevant comments of the former sages and the author's view of opera to make arguments.
Qu Yuan is the elite of the "Miao descendants of Emperor Gaoyang", which can be called the soul of jingchu state. His personality and rhetoric are also the humanistic treasures in the Chinese Yanhuang culture. The study of Qu Yuan culture is not only a feat of Gao Qingchu in Yiling, but also a grand event to promote traditional culture in today's day, and Professor Fu Baisen's study of ancient Qu Yuan opera has filled the gap in Qu Yuan's research and opera research.