【Reading the classics every day 24】Xianshan Lou Guan Tu Yuan Lu Guang Vertical Axis Silk Coloring 137. 5 cm width 95. 4 cm Collection of the National Palace Museum, Taipei, China
【Reading the classics every day 24】Lu Guang Xian Shan Lou Guan Tu The upper right of the picture frame is self-aware of "The calendar is four years long to write the Xian Shan Lou Guan Tu, Lu Guang. It can be seen that this painting was painted in the fourth year of the Yuantian calendar, that is, in 1331 AD, and the long solstice is the summer solstice. Yuan Dynasty painter Lu Guang, birth and death unknown, character Ji Hong, tianyou sheng, Wu (present-day Suzhou, Jiangsu) people.
【Reading the Classics every Day 24】Lu Guang Xian Shan Lou View Part 1 Some of the peaks on the screen are stacked, the peaks are majestic, the forests are undulating, and the fields in the distance are faintly visible. Drying pens with thirsty ink has become a common feature of the Yuan Dynasty, and this figure can be described as a typical example. This painting is a silk book, although the silk is not as good as the water absorption of paper, but the brushstrokes can also be seen.
【Reading the classics every day 24】 Lu Guang Xian Shan Lou View Part 2 In the middle of the picture, the pavilions of the building are built on the mountain, and they are staggered. The pavilions are outlined in Seiko, the clouds and mist in the mountains are empty, the mountains are stacked, the pine trees are luxuriant, the mountain roads are winding and twisting, the roads are long and pine on both sides, and the louguan is built according to the staggered mountain roads.
【Reading the classic 24 every day】 Lu Guangxian Mountain Tower View Part 3 At the foot of the mountain, on the creek, two pedestrians are trying to cross the bridge, and one person is holding a staff, as if asking for directions. The dense composition of this picture, the simplicity of the outline, has the charm of Huang Gongwang, and the exquisite arrangement, similar to the short line of the solution, is similar to Wang Meng's style.
【Reading the classics every day 24】 Lu Guang Xianshan Lou Guan Tu Detail 1 Although this painting is colored, it is still mainly ink, the description is more detailed, the long pen is loose, and the thirsty ink is used, and there is a sense of luster. The shape and brushwork of the mountain stone and the slope of the mountain are similar to Guo Xi's "Cloud Head Wrinkles." ”
【Reading the Classics every Day 24】 Lu GuangXianshan Lou Guan Tu Detail 2 With short lines of mountain stones and dense moss dots, the painting style is chaotic, this picture belongs to Lu Guangqi's earlier works, which are different from the painting methods of his "Dantai Spring Dawn Map" and "Dantai Spring Appreciation Map".
【Reading the Classics every Day 24】 Lu Guang Xian shan lou guan tu detail 3 Posterity evaluates Lu Guang's painting style and style between Cao Zhibai and Xu Ben, he is good at painting landscapes, taking the fa Huang Gongwang and Wang Meng, and synthesizing the two, forming his own style of light and pale, Xiao Scattered and elegant.
【Reading the Classics every Day 24】 Lu Guang Xian Shan Lou Guan Tu Detail 4 According to the inscription of Dong Qichang of the poetry hall on the map, this picture is on a double piece of mosaic, and some good deeds will piece the picture into two pieces, which will fall into the hands of two people. The collector Wang Zhenyu of the late Ming Dynasty got one of them, and more than a decade later, he got the other one and re-stitched it to restore it.