What is the true status quo of auspicious ruyi third uncle auspicious ruyi is based on a true story?

"Auspicious Ruyi" is based on the real story experience of shooting, in addition to the drama of Dapeng and Liu Lu, all are real people on camera, this movie touched many people, and the real life of the third uncle in the film is also curious, the following Eight Treasure Network Xiaobian will talk about it.

Is "Auspicious Ruyi" based on a true story?

The movie is based on a true story, just like a documentary, recording the story after returning home during the Spring Festival!

The film is divided into two parts, the first half of "Auspicious", in the form of a feature film, telling the various contradictions caused by a reunion; The second half of "Ruyi" tells the filming process of "Auspicious" in the form of a documentary. Fiction and truth, true and false, the content of "Auspicious" and "Ruyi" is like a mirror image, allowing the audience to hover between the real and the fiction, see the truth from this, and get thinking.

"Auspicious Ruyi" is a documentary-style film, inspired by the filming of "Sewing Machine Band", because it took 5 months to build a large guitar sculpture, so Dapeng suddenly had the inspiration to record the life of his family. Originally, I wanted to shoot my grandmother, but I didn't expect my grandmother to suddenly fall ill and be hospitalized, so my uncle Wang Jixiang became the protagonist.

The biggest feature of "Auspicious Ruyi" is the truth, similar to the documentary "Auspicious", coupled with similar tidbits of "Ruyi" combined together, to create this movie. And the ordinary life and state of such an ordinary family are also very resonant with people.

"Auspicious Ruyi" is an experimental work, except for Dapeng and Liu Lu, all of which are real people appearing on camera.

The story of "Auspicious" goes like this:

Wang Lili, a girl who has worked in Beijing for many years, decided to go home for the Chinese New Year. When she returned home, she found that the whole family had maintained a delicate balance.

This balance was upset after her grandmother's death, and Ms. Wang was pulled to the front of the stage and had to start thinking about a question that had been hanging open: how to take care of her father, who was unable to take care of himself because of illness.

With the end of the funeral and the approaching of the Chinese New Year's Eve Night, the divisions and contradictions of the entire family intensified, which eventually led to a storm on Chinese New Year's Eve Night...

Dapeng adopts the pseudo-documentary method in "Auspicious", inserting character interviews from time to time during the narrative process to interpret or supplement the scenes at that time, such as inserting an interview with the sister-in-law after the quarrel of Chinese New Year's Eve meals, saying that "no one will be so complete after this family."

Although "Auspicious" is close to the style of pseudo-documentary, it does not make extensive use of handheld lenses like real pseudo-documentaries, and pursues a rough feeling in light and shadow. On the contrary, most of the shots in "Auspicious" are more stable and more conventional.

It is very interesting that although the perspective of the whole story is on Wang Lili's body, and the story revolves around her, in the interspersed interview, she did not appear once, but instead her relatives appeared.

Therefore, the whole story we see is filled with a restrained emotion, and the audience also maintains a certain distance from Wang Lili, like a friend who returned with Wang Lili, while watching her in the center of the family storm, she is pulled by her various relatives and whispered.

In "Auspicious", the heroine Wang Lili's "reverse cultural shock" is reflected in the confusion in the face of family affairs and interpersonal relationships. And compared with the small things that ordinary people face in their parents, Wang Lili is facing a more explosive reality such as "the problem of resettling sick fathers".

At the end of the short film, Wang Jixiang walks alone on the road, in the picture there is only him, heaven and earth and white snow, he walks with his own care, and he seems to have nothing to do with the disputes of the previous days.

If "Auspicious Ruyi" is only a simple expansion of "Auspicious", the interpretation of this film seems to stop at the above position, and the "Ruyi" chapter of "Auspicious Ruyi" is a deconstruction of "Auspicious", and its organic combination with "Auspicious" together forms the complete expression of "Auspicious Ruyi".

A brief overview of the content of "Ruyi" is actually enough in one sentence: "Ruyi" is the behind-the-scenes shooting story of "Auspicious".

Connecting with the end of "Auspicious", "Ruyi" begins at the moment when "Auspicious" ends at the end of the screening in the Film Archive.

"Auspicious Ruyi" What is the real status quo of the third uncle's auspiciousness

After the end of the film, many viewers are concerned about the current life of Dapeng's third uncle Wang Jixiang, and Dapeng revealed the current living state of the third uncle in an interview with Xie Nan.

The third uncle Wang Jixiang is now taken care of by several brothers and sisters of "Wenwu Xianggui" in turn, and lives a very happy life! Each brother and sister took turns to take care of the third uncle for 3 months, and the old Wang family had a large family, and finally did not abandon this poor family.

Wang Jiwu originally advocated sending the third elder away, and everyone paid for what kind of nursing home and the like, as long as he could send the third elderly, he was willing to pay more.

In the end, Wang Jixiang still stayed in the Wang family, and was taken care of by several brothers and sisters of "Wenwu Xianggui" in turn, and the matter was resolved relatively satisfactorily.

Source: Babao.com