The Chinese idiom "finishing touches" is used as a metaphor for the divine stroke in artistic creation, with which it is complete and sufficient, without which it is bland.
A yellow pear circle chair of ordinary appearance, yellow carpet, white booth independently placed, huge carved pattern almost occupies the entire vest, the silhouette is full, the line is elegant, and the instrument suddenly lights up.
The outer outline of the open light is ruyi- and a line of feet is carved along the edge of the yin to emphasize, and the inside is shoveled to the ground to emboss the descending dragon-style double mantis pattern, the tone is connected, the tail is offset, the body is twisted, and the "convex" pattern is enclosed, which is actually a variant of the shou character.
The natural texture of huanghuali is the center of the display of the single-board backrest circle chair, and the carefully depicted ruyi double mantis pattern seems to be the focus of the focus, which plays a role in finishing touches.
The single board backrest has a significant degree of closure, narrowing from bottom to top, and the wood that should have been removed is partially retained, and it is hammered into a hanging horn tooth with undulating twists and turns under the head, and the surface is lower than the open light, which not only strengthens the structure but also plays a decorative role.
The waist is forward, the back is retracted backwards, the backrest plate is three-curved S-shaped, and the end is incorporated into the notch opened by the large side of the back.
Take a step back and the contours below your head will all be revealed. The seat circle is five connected, the left and right appear slightly narrower, and the armrest is slightly retracted and then skimmed outward, landing on the five support points.
The handrail of the eel's head is blunt and round, and it is dug up from a piece of wood.
The legs are cut up and down in a row, the hind legs are straight, and the goose neck is leaning forward and outward.
The armrest frame is reinforced by the Allianz gang stick, the lower thickness is fine and the upper is the tail type, and the three bends are up, leisurely and flowing.
The close-up of the largest curved width on the previous sheet, multi-angle, multi-dimensional feel the charm of Ming-style furniture.
Angle teeth are hung between the armrest and the upper section of the front leg, and the silhouette is curved and undulated with the neck of the goose, and decorated along the edge of the line.
Tomorrow you will see the structure and shape of the seat of the Huanghuali Double Ant Ruyi Circle Chair and below.