The poem is appreciated by the three poems of the reeds, the crab leaves, the mei of the water, who is called the river wide, a reed Hangzhi
When people think of reeds, they think of the yellow reeds topped with snow-like flowers in the late autumn sun. People often chant the famous sentences in the verses of the book, the leaves are pale, the white dew is frost, the so-called Yi people, on the water side, as if the endless reeds of the emperor, there are ethereal beauties outside the slanting sun, so that people can neither hope nor be able to, leaving a faint and sad distant shadow, compared to their own desolation.
But the reeds of early autumn are beautiful, it is a kind of realistic and vigorous beauty.
Reeds are the first aquatic plants to perceive spring. At the time of the winter solstice, small reed leaves emerge from the water, and it is still the deep winter of the season. It is this sensitivity and flexibility that reeds are considered the most spirited primroses.
It was first used as a material for musical instruments, the ancient flute, the first is the reed flute, and the fiber membrane of the reeds, is used to perceive the mysterious substance of the winter solstice and spring, the ancients believed that at the moment of the winter solstice, the ash burned by the reeds and the heavens and the earth have a mysterious sympathy, this ritual continued until the middle of the Qing Dynasty.
In the spring the reeds provide rhizomes for people to eat.
Summer reeds are the best herbaceous forests in the wetlands, purifying water quality and providing a home for birds and swimming fish.
In early autumn, the reeds are taller and more vigorous, and the green reeds begin to draw out flower spikes, and the most wonderful thing is that this flower spike is snow white, which is particularly beautiful and playful in the green reed leaves.
"The leaves are pale, and the white dew is frost."
The so-called Iraqis are on the water side.
Traceability from it, the road is obstructed and long.
From there, it is like being in the middle of the water. "Verse Sutra "Crab Leaf"
If you have the experience of rural or water town life, you will not forget the reeds, that early spring is fresh green, summer is deep blue, and early autumn is green and pale, that is a mature color of green, at this time there are dewdrops condensed into air, morning and evening between the slender leaves of cyan, and the flower spikes drawn out, like a snow-white handkerchief turban, if the metaphor is a beautiful woman, it is a beautiful village girl and a young woman in the countryside, green clothes and snow looks beautiful and fresh.
So this song is not the imaginary beauty outside the reeds.
This song is about the early autumn mid-autumn reeds themselves, like a beautiful country woman, standing on the water's edge, standing in the water, is a real beauty and a real sense of luxury.
This is homesickness and nostalgia, not ethereal, but for the wanderer, the road back to home is always so long, in the dream can also smell the fresh reed leaves in the wind dew unique fragrance.
"Crabapple, white dew."
The so-called Yi people are in the water of The Mei.
Traceability from it, obstacles and hesitations.
Tracing from it, it is like being in the water. ”
Yes, the reeds of early autumn and mid-autumn are not barn yellow, as aquatic weeds, unique, if the water temperature is not particularly cold, the green of aquatic herbs is more luxuriant and moving.
Therefore, in this second que, it is written that the reeds are luxuriant, and since they are luxuriant, the color is naturally green. The dew on it, before the sun has dried, the reeds are not moist.
The reed flower sticking out of her head was the face of a beautiful woman, and she stood at the water's edge.
"The crab leaf is picking, and the white dew is not finished."
The so-called Yi people are in the water.
Traceability from it, the road is obstructed and right.
Traveling from there, it is like swimming in the water. ”
In this third paragraph, there is the appearance of the reeds in the wind, picking, is the meaning of collection, but the harvest can not be finished, only feel like the undulating in the hand, this is the wind blowing through the reeds of the luxuriant, is the water forest and bamboo forest.
This has a truly anthropomorphic beauty, how can the posture in the reed wind not be like the moving figure of the village women working and undulating?
This is the reeds of the hometown, the beauty of the hometown, a night of west wind, who can not afford the hometown.
Moreover, autumn is a really busy harvest season in the countryside.
In ancient times, people married early, and many people's first lovers and wives came from the hometown of innocent age.
Low Angle View Of Fresh Plants Against
"Don't walk the reeds, and the cattle and sheep don't trample on them."
Square bud cube, viscell mud mud.
Brothers, Mo Yuanguoer.
Or a feast, or a few. Excerpts from the Book of Poetry and the Reeds
In the pre-Qin Dynasty, people knew that reeds were introduced and planted in low-lying places, and the flourishing of reeds represented the harmony and prosperity of the homeland.
Because reeds have more realistic uses, they are the raw materials for building houses. Houses made of ancient mud, necessary ginseng and reeds, strengthen the toughness of the soil. Reeds can be used to make roofs, fences, and woven curtain straw mats, and reed flowers are important winter clothes and bedding before the use of cotton. In the Han Dynasty, reeds were widely used in papermaking.
Therefore, this house grows reeds and does not allow cattle and sheep to enter and trample on them. The green and square leaves, with moist dew on them, a family of brothers, in the courtyard of the reeds, happy and harmonious.
"Who is Heguang? A reed hangs on.
Who is Song Yuan? Hope for it.
Who is Kawahiro? There was no room for knives.
Who is Song Yuan? Once did not revere the dynasty. "Poetry Sutra "Heguang"
In the hereafter, standing on a reed and crossing the river is the act of a god. But the original intention of this poem is indeed really creative and enterprising.
Whoever said that the river is too wide to cross, as long as there are reeds, I can make a boat and cross it.
Who said that the Song Kingdom is far away, as long as I want to go, I can definitely reach.
Who says the river is too wide, and my reed boat has also drifted past?
Who said Song Guoyuan, I was still there for breakfast before coming back.
For the ancient peasants, the reeds are real, they are the vegetation that can be seen in the homeland, if you understand these real backgrounds, the crab leaves are no longer as faint as the distant water in the mind, the Xiaoxiao in the autumn and winter, the ethereal that is not grounded.
Early autumn reeds stand on the water's edge, constructing a real home, a real green beauty, a real homesickness.
Hatsuyoshi Katsuyuki interprets the love and beauty in the poems for you.