Editing this article, Fang Zhi knew that the popular "National Life" and "The Beautiful Age of Daughter-in-Law" and "Mother-in-law and Daughter-in-law Sister-in-law" and other popular TV series were actually from the beautiful screenwriter Wang Liping.
The audience loves to watch "parents are short", but it is difficult for "parents to be short" to become a big work.
20 years ago, she wrote "Mother-in-law and Daughter-in-Law and Sister-in-Law". As her first TV drama work, it won the "Golden Eagle Award" of popular television on the screen.
10 years later, it is still the story of the "little daughter-in-law", and "The Beautiful Age of the Daughter-in-Law" has swept the screen, winning word of mouth and winning awards one after another.
The person who wrote these trivial stories of "little people" is called Wang Liping.
Today, the industry has given her the nickname of "gold medal screenwriter", but she prefers to say that she is just a "recorder of words".
Wang Liping loves writing.
She even likens her writing to her loyal lover, a lover who can talk to herself.
She wrote on airplanes, on trains, in cafes, in everything she was inspired to patronize. But she loves writing so much, but she doesn't have a desk of her own. She had been writing at the dinner table. Wang Liping said, "Writing at the dinner table tells me what I eat on, and often reminds myself to take my pen like chopsticks." ”
Wang Liping believes that she is not the kind of talented person, who does not have a thick cultural background and lacks a solid theoretical foundation, so she must redouble her diligence and honesty. Wang Liping often takes the perspective of the most ordinary audience to understand the tragic and joyful life of the ordinary world, to pay attention to the small people at the bottom of this society, to listen to dialogue to empathize with the heart, which makes her works always carry the smell of fireworks, in her own words, is "grounded".
Wang Liping is a famous writer and screenwriter.
"Mother-in-law and daughter-in-law", "The Belle Age of Daughter-in-law", "Life in Two Cities"...
These TV series with both ratings and word of mouth are from the same screenwriter, she is the famous screenwriter Wang Liping.
Wang Liping's father was a hero in the War to Resist US Aggression and Aid Korea, with a personality that was a typical northern man; her mother was a Chinese teacher and primary school principal, and an extremely gentle woman; her mother-in-law was a painter, a typical big lady, and she had quite a personality; and she also had two older brothers.
Gold medal screenwriter Wang Liping, grew up by the West Lake. Born in Hangzhou, Zhejiang Province, she graduated from the Department of Journalism at Nanjing University of Political Science.
During her enlistment, Wang Liping published her first novel, I Love Sunshine, which won the China Black Pearl Small Fiction Award. In 1984, the Nanjing Institute of Political Science recruited students in the army, and she was admitted to the journalism department with the first place in the army. At that time, the Journalism Department of the Southern Political Academy, there were seventy-five students, and there were only two golden flowers, one of which was eye-catching and eye-catching.
In 1999, Wang Liping was introduced to Shanghai as a talent by Shanghai Film Group Corporation.
In 1999, when she first arrived in Shanghai as an imported talent, Wang Liping's room was not spacious, but she was reluctant to throw away the two large cartons. In her heart, it is not only an inseparable touch and trust from strangers, but also a living library of life materials.
Wang Liping's "Years Like Gold" premiered on two satellite televisions in Anhui and Guangdong, telling the tortuous story of an ordinary family in Beijing in the more than 30 years of reform and opening up, and interpreting the history of a young man who returned to the city to adhere to the faith in truth, goodness and beauty in life and the history of struggle to be high and uplifting.
Wang Liping is a person with a story.
Wang Liping: From female soldier to screenwriter.
After losing the college entrance examination, she chose to enlist in the army and wore a military uniform for 14 years in the Spring and Autumn Period.
Wang Liping's love and dedication to writing originated in 1981 when she was a soldier, when their 10 female soldiers lived in the mountainous area of southern Anhui, the mountains were very cold at night, the wind was blowing, Wang Liping looked at the clean night through the small air window and thought of her parents in the distance, her heart was fragile and sensitive, she got up and took out a pen and paper, played a flashlight in the bed, and wrote down my feelings and moods, "I was a soldier for 14 years, and then I changed careers to leave the army, and I became a reporter and radio host. But I still maintain the habit of writing down the details of life, which makes me always excited about life and makes me often have enthusiasm for the world. ”
Later, the types of work she engaged in were even more numerous.
It can be said that she used her own body to understand what a hundred forms of life are.
She was once a postman, every time she pushed the cart from the post office to the door of the field hospital, the people waiting for letters from afar were already crowded, and the look of the head of the eyes made her moved; and after the switchboard operator worked, in the middle of the night, there were family members calling, Wang Liping had to turn over a hillside to report, the other party learned that distant relatives came greetings, rejoicing, jumping all the way to run wildly, but left her far behind.
After graduating from the Journalism Department of Nanjing University of Political Science, Wang Liping married Anhui because of love.
In the 20th century, Wang Liping fell in love with Lu Shuchao, The son of Lu Yanzhou, and married to Hefei, where her in-laws were located.
Lu Yan Zhou
Speaking of Lu Yanzhou, thirty years ago, he was famous in the literary world for a "Legend of Tianyun Mountain".
Lu Yanzhou's son, Lu Shuchao, was born in 1960 in Hefei, Anhui Province. He graduated from the Department of Chinese of Anhui University in 1982. He started his career in 1982 and successively served as the novel editor of the literary editorial department of "Hope" of Hefei Literary Association, the deputy editor of Anhui Literature and Art Publishing House, the third refresher class of Lu Xun Literature Institute, and the director of the editorial office of "Oriental Wenhui".
In 1999, he joined the Chinese Writers Association.
Lu Shuchao
At that time, Wang Liping was still in the local daily newspaper and worked as a cultural reporter. Five years of writing, so that she deeply understood that "everything is insightful and learned, and human feelings are articles". This period of time not only reserved a large amount of material for future writing, but also made her ability to easily enter the heart of the subject.
Therefore, for becoming a good screenwriter, Wang Liping said: Either your experience is rich enough, or you are good at listening, and you can write about other people's experiences.
Screenwriters need to be able to turn life into an inexhaustible.
Although the works are equal, Wang Liping does not dare to take it lightly.
She intends to become a community volunteer and deal with all kinds of people, and in recent years, Wang Liping has been pleasantly surprised to find that the cadres of the Women's Federation who patrol the four sides have changed from fierce old women wearing red armbands to modern aunts, and they are all able to write and be good at martial arts.
She also often goes to the police station to chat with the police, reminiscing about past cases and talking about each other's lives. In your comings and goings, Wang Liping learned that a policeman's secret to solving the case is to "let the corpse speak." Before the forensic examination, based on the nuanced observation of the body, he could always find the flaws left by the murderer.
And all this will become an important plot or a stark foil for her writing on new subjects.
Wang Liping's "The Beautiful Age of Daughter-in-Law".
This is a film that reflects the obvious symptoms of "water and soil dissatisfaction" in China's contemporary young people born in the late 1970s and after the early 1980s who entered the married life and faced trivial marriage details and sudden changes in personal identity in the new life.
Among them, the new daughter-in-law who has just passed through the door cannot balance the left and right of the mother-in-law and the in-laws' family; the inability to balance many of the relationship roles that suddenly appear in their own lives, such as the husband, in-laws, and sister-in-law, which has led to the fact that many contemporary new wives are at a loss for the roles of the first wife, the first daughter-in-law, and the first sister-in-law.
A very important reason for liking "The Belle Epoque of daughters-in-law" is that the overall style of this play is positive and uplifting, not humble, many plots in the play are based on living examples in real-life families, and the contradictions and conflicts in the performance and treatment of family issues also give textbook guidance to those in the real society who encounter the same problems as the daughter-in-law "Edamame Bean" in the play. Therefore, after watching this TV series, the audience will not feel more upset because it alludes to reality, will not be more irritable because of the continuation of the plot, and provide them with practical family life skills, which may be the biggest reason why many, many newly married daughters-in-law must watch this drama.
Wang Liping's "The Beautiful Age of Daughter-in-Law" and Liu Liu's "Double Sided Tape".
In fact, I think that Wang Liping's "The Belle Age of Daughter-in-Law" and Liu Liu's "Double Sided Tape" are not from one angle, but it is better to compare Wang Liping's "Mother-in-law and Daughter-in-law" and Liu Liu's "Double Sided Tape" to clearly see the many similarities and differences between the two outstanding female screenwriters in the creation of family ethics dramas.
Many of the plot points of these two TV series are those problems that occur around us, and even the whole society has encountered, and it is not too much to summarize these two dramas with the difficult scriptures of the family.
Haiqing is a professional household who is accustomed to playing the role of "daughter-in-law", and the two excellent female screenwriters are very fond of the daughter-in-law performed by Haiqing, one is a home-based wife who is good at managing the delicate interpersonal relationships in her own family, and the other is an entrepreneurial wife who is good at managing the material life in her own family, and both of them have excellent "daughter-in-law qualities" that are worth learning from women in our real society. From these two TV series, it is not difficult to see that the works of Wang Liping and Liu Liu are still very inspirational in many aspects, on the one hand, advocating that young people should honor their parents, respect the old and love the young, on the other hand, they urge young people to actively start a business and work hard, which is to give people positive inspiration.
The difference is that Liu Liu too realistically discloses the difficulties and setbacks encountered by ordinary people in social life, which is too realistic; while Wang Liping's works have always been full of sunshine and reunion temperament, and a good ending ends each work. These two completely different ways of dealing with works also bring different storylines and aesthetic experiences to the audience.
Netizen comments: "The Belle Epoque of daughters-in-law" is a very good work, reflecting the contradictions of family life in real society and the discord between mother-in-law and daughter-in-law, but also provides methods and suggestions to resolve contradictions, so that people can enjoy it after watching it.
In Wang Liping's view, the screen magnifies everything, love will be magnified, hatred will also be magnified.
Many Chinese retain the habit of sitting down to watch the TV series after the news broadcast, and she hopes that the TV series may be more colorful. She said that she will pass on more love in her creation and will always strive to do it well.
With gentle realism, keep the dignity of originality, and speak with quality works.
In the era of computer typing, the host Ren Luyu told Wang Liping that she would still use the pen to record the beauty of life, so the combination of writing and typing made her hand somewhat deformed, and the little finger and the ring finger could not be combined, but Wang Liping said that this is actually nothing, this is the cause I love, so it is all right. Insisting on originality and insisting on high-quality works is Wang Liping's pursuit all along. "With gentle realism, the dignity of originality is preserved." This seemingly light 16 words is the unanimous evaluation of Wang Liping's works by literary and art critics in recent years.
There is a saying that is very popular in the literary and art circles: the work must go up, and the writer must "go down".
In Wang Liping's view, "living under" without utilitarianism is often more rewarding.
When working at Anhui Daily, Wang Liping also worked as a host of several Chinese New Year's Eve-line programs on local radio stations, and letters written to her by enthusiastic listeners everywhere filled two large cardboard boxes. Sincere talk, simple sentences, so that she shed tears in one long night after another. After arriving in Shanghai, she continued to "expand" her material library, serving as a guest on several popular shows and interviewing people from all walks of life: milkmen, housekeepers, firefighters, makeup artists, photographers, cooks, street cadres, judges, teachers... The people who met in these lives have become the grounded character archetypes in her works.
Being a person with a heart in life, observing life without utilitarianism, and burning life, is essentially different from entering the factory with time nodes, stringing schools, and rushing to march like "lower life". "The tree that grows out of the heart takes time", Wang Liping chose to accumulate calmly and unhurriedly.
Give people hope and warmth, life is colorful and interesting.
Wang Liping confessed to the audience: "Screenwriters must jump out of their own lives and objectively write about other people's lives. My work never writes its own story. ”
Wang Liping, a military veteran, is an authentic journalistic predecessor. Her works are extremely "grounded", showing different life experiences and experiences. Her characters will be portrayed vividly and into the wood.
At present, the literary and art circles, especially the TV drama industry, are colorful, good and bad, there are not many good works, and dog blood plots and Pegasus dramas abound. There are not many screenwriters like Wang Liping who maintain high production and high standards.
Applaud the female screenwriter from the military, the pursuit is always on the road!
Writing is between reality and romance, and Wang Liping's novels and plays maintain their attention to society and maintain a sense of social responsibility.
After detaching from writing, what is Wang Liping like in life?
She smiled and said that she was an ordinary virtuous wife and mother, and she was willing to wrap her happiness in a tight and warm shell to enjoy alone, "Seeing how happy and sweet others say they are, I am very strange: what is such a private thing to publicize?" ”
Wang Liping insists on the privacy of her personal life, but at the same time she is a person who is full of interest in every bit, walking on the streets of early spring and March, watching the new leaves of the branches unconsciously, she can't help but buy a new pair of earrings to put on, and the spring breeze can hear the tinkling of silver bells. "I also especially like to travel, walking in unfamiliar cities, unfamiliar streets, looking at the completely fresh customs and customs, is a good relaxation, into the drama too deep melancholy will immediately disappear", Wang Liping smiled very cheerfully, Valentine's Day, she and her female friends will also give gifts to each other, "I like the feeling of receiving gifts, I often say that women will always have one less gift." ”
Wang Liping's "Great Time" was broadcast on Sohu Video, winning flowers and applause, and setting off countless topics.
In the drama "Great Time", Wang Liping not only depicted the representatives of 30 and 40 Hu Ge and Wang Yajun, but also extended her brushstrokes to young people around 20 years old, and the "Zhang Xueer" played by LuIsa in the play is a typical example, and she has a love story with Han Dongjun, who became popular because of "Heartless Mage".
Outside the play, Lu Yisha is not only a rookie in the directing department of the Shanghai Theater Academy, but also has rich experience as a theater director, and is also the daughter of screenwriter Wang Liping.
However, controversy also ensued, and poisonous tongues and poisonous arrows were fired at Ruisha, who played Zhang Xue'er in the play.
In the face of netizens' doubts about her daughter's appearance and taking the back door, Wang Liping generously responded: "I saw the controversy, this role in the play is a stage director, my daughter's life is, it is the director who persuades her to act." She herself didn't want to act, and felt that being an actor was quite passive. It is good to have criticism and controversy, and when the TV series is broadcast, it is not scolded or fired. ”
If the daughter is rejected on the outside, will the mother have blood in her heart?
In this regard, Wang Liping calmly responded: "No! People say you're ugly, and when they see real people, they think you're pretty. An actor dares to challenge himself, to play himself ugly, and not to be afraid of any role he encounters in the future. The greater the controversy, the more attention everyone pays attention to, which is a good thing! ”