<h1 class="pgc-h-arrow-right" data-track="113" > preface</h1>
The use of allusions in poetry is a very common phenomenon. In Book VII of the Poet's Jade Crumbs, there is a considerable reference to the various schools of thought and the use of allusions.
There is a small title in it: Poetry is not expensive. Quoting Zhong Rong's "Preface to Poetry" of the Southern and Northern Dynasties, he criticized the abuse of allusions and said: Chanting sentimentality, He Gui uses things!
<h1 class="pgc-h-arrow-right" data-track="2" >, use and not use code</h1>
Words are more than words, but for general talk. If it is a national rune, it should be Zi Bogu; writing a moral rebuttal, it is advisable to be poor and fierce. Chanting love, what a noble thing! Preface to poetry
Words are more than words, but general talk. From the Book of Rites and Commentaries: "Words are more important than things, and the Spring and Autumn Period teaches also." It means that in the Qi Liang era, the use of poetry and writing has become a common practice.
If it is a national rune, it should be Zi Bogu. If you create an essay on the general plan of governing the country, of course, you should talk about the past and the present.
Writing virtue rebuttals, it is advisable to be poor and fierce. Official documents such as the description of virtue and the refutation of the recitation should also extensively cite the deeds of the ancients.
The ancients wrote articles to clarify the facts, and liked to quote the stories of the ancients to prove the correctness of their views.
But Zhong Rong believes that poetry is different.
"Singing affection, why use things"? Composing poems and chanting inner temperaments, paying attention to the real and touching, not the use of classics.
<h1 class="pgc-h-arrow-right" data-track="26" > second, ancient and modern shengyu, mostly non-compensatory leave, are directly sought</h1>
Chanting love, how expensive to use. "Thinking of the King is like flowing water", which is both the eye; "the high platform is full of sorrow and wind", but also only what is seen; "early morning to climb the head of the dragon", Qiang has no reason; "the bright moon shines on the snow", and the history of the scriptures is revealed;
Ancient and modern shengyu, mostly non-compensatory leave, are directly sought. Preface to poetry
Zhong Rong quoted several ancient poems to illustrate the best sentences in the poem, most of which do not use allusions (mostly non-false), but directly describe the poet's true feelings (all directly sought).
It is both the eye and what is seen in the eyes at that time. "Sijun is like flowing water", from Xu Gan, one of the seven sons of Jian'an, "Room Thought":
Floating clouds He Yangyang, willing to resign because of me.
Fluttering can not be sent, leaning on the vain love.
Everyone is reunited, and there is no return date.
Since the emergence of the king, the mirror is dark.
Thinking is like flowing water, and there is no time for poverty.
And only what you see. It is also seen in the eyes. GaoTaiduo is sad, and this poem is from Cao Zhi's "Miscellaneous Poems":
The high platform is sad and windy, and the sun shines on the north forest.
The son is in thousands of miles, and the rivers and lakes are very different and deep.
The Ark is extremely safe, and it is difficult to leave the past!
The lone goose flew south and passed the court president mourning.
He is willing to leave his voice behind.
The shadow suddenly disappeared, and it hurt my heart.
Qiang has no reason. There are no allusions, and there is no source. Early morning denglongshou, from the Western Jin Dynasty famous minister Zhang Hua's "poems":
Early in the morning, it is difficult to climb the head of the dragon, and it is difficult to walk on the mountain.
Ridge saka blocks the curve, and the sheep intestines are alone
Out of the history of the scriptures, the rhetorical question, where is the history of the scriptures? Bright Moon Shines on Snow, from Xie Lingyun's "Twilight of the Years" during the Jin and Song Dynasties:
I can't sleep with worry, and I can't sleep this night.
The moon shines on the snow, and the wind is strong and mournful.
Shipped to no drowning, the year has passed away.
The above works, in the words of Zhong Rong, are mostly non-compensatory leave, but are directly sought.
The great Qing Dynasty poet Wang Shichen's "Thirty-two Poems on the Poetry of the Yuan Relic Mountain" wrote:
The five characters ascended to the head of the dragon in the morning, and qiang made people think for no reason.
Dingzhi Miao is not related to the text, it is already a thousand autumn young women's words.
Early in the morning, these five words are not used allusions to make people think deeply. Although there is no dictionary and no fancy carving, it is already a wonderful word that has been sung through the ages.
<h1 class="pgc-h-arrow-right" data-track="94" >3</h1>
Daming and Tai Shizhong, the articles were copied from the same book, the authors came to the author, immersed in customs, so that the sentences were not virtual, the language was not virtual, the restraints were supplemented, and the inscription was already very much. Preface to poetry
Emperor Wen of Song, Liu Yilong, reigned for 30 years and was given the era name Yuan Jia.
The two emperors who reigned longer after that, Liu Jun, emperor Xiaowu of Song, reigned for 11 years, with the era name Xiaojian (3 years) and Daming (457 -464, counting 8 years); the Song Ming Emperor Liu Yu, who reigned for 8 years, the era name Taishi (465 -471, counted 7 years).
In the more than ten years since the Beginning of the Ming Dynasty, everyone has written articles like copies of books. The literati have developed the habit of having allusions to every sentence and a source for every word, and they have been pieced together in an awkward way, using too many dictionaries, and turning them into the harm of composition.
Zhong Rong's passage made a severe criticism of the excessive use of the code.
<h1 class="pgc-h-arrow-right" data-track="83" > concluding remarks</h1>
However, the use of canons in poetry is not a hundred harms and no benefits, and Huang Tingjian once praised Han Yu and Du Fu and said:
Old Du composed poems, retired essays, no word and nowhere. Later generations read little, so han and Du made this statement by themselves. The ancients can be an article, really can cultivate all things, although take the ancients Chen Yan.............《Reply to Hongju Father's Book》
The use of canons in poetry is one of the commonly used rhetorical techniques. For example, Han Yu Dufu, who read a lot, may unconsciously use the codex. In addition, the ancients' articles are vast, and posterity's casual poem may find the so-called "source".
Everything can not be absolutely evaluated as good or bad, just appropriate.
@Old Street Taste
Have you read this five-word poem of the Southern and Northern Dynasties, known as the ancestor of the Hundred Generations of Gelug poetry?