Cheng Bingzhou
"Looking at the Autumn Clouds"
Red Rain
Knowing Ms. Wen Wei was purely accidental. I have a collector friend who has collected many masterpieces of contemporary masters and paintings. Once, when I saw his collection, I was fascinated by a figure painting.
The more I looked at it, the more energetic it became, the more I looked at it, the more interesting it was, and I stopped for more than half an hour. Signature: Wen Wei. This work is otherworldly, quiet and pure, clear water hibiscus, is a rare masterpiece, and the level of calligraphy is extremely high, and the poetry is also very elegant, which is rare and rare! I asked my friend Who is Wen Wei? He said dr. Wen Wei was a student of Mr. Cui Ruzhuo. After a while, I got to know Ms. Wen Wei and talked about her artistic outlook, values, and outlook on life. An exchange had the urge to write a comment to her.
"Remembrance"
"Red Bean Thinning"
Ms. Wen Wei is elegant and quiet, intellectually sexy, quiet as water on the outside, magnificent in the heart, and painted like her people.
Her paintings are simple in composition, with beautiful lines, clean and sharp, and never drag mud and water. Her character paintings highlight the main line of characters, supplemented by flowers and grasses, pavilions, and large blank spaces, highlighting the inner portrayal of the characters and expressing a rich inner world. The composition is very characteristic and has a distinct personality. With a pen and a freehand writing, he came out of the tradition and deeply rooted in the tradition. She has a deep foundation in calligraphy, especially the small strokes are in place, the pen is flexible, and the pen is clear. So her small brush (let's call it so) is strong and feminine, meticulous and very agile. Her figurative figure paintings externalize her inner and spiritual things into shapes, and then express the things that go up, giving people spiritual pleasure, which is where the aesthetic value of her works lies.
"It's better to know than to know each other"
"UnintentionalLy Overlooking the Blue Land"
Her paintings have a hazy beauty. Secluded, quiet, calm, pure beauty. Just like his people.
Since I was a child, I have liked the extravagant poems of Li Bai, Xin Renjie, and Su Shi, and I don't like Li Qingzhao's "green fat and red veins" and "miserable and miserable relatives" Ai wei type, and I don't like the poetry of the gentle school. But I also have a good understanding of Wen Wei's paintings, she shows a full heart, but she has a kind of "want to say and rest" mentality of a small woman, and the hazy and implicit beauty of "holding the pipa and half covering the face" infects me; "I see smoke in the mountains, and peep at the sunset in the bamboo." Birds flew up to the eaves, and clouds came out of the windows" The quiet beauty attracted me; "the distant view of the mountains was colored, and the sound of the water was silent up close. The spring flowers are still there, and the people and birds are not alarmed" The calm, quiet, pure and beautiful silently called out to me.
Her paintings show a kind of lovesickness, a kind of keeping, a kind of hope, a ray of dawn, and there is also a faint sadness of the heart. These emotions and thoughts of the ancients are normal, modern social information is so developed, far away from thousands of mountains and rivers, a voice, a video, there is no time and space barrier, how to express this emotion and state of mind is very difficult. Of course, lovers, relatives of love, keeping, no matter how developed information tools can not replace. People together, a gesture, an action, a look, and even more physical contact, skin-to-skin dating is no substitute for any modern information tool. Again, no matter how much artificial intelligence progresses, it cannot replace people's emotions and thoughts. Therefore, artificial intelligence cannot replace art, art is immortal.
"No Rain, No Sunshine"
She is a thoughtful painter. What is particularly rare is that she not only has a high level of calligraphy, but also has a considerable height in the art of poetry, and it is indeed rare for modern artists to integrate poetry, books and paintings. She has been searching for an artistic conception that integrates the aesthetic spirit with her inner world. Express a state of mind and feelings in a modern and traditional way. I think she is a person who is extremely emotionally rich and does not easily confess; she is an extremely sensitive and easily moved person, so it is easy to have creative impulses. The pictures formed by her brushstrokes, using artistic elements and artistic language, the works created have a strong appeal and shocking power. A work, on the basis of having a deep basic skill, pours out as much emotion as it can, how much magnetic field and how much attraction it has.
"TomatoEs Full of Branches"
Ms. Wen Wei is still very young, and the road to art is still very long. From her, I saw the hope of Chinese painting. A good work of art must be difficult. Character painting is the most difficult, it is difficult to convey the spirit, reach the intention, express emotions; a good work of art must have ancient meaning, speak of the law, have bone strength, delicate brushwork, blend natural, in order to rhyme vividly, attract people's reverie. Ms. Wen Wei's pen and line, shape and meaning, pen and force are all first-class. The texture and dynamics of the work are the basis for controlling objects, and her foundation is solid. Shape and meaning. The shape is to achieve the intention, relying on cultivation and skill. Pen and force. There is a way to write down, a powerful next pen, and a powerful next pen. Soft and powerful, strong but not brittle, is the kung fu of Wen Wei's pen power. This is the root and soul of Wenwei art.
Recently, I heard that Wen Wei held an art exhibition in Shanghai on May 22, and I was deeply pleased. Ms. Zhu Wenwei continues to climb the peak of art and become a new generation of art leaders.