In autumn, the sky is high and cool, which is suitable for traveling together. The blue sky makes people feel comfortable; the vast land makes people full of reverie. Colorful colors, romantic journeys, all happy with an excited heart.
However, not all people who go out are happy, and there was a talented man in the Song Dynasty who had to wander around often in order to make a living. Although the scenery of the place he passed was charming, he had no intention of watching it, and his heart was overflowing with sorrow. The following shares Jiang Fu's autumn trip, lyrical two masterpieces, not a word of sorrow, but full of sorrow.
Two Songs of The Passage of the Qing Dynasty (Part 1)
Song Dynasty: Jiang Fu
Mu Mo whose house is ethereal pavilion, painting hall near the water is more illusory.
After passing through here without acquaintance, the autumn clouds under the tower were born for me.
Jiang Kui (江夔), a native of Baishi Dao, was a famous writer of the Southern Song Dynasty. Caizi is proficient in musical rhythm and likes to write poetry, but he has tried many times and often lives a life under the fence. Most of his works are sentimental and sad works, and everyone is most familiar with his classic lyrics such as "Dark Incense" and "Shadow".
Deqing is located in the boundary of Huzhou, with a long history and many cultural relics, many Tang Dynasty poets have been here and written poems to commemorate. Although Jiang Kui is a person, he often feels lonely and depressed in his heart, and these two poems euphemistically express this feeling of pity.
The poet passed the Deqing ferry port by boat, and in the distance he saw a pavilion looming out of the treetops, followed by a gorgeous hall, and the clear water reflected its reflection, which was even more empty and illusory.
The word "whose house" is originally hazy, and then use "ethereal" to describe the pavilion, which immediately shows an illusory atmosphere. The poet seems to have come to a fairyland, the painting hall is noble and gorgeous, and the interior furnishings must be very exquisite. The word "illusory" also strengthens the ethereal feeling, leaving the author in a trance, and there is an urgent need for someone to communicate.
The poet very much wants to share his inner feelings with others, but "there is no acquaintance after passing through here", which makes caizi feel cold. He looked around, only the gushing river and the gentle white clouds, the poet could only sigh and say, "The autumn clouds under the tower are born for me", it seems that only the clouds that come and go can understand the poet's mood best.
Qiu Yun is ruthless and the poet is intentional, and here he uses empathy to euphemistically express the author's wandering and helplessness. Floating clouds are both a metaphor for wandering and wandering, but also for missing deep feelings, at this time the author may be missing relatives and friends, may be recalling love, but unfortunately the floating clouds are empty and empty, instantaneous in the world, elusive, and the poet also feels a mist in his heart.
Guo Deqing 2 (Part 2)
The best people in the creek watch the passenger boat, and the passengers in the boat think slowly.
The smoke wave gradually went east of the bridge, and I saw that I was a little sad.
The author did not stay here for long, the boat continued to move forward, and the hazy scenery just now flew away quickly. The poet was feeling vague when he suddenly noticed a beautiful woman standing by the creek not far away, and she was staring intently at the passenger boat. Did she think she was the long-awaited lover? The poet guessed that the passenger boat was far away again.
The three words "thinking about you" have a profound meaning, and the poet thinks a lot from the woman on the other side. The author and his Pingshui meet each other, do not know each other, even if there is a side of the relationship, but what is thinking in each other's hearts, is unknown. However, it is precisely because the other party is "watching the passenger boat" that it has triggered more intense waves in the author's heart.
The ending does not continue to show the inner activities of the characters, but instead renders the atmosphere of the environment, "The smoke wave gradually goes east of the bridge, and I see a little sadness." The boat drifted away with the smoke waves, and then crossed the bridge to the east, and on the vast river, it looked like a small dot, and slowly moved towards the sky while swaying up and down with the waves. And where the beautiful woman had just stood on the fence, there was only an endless sadness left.
Melancholy is an illusory thing, but the passenger boat and the railing carry this emotion very well, and the author adopts the combination of virtual and real techniques, which appears to be swaying and full of dreamy feelings, and also makes the whole text have a good ornamentation. Although there are no bold words and no famous aphorisms, the scenes are blended and very grounded. The whole text does not say a word of sorrow, but it is full of sorrow!