What yelang cultural city shows

【Six Zulu Wocheng 14】

What yelang cultural city shows

Bian Boze

In recent years, because of the popularity of Yelang culture, the three provinces of Yunguichuan have built large and small Yelang Cultural Cities. In the long history of the Yelang Kingdom, the Night Lang King also built many "Yelang Cities", such as TurutaTuoCheng, Gunuo Dacheng, and Baiyatuohong City. However, the Liuzulu Wocheng In the village of Huize, Yunnan, is the earliest castle established by the Yelang Kingdom, which fully reflects the thesis that Huize in northeast Yunnan was once the central area of the Yelang Kingdom. We want to show the source culture of Yelang culture by creating the Six Zulu Sleeping City. Yelang Culture City probably has the following aspects.

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Rice paddies in Baoyun Village, Huize County.

The first is to use the big wall as the main to create the earliest Yelang political culture in the Yelang culture. According to the research, the existing large wall of the village should be the site left by the Six Zulu Wocheng, and we should expand its scope on this basis, first of all, to build the Liuzulu Wodian Hall, which fully embodies the political structure of the earliest Yelang City ruling group kings, subjects, teachers, and craftsmen, and shows the earliest political culture of the ancient city.

The second is to use ancient magnolias as the main ones to show its "natural ecological worship culture". The ancient magnolia tree of The Village of Rakyat, which is the physical evidence of the establishment of the Village of Raksha in the Six Zulu Wocheng. Thousands of years old, beautiful myths and legends, strange flowers bloom for two seasons, one tree and two flowers, and the femininity in the vigor. White as jade white, purple as fresh and feminine. The peculiarity is that if you pay homage to Mo Bai, you can produce the mysterious effects of Qin Jin's goodness, old white head, fish leaping dragon gate and Shitu Splendid Embroidery. In fact, under the natural worship of the ancients, the reaction of "the unity of heaven and man" is the best example of "ecological civilization". We should strengthen protection and actively declare to increase popularity to fully demonstrate the "nature worship culture" dominated by ancient magnolias in the Six Zulu Wocheng.

The third is to use the Han tomb "Tanglang Manor" excavated from Shuicheng to show the residential culture of its ancient city. The "Tanglang Manor" excavated from Tomb No. 7 of Shuicheng is a pottery model of the courtyard manor, which is grand in scale and complex in structure, and consists of six parts: the main entrance, the courtyard, the living room, the bathroom, the livestock pen, and the kitchen. It is surrounded by walls, some of which are covered with tiles, and there are two-sided sloped main houses and boxes inside, each house has a doorway to the door, and there are tall trees in the patio. The manor houses horses, pigs, cattle and their stables made of clay pottery, as well as benches and stoves. Although the "Tang Lang Manor" is a clay pottery model with burial, it more realistically reflects the living conditions of the ancient people of Huize. It should be said that when The youngest son of the Six Patriarchs, Mobu Muqiqi, built the Liuzulu Wocheng In the late Zhou Dynasty and the early Warring States Period (475 BC), the ethnic minorities such as the Laozhu Jingmo at that time had bid farewell to the primitive social life of the ancestors' "nest dwelling", "cave dwelling" and "dry column style". In the Six Zulu Sleeping City, there are high-ranking officials and alchemists with a strong economic foundation and high social status, and their living conditions are no longer simple stilt houses, but manor-style buildings. When we create the Yelang Cultural City, we should take the "Tanglang Manor" as a model and build the Tanglang Manor in the Liuzulu Sleeping City to show the residential culture of the Liuzulu Sleeping City.

The fourth is to display its intangible cultural heritage culture mainly with the clay pottery of Huani Village. Hua Ni Village is a close neighbor of Rak Jia Village, and is famous for producing hydrated aluminum silicic acid clay mines in the history of Huize. In the thirty-eighth year of the Qing Kangxi Dynasty (1699), Huize changed the land and returned to the stream, and Deng Bosheng, a former wugang county in Baoqing Province, Hunan Province, moved to Huize to dig mud villages. At that time, Dongchuan Mining was booming, and a large number of lead tanks were needed for lead refining. Deng Bosheng found that the soil was excellent, so he used the soil here to burn lead cans, which was welcomed by the mine. Subsequently, Deng Bosheng was alone and had many inconveniences in life, so he returned to Hunan. The lead cans for the firing of the clay were thus interrupted. Some technical problems could not be solved by the locals, and the Dongchuan government and factory had to send people to Hunan to invite him. Deng Bosheng returned to the dredging village this time, and also invited his old cousin and his family to prepare to settle in the dredging village for a long time.

When Deng Bosheng returned this time, he also brought pottery tools such as bicycle discs from Hunan, built a oxtail kiln in the local area, and passed on the full set of pottery-making techniques to the yi people of Zhao, Li, and Shang, and later the surnames of Qian and Su also mastered this skill. Initially, only lead cans were produced. Later, according to the needs of the people, the main thing was to burn casseroles, cylinders, vases, teapots, and teapots. The pottery produced by the dredging village has the characteristics of high temperature resistance, corrosion and harmless impurities. Cook the meat in a casserole pot and the flavor is fragrant. It is said that the meat is boiled in a casserole dish, and after the water boils at a high temperature, it is carried around three houses in a row, but the boiling degree is the same as before. The small tea pot produced by the dredging village is resistant to high temperatures, and it will not tear when cold water is added. Tea pot Kang tea, rich aroma, unique flavor. Therefore, the old Huize people legend that the tea pot dug in the mud village has become a tribute to The capital of Huize, if you accidentally touch the canister, you must wrap it with silver, and its preciousness can be seen. For more than 200 years, pottery from the dredging village has been exported to all parts of the province, and during the Qing Dynasty, a guild hall specializing in pottery was built in Xundian Qitang.

In the ninth year of Yongzheng, Deng Bosheng died, and posterity felt that at the beginning of the founding of his art, they revered him as the ancestor of digging clay pottery, and erected a tomb to sacrifice, which has been passed down to this day.

In recent years, the clay pottery of the dredging village has been inherited and innovated, and has won the laurel of the intangible cultural heritage of Yunnan Province. Excavating clay pottery is listed as the creation of yelang culture, and visitors can visit this craft and operate the pleasure of pottery making, which is of great development value.

(To be continued)