In the 1950s and 1960s, Fu Baoshi and a number of Chinese landscape painters such as Li Keyan, Guan Shanyue, Li Xiongcai, Qian Songkun, Lu Yushao, He Haixia, Pan Tianshou, etc., were deeply infected by Mao Zedong's poetry.
Fu Baoshi 'To Shaoshan' poetic intent
81.8cm×116.3cm color on paper, 1960, Collection of Nanjing Museum
Knowledge: The old dream is still faintly passing away in the river, thirty-one years ago. The red flag rolled up the serf's halberd, and the black hand held high to dominate the whip. In order to have the courage to sacrifice more, dare to teach the sun and the moon for a new day. I like to see the thousand layers of rice and waves, and I believe in the people for hundreds of millions of years. At the beginning of May 1960, he wrote the poetry of Shaoshan and wrote Fu Baoshi.
Seal: Bouldering Private Seal (White) 1960 (Zhu)
From the beginning of 1950 until his death in September 1965, in order to keep up with the trend of the times, Fu Baoshi used his strengths and avoided shortcomings, and devoted his attention and energy to the creation of "Mao Zedong's Poetic Paintings", and almost all 37 Mao Zedong poems published at that time were poetically illustrated and interpreted.
In fact, due to a certain spiritual fit, Mao Zedong's poetry did provide a suitable stage for Fu Baoshi's personal creation. In his 15-year later life, Fu Baoshi created nearly 200 works of Mao Zedong's poetic paintings, becoming the painter who created the most Mao Zedong's poetic paintings, and introduced Mao Zedong's poetic landscape paintings into the field of popular aesthetics through exhibitions, publications and other communication channels, thus providing a successful model for the landscape painters at that time.
The expansion of subject matter, the boldness of the technique and the richness of imagination, these Mao Zedong poetic paintings constitute a very characteristic and quite novel part of Fu Baoshi's later paintings. More importantly, Fu Baoshi gave full play to the painting language skills that were good at creating an overall atmosphere, so that his Mao Zedong poetic paintings had strong personal characteristics.
Fu Baoshi FuRong Kingdom is full of chaohui
48.5cm×68cm Color on paper, 1964, Collection of Jiangsu Art Museum
Knowledge: Hibiscus country is full of chaohui. In the autumn of 1964, he wrote Chairman Mao's poetic poems and Fu Baoshi's Nanjing chronicle.
Seal: Bouldering Private Seal (White) Less than In Case (Zhu) By Jia Chen (Zhu)
Fu Baoshi The dragon and the tiger are victorious in the present and the past
60cm×87cm Color on paper, 1960, Nanjing Museum
Knowledge: Dragon Pan Tiger is better than the past. Written in May 1960, Fu Baoshi and remembered.
Stamp: Bouldering private seal (white) for the human world (white)
Fu Baoshi The first mountain of the Long March
61.2cm×80.9cm Color on paper, 1965, Collection of Jiangsu Provincial Academy of Chinese Painting
Knowledge: The first mountain of the Long March. The mountain is on the outskirts of Hongdu Ruijin, all of which are composed of rocks, so it is called Marble Mountain. The expedition that shocked the world began with thousands of rivers and mountains. In July 1965, Fu Baoshi remembered.
Seal: Seal of Bouldering (White)
Fu Baoshi "Bu Operator Yong Mei" Word Intent
33.6cm×45.7cm color on paper, Nanjing Museum, 1964
Knowledge: Wind and rain send spring return, flying snow welcomes spring arrival. It is already a cliff full of ice, and there are still flowers and branches. Pretty also do not compete for spring, only the spring to report. When the mountain flowers were full of flowers, she laughed in the bushes. On February 19, Jia Chen respectfully proposed chairman Wing Mei's words and intentions, bouldering and remembering.
Seal: Bouldering (Zhu) 1964 (Zhu) Less than in case (Zhu)
Fu Baoshi "Qinyuan Spring Snow" word intent
34cm×49.5cm Color on paper, Nanjing Museum, 1958
In December 1958, chairman Mao Qinyuan Chun Wing Xue was proposed. Fu Baoshi.
Seal: Fu (Zhu) Less than just in case (Zhu)
Fu Baoshi Mao Zedong's "Like a Dream, New Year's Day" Word Intention
34cm×50cm Ink and pencil on paper, Nanjing Museum, 1958
Knowledge: Ninghua, Clear Stream, Naturalization, Deep Moss and Slippery Road Pass Forest. Where today is, pointing directly to the bottom of Wuyi Mountain. Down the hill, the wind shows the red flag like a picture. Chairman Mao's New Year's Day was sent like a dream order. November 1958 Nanjing, Fu Baoshi.
Seal: Bouldering (Zhu) Less than just in case (Zhu)
Fu Baoshi The poetic intent of Mao Zedong's "Climbing Lushan Mountain"
68.5cm×92cm Color on paper, 1964, Collection of Jiangsu Academy of Chinese Painting
Insight: Climbing Lushan is poetic. A mountain flew over the river, jumping on the verdant four hundred swirls. Cold eyes to the ocean to see the world, hot wind and rain sprinkled on the river sky. The cloud crossed the nine sects of floating yellow cranes, and white smoke rose under the waves. Tao Ling did not know where to go, and the peach blossom source could be cultivated. In September 1964, Fu Baoshi wrote.
Fu Baoshi "Water Tune Song Head Swimming" Lyric Intention
34.1cm×45.8cm Color on paper 1964 Nanjing Museum Collection: Goddesses should be unharmed, when the world is shocked. Bouldering is twilight.
Stamping: Bouldering Private Printing (White)
Fu Baoshi Mao Zedong's poetic intention of "Photographs of the Immortal Cave of Lushan Mountain taken for Comrade Li Jin's inscription" is intended
33.3cm×45.7cm Color on paper, Nanjing Museum, 1964
Knowledge: Twilight looks strong and loose, and the chaotic clouds are still calm. Born a fairy cave, unlimited scenery in the dangerous peak. Bouldering wrote chairman's inscription Lushan Immortal Cave illuminated poetically.
Fu Baoshi "Qinyuan Chun Changsha" word intent
83cm×41cm Color on paper, 1965, Nanjing Museum
Knowledge: Independent cold autumn, Xiangjiang River to the north, orange island head. Look at the red mountains, the layers of forests are dyed, the rivers are clear, and hundreds of boats are competing for the current. Eagles strike long skies, fish soar shallow bottoms, and all kinds of frost days compete for freedom. Ask the vast earth, who is the Lord of the ups and downs? Bring a hundred couples who have traveled, reminiscing about the past and the thick years. Qia classmate is a teenager, the style is flourishing, the book business is angry, and the party is wavy. Pointing out the country and mountains, stirring up the words, dung soil was ten thousand households in the year. Have you ever remembered that the middle stream hits the water, and the wave contains the return (flying) boat? In June 1965, chairman Qinyuan Chunchang had the meaning of the words, bouldering and remembering.
Seal: Seal of Bouldering (White) 1965 (Zhu) Less than In Case (Zhu)
Fu Baoshi The poetic intent of the Long March
34cm×50cm Ink and Pencil on Paper 1958 Nanjing Museum Collection: More joy in the snow of the Min Mountains, after the three armies are full of beauty. Bouldering writes.
Fu Baoshi Shaoshan map
27.7cm×136.2cm Color on paper, 1959, Nanjing Museum Collection: Shaoshan. Written in 1959 by Duan Yang Ri, Fu Baoshi.
Seal: Seal of Fu Bao (White)
34cm×50cm Color on paper, 1958, Nanjing Museum
Knowledge: In November 1958, chairman Mao Qinyuan wrote the meaning of the spring wing Changsha and bouldered in Nanjing.
Fu Baoshi "Langtaosha Beidaihe" Word Intent
121.9cm×48.3cm Color on paper, Nanjing Museum, 1960
Knowledge: Xiao Ser Autumn Wind is now again, changing the human world. Gengwu Renren wrote Chairman Mao Beidaihe word meaning, Fu Baoshi and remembered.
Seal: Fu Baoshi (White) 1960 (Zhu)
Fu Baoshi Spring breeze willow thousands
67cm×46cm Color on paper 1963 Jiangsu Provincial Art Museum Collection: Spring Breeze And Willow Thousands. 癸卯夏, Fu Baoshi Nanjing.
Seal: Fu (Zhu) 癸卯 (朱)