How did I know Mr. Ma Changli?

I recall that I "knew" Mr. Ma Changli and experienced the "four-step" trip:

The first step is to enter the brain through the ear. In 1964, Beijing held the "National Peking Opera Modern Opera Observation Performance", at that time there was a music teacher in the school where I was teaching, he had a "thermal power" radio, every time after class, the two of us got together to listen to the radio repertoire selection, once was the "Ludang Tinder" Ah Qing sister-in-law, Diao Deyi, Hu Chuankui (yes, then called this "Aoi") three people to sing fascinated, I like the old student, I pay special attention to Diao Deyi's behavior, I want to learn, I especially remembered the name of the actor: Ma Changli, The ear is always haunting Ma Changli's sentence "What kind of wind she made, what port she relied on", a beautiful singing voice, long unforgettable...

The second step is to see the eyes and ears. During the Cultural Revolution, eight model plays were all the rage, and I did political work propaganda work in the factory, and I was blessed with the management of the radio room, and I had more opportunities to listen to the model plays. First the radio broadcast, then the people sang, then the radio taught singing, and then the "People's Daily" published the standard final script, and even made into a color movie, "Ludang Tinder" changed to "Sha Jiabang", I watched it over and over again, watched diao Deyi's image of Ma Changli, followed Ma Changli silently to learn to sing, and slowly learned all the singing sections he had to play the negative character in the film, I also bought the script of the revolutionary modern Peking opera "Sha Jiabang", and remembered the robe of "Diao Deyi" when he was in the "wisdom fight" from the attached color photos 3. The dashing shape of holding a cigarette roll in the hand;

The third step is to see the real face. In May 1979, with the approval of the leaders of the bureau where I worked, I went to Beijing to pay respects to Chairman Mao's remains, and I never imagined that I would have a chance to watch a play. It was May 24th in beijing's 3501 Auditorium, the evening performance by the Beijing Opera House "Ganlu Temple (with "Back to Jingzhou")", ah, there was "Diao Deyi" Ma Changli! He plays Qiao Xuan. Starring also "Guo Jianguang" Tan Yuanshou's Liu Bei, "Hu Chuankui" Zhou Hetong's Sun Quan, "Diao Xiaosan" Niu Rongliang's Qiao Fu, I really feasted on the blessings of my eyes and ears. When the second "Gong Original Field" stopped, Shang Qiao Xuan, the whole audience immediately came to "meet well", and sure enough, it was Ma Changli, the "introduction" of "Danxin Zhenguo, The King of Fu, and the Sheji Ankang", and the "big section of singing" of "persuading Chitose to kill the word to take the exit", which made me intoxicated, I closed my eyes and listened to the truth, and tried my best to find the lingering sound of "listening to the commander's speech when it was appropriate". This scene was called "Heaven and Earth Flood And Desolation Thousand Character Text", because Ma Changli came down from the screen and came to me;

The fourth step is to pay homage to the shrine. "Wish to succeed" is a prayer and good luck, and I did not expect to be honored in me. On September 24, 1980, a group of Beijing Peking Opera House came to Xingtai and performed at the People's Theater, Niucheng Father and Elder that is talking about famous people in the streets, helping the old and watching the big drama with their children, and its sensation is that guo Jianguang came in the model play "Sha Jiabang", Diao Deyi came, Grandma Sha came, Hu Chuankui came, even Diao Xiaosan came, this is really "stepping on the iron shoes and there is no place to find", ah, for me it is fortunate that the "cannon play" on the evening of the 26th, I saw Ma Changli, and performed three folding plays that night: "Yutang Spring" and "Empty City Plan" And "The Great Dengdian", Su San of Yu Junfang at the beginning, Xue Pinggui in tan Yuanshou at the end, the central axis is Kong Ming of Ma Changli, and Sima Yi of Zhou Hetong. I listened to Mr. Ma Changli again and loved him very much. What was even more unexpected was that I actually sat down with Mr. Ma Changli four days later. At noon that day, in the state-run restaurant on the east side of the People's Theater, a single room sat Tan Yuanshou, Ma Changli, Yan Shouping, and Shang Changgui, four Beijing Peking opera masters, and Mr. Guo introduced me, as well as the theater staff, Zhang Shujun, who was good at pulling Jinghu, to the four of them one by one, and we drank and talked together, from greetings to exchanges, and gradually arrived at the situation of earnestly entering Hong Kong, and I learned that Mr. Ma Changli was a disciple of Tan Fuying, and his surname Ma Singing ma was also a horse, and he was a round bigger than me Tan Yuanshou was two years older than him, and the head of the five generations of "Tan Men" was the head of the old man; Ma Changli was humble and respectful everywhere with both the eldest brother and the master brother; Shang Changgui, the yueqin master, was the descendant of Shang Xiaoyun's "Shang family" "Chang" character; Yan Shouping belonged to the snake, the ninth birthday of the first month of november in the lunar calendar, which belonged to the same birthday as my fifth brother, and his Jinghu playing skills were extraordinary, and he played the piano in the movie "Cuckoo Mountain". I was proud to be able to get in touch with the two famous Peking Opera masters and elbow and knees between The Two Peking Opera masters, how I wanted them to give me some advice like a master, but the length of the conversation was short, they also had a big drama "Heroes of the Crowds, Borrowing the East Wind" on stage, looking at the "Lu Su" and "Kong Ming" in front of me, I said hastily: "You are the master who learns to sing opera, I don't know what to do?" The two even said, "Don't dare to be afraid to be!" "After the banquet, we went to the nearby Xiangyang Photo Studio together to take photos of each of us, so we had this precious photo of me with Tan Yuanshou and Ma Changli." The dead are like sifu", it has been 40 years since then.

(2021-07-17 15:40 key)