#MCN首发激励计划#
Text: Jiang Xiaoyu
Editor-in-charge|Xiang Wanwan
Ma Yili is really good at picking on drama.
At the beginning of the year, she was still a charming and exquisitely dressed Shanghai beach proprietress Reiko.
Now she suddenly changed into an unkempt village woman with a freckled face.
Moreover, Lingzi, who has never been able to get Mr. Bao's heart, raised her eyebrows this time, and actually won the most sexually tense man on the whole network in one fell swoop - Jiang Qiming.
Some people say that the existence of this relationship destroys the warm literary attributes of "My Ataylor".
Some people say that it is the director, screenwriter or the actor's own bad taste, ridiculing it as "mother-son love".
After all, the audience has been suffering from "spicy-eyed sister and brother love" for a long time, so when they saw that Ma Yili was going to fall in love with Jiang Qiming, who was a teenager younger, she was naturally physiologically uncomfortable.
But, is the plot really developing like this?
01
The audience who said it was thunderous has its own evidence.
Because the sister-brother love in the past two years has reached the level of flooding.
And the more you shoot, the bigger the age difference.
There are this:
There are also this:
Without exception, these sisters covet their younger brother's tender flesh.
Although he has become an executive and is not confused when he is young, he still has no wisdom in life, and he is very superficial and brainless.
And "My Altay" is essentially different from these bloody idol dramas.
It was warm, healing, literary and artistic, shortlisted for Cannes, and won the first place in the ratings of the same period when it was broadcast on CCTV.
The Douban score is as high as 8.6.
So it's not unreasonable for the audience to worry that the sister-brother love will ruin this show.
What's more, at the beginning of the series, I believe that the heroine and Jiang Qiming are a pair.
In the first episode, the heroine and Jiang Qiming worked in the same restaurant, and when the two chatted on the rooftop, the atmosphere was quite ambiguous.
At least the signal to the audience is more ambiguous.
The two sides were of the same age and had a deep discussion of each other's ideals.
When the heroine, who was a waitress at the time, said that she wanted to be a writer, the boys did not laugh at her wishful thinking.
Instead, he praised the heroine's hometown of Altay and expressed his infinite yearning.
According to the general plot development, these two people are a little emotionally entangled.
Who knows that the plot in the back takes a sharp turn, and there are emotional entanglements, but not love.
Rather, it rises directly to the ethical level.
Because the boy fell in love with the heroine's ....... mother.
made the audience who was originally very optimistic about this drama shout a little thunder, because Mr. Zhang Zhang said this:
It's a bit of black humor.
This is not the category of sister and brother love, it has to be called "mother and son love", right?
Some viewers are worried that if they accidentally see an intimate scene, it will really ruin the tone of the play.
However, if you look down, you will find that only you can't think of it, and there is no director who doesn't dare to shoot.
02
The heroine's mother is Ma Yili.
Her role in the play is called Zhang Fengxia.
It is not the usual "Xia" in ordinary women's names, but the word "chivalry" with a bit of righteousness.
As the name suggests, Zhang Fengxia is indeed free and bold.
As soon as he appeared, the role was a big surprise.
In the daughter's mouth, the mother is a Han living in Altay, combing two braids and running a mobile commissary.
Just when the audience was looking forward to the image of his mother, the camera turned, Zhang Fengxia was sleeping unkempt, and he snored rudely.
Compared with Ma Yili's usual elegant image of Shanghai Kuotai, the contrast of this role is not an exaggeration to describe it as a world of difference.
In order to further prove the heroism and freedom of this character, the director then used several scenes of "teaching a group of local old ladies to scold in Chinese" and "arguing with his daughter" to show Zhang Fengxia's character traits vividly.
This widowed middle-aged woman in a foreign land, although she is often drunk, is extremely sober in her heart.
Not only is she well versed in the worldly way of survival, but she does not interfere with her idealistic daughter, but allows her daughter to continue to try and make mistakes.
When her daughter complained to her that she was insecure because she often moved, she said, "What sense of security does it depend on me?" ”
And, "The sky is falling and it doesn't affect my sleep." ”
When the daughter finally came to the camel, she asked her mother: "I'm not useless, am I?" ”
Mother Zhang Fengxia said such philosophical words:
"What does it mean to be useful? You were born to serve others?
Look at the trees and grass on this grassland, it is useful for some people to eat it, but if it is useless, they stay on the grassland like this, and it is also very good, free and easy. ”
In this era of involution and anxiety, it is like an empowerment to suddenly see such a transparent attitude to life.
It's cool.
Zhang Fengxia's heart is so wide that it can fit the entire boundless prairie of Altay.
So, is it strange that such an informal and open-minded woman falls in love with a boy who is more than ten years younger than herself?
03
The relationship certainly didn't blossom.
Because the purpose of Gao Xiaoliang, the character played by Jiang Qiming, to come to Altay is to make money.
When he left the restaurant, the manager asked him, "How are you going to live in the future?" ”
He said, "By women." ”
is like a joke, but it also has a bit of a hint of true inner thoughts.
So it is not surprising that Gao Xiaoliang was attracted to Zhang Fengxia.
Zhang Fengxia is enthusiastic and open-minded, so he has a way to survive and has connections in the local area, how can he make the foreign guy who came to pan for gold have no ideas?
It's just that no matter how good love is, of course, it can't stop him.
In the end, this man who came for the money really took the money.
But Zhang Fengxia didn't cry and grab the ground, he was also angry and sad, but he said "fuck it", and he could start the page.
It's just a man, he ran away, so why don't you want to find death and find life for this?
The failed and short-lived love was not only not a failure, but enriched Zhang Fengxia's life.
She is attached to her deceased husband, but she will not restrain herself with the archway of three chastity and nine spirits.
Her body is truly shining with the light of feminism.
Brave, open-minded, and the master of destiny.
The gift of fate, she can take it.
She can stand the tricks of fate.
Therefore, Zhang Fengxia and Gao Xiaoliang's sister-brother relationship seems bloody at the beginning.
But as long as you read it carefully, not only will you not feel abrupt, but you will feel that such Zhang Fengxia is complete and three-dimensional.
The directors of domestic entertainment should learn from Zhang Fengxia, how to write and shoot the real heroine.
It's not about drawing two black eyeliners, shuttling through high-end office buildings, living on the big flat floor by the Huangpu River, and saying a few words of pretending to be sophisticated industry terms.
But it's still the eighteenth-stream romance novel road of jealousy with her little boyfriend.
The charm of women is by no means objectified vassals, nor is it hatred of love and flaunting to concentrate on careers.
It is the courage to dare to give, and the open-mindedness to accept harm, and to take the initiative in life in their own hands.