In this May, with the strong return of "Singer 2024", the audience's mood is like riding a roller coaster, with anticipation and surprise coexisting, laughter and controversy flying together.
On the night of the premiere, the stage lights were bright, but what unveiled the curtain was not the luxurious lineup that everyone speculated - the "surprise" of the absence of superstars such as Eason Chan, Mars Brother, Adele, etc., but turned this musical feast into a live version of "The Adventures of Na Ying".
Na Ying, an evergreen in the music scene, took the lead on the stage, originally thought it was her personal show, but unexpectedly the mysterious foreign guest Momo directly stole the headlines with a song "Crazy", which instantly upgraded the stage of "Singer" to a Grammy-level competition.
However, this live broadcast also triggered a deep reflection on the current situation of the Chinese music scene. Why did many domestic powerful singers fail to appear, is it a schedule conflict, or is there another reason? The doubts and disappointments of netizens are not only the absence of individual singers, but also an inquiry into the ecology of the entire industry. "Where did Zhou Shen, Yuan Yawei, Tan Weiwei, and Sa Dingding go?" Such questions are not only a call to stardom, but also a desire for diversity and depth in music.
From Douyin Divine Comedy to ethnic customs, from idol drama romance to folk rock of second-hand roses, the mix and match of the show's music styles makes the audience call "full of taste". Momo's appearance is not only because of her explosive performance at the top of the list, but also because of her similarity with actor Jin Chen, and the joining of other overseas forces such as Faouzia has also made the list of international colors.
On the other hand, although Na Ying ranks third, Wang Sulong's new songs and the performances of Rainie Yang, Hailai Amu and others seem to be slightly dim in front of the international style
The second-hand rose's "monkey" stage has triggered polarized evaluations from the audience, some people think it is a down-to-earth creativity, and some people think it is an embarrassing attempt.
On the Internet, the discussion about "Singer 2024" remains hot, including regret that the program team failed to invite more heavyweight Chinese singers, sympathy for Na Ying's lonely struggle, and sharp comments on "who is swimming naked" in the form of live broadcast.
In the face of all kinds of ridicule and doubts from netizens, this season of "Singer" undoubtedly brought people a "surprise" beyond expectations. It is like a magnifying glass, reflecting the diversity and challenges of the current Chinese music scene, and at the same time arousing people's curiosity to explore the boundaries of music. For the upcoming second installment, the audience is full of anticipation, wondering what kind of reversal and impact this musical adventure can bring.
Perhaps, this is the charm of "The Singer" - it is not just a competition, but also a mirror, reflecting the diversity and change of the music world, and inspiring us to think deeply about the relationship between the local and the international, the traditional and the modern.