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The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

author:T brother small station
The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

The TV series "Renzaburo Furuhata" is a 1994 criminal investigation-themed reasoning TV series in which the criminal policeman "Furuhata" played by Masakazu Tamura has a unique charm, and at that time, the appearance was very high.

I'm self-sufficient but personable

The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

Played by Mr. Masakazu Tamura, Renzaburo Furuhata is a solitary, somewhat self-contained criminal policeman, he has always been wearing a black trench coat, wearing a suit without a tie, riding a bicycle alone to the crime scene of the criminal police, the class has always been the police department supplement; but he also changed the serious and stereotypical and hectic image of the Japanese drama criminal police, Furuhata always maintains a dignified appearance, perms a long hair with style, is polite and respectful to women, often smiles, and will politely question and answer questions and answers to suspects, rarely getting angry. It can be said that the image is impressively portrayed. The signature gesture is to extend an index finger in the middle of the nose and look forward with both eyes.

Humorous but never condones crime

The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

Furuhata Renzaburo will not be so serious, often smiling, like to tease his subordinates, make some small jokes; when solving the case, he will also make many image metaphors, and even try to put stockings on his head and smoke in front of the prisoner like a child to prove that his statement is unreliable, etc.; Furuhata is rarely angry, but he must be angry because of the suspect's bad behavior, if the suspect is a lady, he will be full of pity, regret all the women who commit crimes, but never cover up or condone,

The opponent is mean but caring

The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

Furuhata's subordinates are useless Imazumi patrol police, he appears to be headless and brainless in the play, poor mobility, and even often cause trouble for Furuhata, it can be said that it is in stark contrast to Furuhata's flexible thinking, logic and meticulousness, and outstanding action, Furuhata also often likes to use it to tease him and pat his big forehead, but Imazumi really encounters trouble, such as when he is listed as a murder suspect, Furuhata will not hesitate to go out to save his subordinates, defend him, and find out the real culprit. In fact, Furuhata still liked his useless subordinate.

All kinds of strange cases have been solved

The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

However, to say that Furuhata Renzaburo's greatest ability is to solve the case, he has a keen sense of detective smell, can solve the case only by logic in the slightest clue, and is very eloquent, each time is to use a variety of evidence to force the prisoners to confess themselves, but this style even has the situation of "forcing" the dead prisoners, in the special chapter filmed in 2004, the ambassador in the murder of the Spanish Embassy finally committed suicide by drinking a bullet because he was exposed for the crime of murder, which also made Furuhata extremely sad.

The plot is fascinating and the form is novel

The protagonist of this Japanese drama is an uncle, but his appearance is explosive - Furuhata Renzaburō

Furuhata Renzaburo is different from some suspenseful detective films, it always opens with a unique opening statement of Furuhata, and then immediately tells the process of the murderer's crime, and draws the suspense on "how Furuhata found the prisoner" and "how Furuhata forced the prisoner to confess the truth", not "who is the prisoner", so from the perspective of criminal psychology, the script will appear more interesting and attractive, everyone knows the prisoner, just want to see "how the prisoner was caught".

Another selling point is that every issue has a Japanese household name star who appears as a cameo killer, such as Takuya Kimura, Matsushima Naoko and other celebrity friends in the special episode are also very familiar.

If you have not seen this reasoning Japanese drama, the author highly recommends it.

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