Yu Feihong people as its name, a glimpse of Feihong, she is beautiful in the eyebrows, "Little Li Fei Dao" of the amazing fairy has long been like a flood of autumn water, but at that time it was a little bit of a feeling of youth and old age, now watch her video, but feel that she is more comfortable and more energetic.
Yu Feihong's body shows the beauty of the order, because there is order, so wearing the Cheongsam of the Republic of China, not like most actresses like aunts, but the standard everyone's boudoir: the eyebrows are upright, the big face plate is a bit Xue Baochao's "face like a silver basin" feeling, and the sharp lip peak, the end of the jaw, let her faintly a little strong.
This beauty of order is also reflected in her philosophy of life, and she mentions several times that she likes a smooth and comfortable life. She is actually a person with a very low desire, and she also admires the kind of person who does things effortlessly, such as the white light that likes to sing "Waiting for You to Come Back".
The recent hit "Thirteen Invitations", seeing her and Xu Zhiyuan's dialogue, she spoke slowly, just like her slow-paced personality. Pause when it's time to pause, interject at the right time, even if Xu Zhiyuan has been asking all kinds of stupid questions, such as what kind of man Yu Feihong likes, what kind of imperfection he feels himself, why he wants to act in popular TV dramas, and why he doesn't keep acting in literary and artistic movies. But no matter what he asked, she watched him intently and nodded, showing excellent cultivation.
She has that kind of lazy sense of ease after everything is satisfied, and it is really this sense of ease that makes Yu Feihong particularly detached, not like an actress.
But in fact, she may be more powerful than the gentle and soothing look we see, xu Zhiyuan turned into a small man under her background. For example, under the discussion of the topic of male power, she exhaled like a lan and very calmly admitted that this is a patriarchal society, which is a fact that cannot be changed.
Lining Xu Zhiyuan's careful thinking is particularly narrow. And as she discussed that life is meaningless, we give meaning to life. Her heart is transparent, some people say that she and Faye Wong are similar, and there is a sense of alienation, but in fact, Faye Wong is pyrotechnic, occasionally those naughty and direct, and Yu Feihong gives people the feeling of looking at herself and the world coldly.
I think people who mix well can be divided into smart people, gifted people, and wise people.
Smart people are usually good grades in the classroom, good learning, a little smart, where you can thrive;
And gifted people are not necessarily intelligent people, usually have a very amazing understanding in a certain place, are a fulcrum to support their own lives, such as engaging in art and music famous, with talent and acquired efforts to get rewards;
And the wise person, perhaps can include the above two kinds of people, may not include, there is no doubt that Yu Feihong gave me the feeling of a wise person.
For example, she said that she was fortunate not to become Van Gogh, and thanked God for granting her mediocrity and allowing her to live a stable life. And when asked about mate selection requirements, I like to find a kind and ordinary person. It felt like she had gone through some storms and finally chose a peaceful life.
In fact, I write Yu Feihong is a little confused, on the one hand, I really envy her to live so stretched, living into such a person is usually blessed by Fuze, will not open her teeth and claws as if to grasp something, there is a tree of calm and calm.
On the other hand, there are many people like me who like the twisting power in Zhang Ziyi's eyes, the aura that is sometimes created by not being crazy and not living. It just so happens that I think Yu Feihong's most spirited role is the early years of "Happy Luck Club", a film that explores motherhood and feminism, which is such a character who was once beautiful and simple to yearn for love, and later resentful and remorseful.
The performance of "Millennium Prayer" is even more inconspicuous - a divorced middle-aged woman who seems to be integrated with the bland life of the characters.
As a great beauty, Yu Feihong's dynamics are always better than static: bent eyebrows and smiling.
"Love Has an Afterlife" is her first and only film now, and to be fair, it is actually OK, if it is a debut film. She is actually working hard, but with her own gentle rhythm, I sometimes think that if she can work as hard as Zhang Ziyi, with her understanding, she can also be a first-line movie star.
However, everyone can't assume this, thanks to her and let us see a kind of leisurely beauty, as if Tao Yuanming's sentence, "Pick chrysanthemums southeast, leisurely see the South Mountain." ”