#头条创作挑战赛#
Born in 1946 in Xiaguan, Nanjing, Jiangsu Province, Lu Shaohua, a painter in France, is a passionate and magnificent ink landscape painter. His works show a majestic momentum that is breathtaking.
Chinese landscape painting, referred to as landscape painting, is a Chinese painting that depicts the natural landscape of mountains and rivers. Landscape painting was formed during the Wei, Jin, Southern and Northern Dynasties, became independent in the Sui and Tang dynasties, and matured in the Five Dynasties and the Northern Song Dynasty. In the process of creating landscape painting, a variety of painting methods such as green, golden, ink, shallow, and boneless were produced.
In the creation of contemporary landscape painting, the painting methods of green and green, ink and light silk are parallel, each showing its strengths and experiencing various explorations and innovations. In Lu Shaohua's view, the practice and innovation of landscape painting first need to put the sense of social responsibility and artistic mission in the first place, and the works should be positive, take the spirit of the times as the core, inherit and innovate the traditional culture of the Chinese nation as the leading, and reflect the spirit of Chinese culture. Artists should think about what impact their actions have on the objective world, what they have brought to society, and more importantly, whether they can play a role in promoting society. Only in this way can we reflect our own value in the process of the times and walk with the times.
Therefore, the practice and innovation of landscape painting, the creative theory and conception concept must be inherited and carried forward on the basis of the traditional art of Chinese painting, and take the road of having its own unique painting style and unique painting language. In the process of innovation, it is necessary to retain the traditional brush and ink skills of Chinese painting, and to rub and dye the special brush and ink charm such as the shade and the void and the real. Chinese painting attaches great importance to the "bone method of brushing", emphasizing that "all brushes have four potentials", and artists should inherit and carry forward this traditional brushwork, focusing on the expression of qi, bones, flesh and tendons. When depicting famous mountains and rivers, it is necessary to use both the center and the flank, outlining rocks, grass and trees, stacking blocks, rubbing and dyeing, "flat, staying, round, changing, heavy", square pen and round pen, priority, pen to, qi to, and meaning.
At the same time, Chinese painting has a high degree of generalization, imagery and symbolism, that is, the freehand spirit of brush and ink. The bone method of landscape painting is expressed in the simple, subtle, plain and simple colors and brushwork. Chinese painting is the painting of the literati and the thinker, and it is closely related to people's thoughts, personality and spirit. The creation of landscape painting should pursue vivid charm and unique style of brush and ink language, and the tempering of brush and ink is the painter's lifelong pursuit.