Just when the plot of "City in the City" rushed to the highest point like a roller coaster, the audience's emotions also made a big "jumping machine".
Su Jianren has in his hands the key evidence that can influence the future of Goh Hsien Loong's company.
Although people have long been glimpsed through the cracks of time, the outline of his fate has come to an abrupt end when the tapestry of life comes to an abrupt end in his sudden car accident.
Even if he knew it, the audience still set off layers of emotional ripples for his fall.
Su Jianren is not a downright bad person, and compared to Zhao Hui and Xie Zhiyuan, he appears to be more honest and upright.
The shadow of fate has not yet shrouded the time.
His heart is still swirling with the desire to seek a coveted chair at the Academy of Fine Arts.
At the same time, he is also eager to mend the rift caused by the misunderstanding between him and Zhao Hui, and re-weave the bond of friendship with warm words and sincere gestures.
However, the fragility of life is emotional.
Through Zhao Hui's eyes, the audience seemed to be swept into a whirlpool, and their hearts felt an unprecedented shock.
It is no longer just a simple viewing, but reflects deep regret and self-blame.
However, Zhao Hui's behavior unexpectedly caused an uproar.
He pretended to be extremely sad, but once Zhou Lin appeared, he became a chatterbox, talking about his thoughts like pouring beans.
Standing silently outside her shop, the rain mixed with tears, made his figure seem even more lonely and sad.
all know Su Jianren's feelings for Zhou Lin, but as a brother, Su Jianren has just died, and Zhao Hui's behavior seems excessive.
Zhou Lin's heart was also shrouded in confusion, and she gently walked to Zhao Hui's side, trying to bring a trace of comfort to his soul with words.
However, in the process of trying to find comforting words, she inadvertently blamed Su Jianren's misfortune on herself, and this inadvertently revealed indifference was shocking.
Su Jianren was always very kind to Zhou Lin before his death, like jumping into the sea with a lifebuoy, for fear that she would accidentally drown half to death.
And what about Zhao Hui? He behaves like a wolf in sheep's clothing, always showing his fangs at the most critical moment.
This back and forth, like the ultimate PK competition of "kindness" and "hypocrisy", shows Zhou Lin's "iron heart" and Zhao Hui's "true character of drama" to the fullest.
Zhou Lin's enthusiasm is like a hot spicy hot pot, and Zhao Hui, just like the diner sitting next to him, neither said "I don't eat spicy", nor did he reach out to pick up the vegetables, the whole person just sat dry, making people scratch their heads, I don't know if he wants to "eat" or to be a "decoration"?
The fact that Su's misfortune unexpectedly became the key to their emotional development is hard to accept.
What's even more incomprehensible is that the weather-beaten Zhao Hui on the screen is actually shaped by Yu Hewei, who is experienced and has excellent acting skills.
Imagine him being the chef who made fans flock to him, and his acting feast was once addictive.
But who knows, as the plot deepens, this meal actually begins to taste, which makes people taste it not after tasting it, and even the impression of He Wei, the chef, has become a little "indigestion".
This is also a reminder to other veteran actors to be extra careful when choosing scripts so as not to have a bad impact on their artistic careers.
As a senior actor who has been working in the entertainment industry for many years, Yu Hewei has established a lofty status of "uncle circle boss" in the hearts of countless audiences with his unique acting skills and profound connotation.
In "On the Cliff", he is like a cultivator on a high mountain, facing the abyss of the cliff and still maintains a detached calmness.
This calm temperament made the audience all moved.
In "Ideal City", he portrayed Zhao Xiankun, a taciturn but rich character, introverted like a deep sea with endless secrets.
In "The Awakening Age", he appeared as Chen Duxiu, and vividly interpreted the great thinkers of an era, as if he really brought people back to that awakened era.
Yu Hewei is like a chameleon in the acting circle, and every role is played vividly, like the spokesperson of "drama face".
The quality of the works is basically excellent, and people want to see it.
In particular, he can always stage a good show of "you chase me" with those actors who are master actors, such as Sun Li and Qin Hailu.
However, recently Yu Hewei's selection of scripts has caused controversy.
Due to the confusion of logic, the deviation of values, and the resentment caused by the character setting, these factors began to affect the audience's overall perception of him.
In addition, the acting skills of the partners in the new drama have also been questioned, such as Lonnie's performance is unacceptable.
In "A City in the City", Yu Hewei did not play the main role, but Bai Yufan, a young actor, took the leading role.
Although veteran actors need to adapt to changes in the market and take on the responsibility of developing new talents, they must be extra careful when choosing their scripts.
lest an inadvertent choice damage the reputation you have worked so hard to build.
This reminds me of what director Zhang Yimou once said to the actors under him: "Don't take on dramas casually, let alone shoot TV series casually to make money." ”
There is an unwritten chain in the film and television industry: film actors are better than TV actors, and TV actors are better than variety actors.
The film industry is highly competitive, and it is not easy to gain a foothold.
Post-85 actresses strive to enter the film industry and strive for a higher status.
Although Yu Hewei's performance in the film industry is not outstanding, as a national first-class actor, he has accumulated deep network resources.
In the past two years, he has brought film masterpieces such as "Second-Hand Masterpiece" and "Solid as a Rock" to the audience as a starring role.
These works not only won a full house, but also added a strong stroke to his acting career.
Unfortunately, before he could gain a foothold in the film industry, he had to return to the TV drama industry and take over various scripts.
In this era of TV dramas as a money-making tool, actors seem to be able to make money easily, and the challenges they face are far less difficult than those of movies.
However, such a quick cut does not mean that professional ethics can be sacrificed.
After all, the audience's eyes are bright, and once they find out that their idol has given up the sincerity of art for money, that trust will be like broken glass, and it will be difficult to piece together.
Therefore, as a top actor, you have to know how to play with the ruler of "appearance".
Don't show all your brains, you have to learn to hide it, just like the trump card in the hand of a magician, showing up from time to time, so that people can't guess your next step.
Remember, being mysterious is more fascinating than overexposing.
Once their work is rated as inferior several times in a row, it is difficult for them to get rid of the notoriety of "bad drama professionals" no matter how hard they try.
As time passed, Yu Hewei's figure became more and more familiar on the screen, as if each character was a copy and paste of the previous one.
This phenomenon of convergence, if not changed, will undoubtedly lead him to the quagmire of typology.
And the audience's expectations will gradually turn into doubts, and those former applause and praise seem to be quietly turning into upcoming criticism.
So, for such Yu Hewei, I don't know if you in front of the screen still like this actor as much as you used to like "Uncle Liu Huang"?