Recently, Taiwanese female singer Tian Fuzhen's Tianjin Music Festival performance was canceled, which attracted widespread attention. Tian Fuzhen, as a well-known singer in Taiwan, was unable to participate in the mainland performance this time, which hit him hard. The reason for this is related to her statement on her political position. This also ignited the discussion of the singer's political stance again.
In fact, as a Taiwanese singer, Tian Fuzhen's exposure in the mainland market has gradually declined in recent years, and his main source of income is commercial performances and solo concerts. According to public information, her annual income is about 20 million Taiwan dollars, equivalent to about 4 million yuan. Compared with the income of first-line female singers in the mainland, there is a big gap. This has also led to her having to rely on the mainland market.
As a senior singer, Tian Fuzhen's income level in Taiwan is actually not low. Including commercial performances, endorsements, performances, etc., her income remains stable. But as she gets older, in the fiercely competitive entertainment industry, her exposure rate declines, and as a post-80s singer, she needs to face the competitive pressure of the new generation of idols. The capacity of the Taiwan market is limited, and the concert is also facing box office pressure.
In contrast, Chinese mainland has a vast market space. The income of first-line female singers can reach tens of millions of yuan, and the cost of commercial performances is also very considerable. Relying on the mainland market alone, you can earn a good income. Tian Fuzhen is no exception, and the mainland market accounts for a large part of her income.
With the tension between the two sides of the strait, the political stance of the artist has also attracted much attention. Some of Tian Fuzhen's previous words and deeds caused controversy and was accused of having an ambiguous attitude. This inability to participate in the mainland performance was also interpreted as a punishment for his position. Indeed, in the current environment, if you want to develop in the mainland, you must handle political relations well in order to gain the recognition of a wide audience.
Some analysts believe that Tian Fuzhen can completely give up the mainland market and develop in Taiwan. But the problem is that it is difficult to rely on the Taiwan market to obtain income comparable to that of the mainland. With a population of 1.4 billion, Chinese mainland is the world's largest entertainment consumer market. No artist would give up such an opportunity easily.
In fact, Taiwanese artists like Tian Fuzhen are facing a dilemma. In Taiwan, they need to meet the political expectations of the local people, and in Chinese mainland, they need to cater to the sentiments of the mainland people. Coming from left to right increases the difficulty. But in order to grow their careers, they have to find a balance between these two pressures.
In general, whether Tian Fuzhen can return to the mainland stage remains to be verified by time. But her dependence and need for the mainland market is obvious. Judging from the income structure, the loss of mainland resources has hit her hard. Of course, it is difficult to cross the political red line by individual efforts. How to deal with the issue of political stance requires the artist to think carefully and be cautious in his words and deeds.
For Tian Fuzhen, it is still unclear whether he will be able to return to the mainland stage, and the key lies in how to view and deal with his own political stance. In fact, cross-strait relations are complicated, and Taiwanese artists are really in a dilemma. However, artists need to understand that in the current environment, attitude issues are very important, and the slightest carelessness can cost dearly.
Therefore, if Tian Fuzhen wants to continue to develop in the mainland, he can no longer make moves that touch the political red line. We should clearly distinguish between work and position, and not leave an ambiguous impression on the public. At the same time, it is also necessary to show enthusiasm and friendliness to mainland audiences, and integrate the hearts of the people on both sides of the strait through art. Only by conforming to the general trend can we win the recognition and support of the broad masses.
Of course, it is impossible for an artist to cater to everyone 100%, and it is normal to have your own attitude. But you should learn to protect yourself wisely, keep a low profile when you should keep a low profile, and don't be tempted frequently on sensitive issues. Sometimes, it's smart to stay silent. Only by judging the situation can we be calm in this vast river and lake.
Tian Fuzhen's future is still uncertain, but as long as she can learn a lesson, examine herself, and re-examine her political stance, she may still return to the mainland stage. Artists must learn to integrate into the general environment and conform to public opinion, so as to win long-term development.
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