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Author: Ha Kill Huang
The former British man Shaw came to China and asked Dr. Mei Huanhua with the pronunciation of the Chinese opera "scene", and Mei's answer was quite criticized by public opinion. Recently, the funny star Jia Bolin (Note: i.e. Chaplin) arrived in Shanghai, and Mei Lanfang listened to Chinese opera twice. Jia and Ms. Gu Dai consulted on all the situations on the stage, and Xu Yuren and Chinese film star Liu Jiqun answered them.
Therefore, Yu recalled Mei Lang's regret of answering Xiao, and Yu Liu and others answered Jia very much! Gaija is a cultivated actor in film and drama, and he and Ms. Gu Dai asked, such as: "Is the music in the play an accessory to singing?" "Does the actor's movements have an expression effect?" At each point, his consciousness was extremely sophisticated, but I did not know what jia zhiren and Liu Jiqun had answered.
Mei Lanfang took a group photo with Chaplin and others in Hollywood during her performance in the United States
If, as in the previous Mei Daxiao's "improvisation", ambiguity, I know that it will also make Jia and Gu Dai suspicious and ashamed of Chinese artists!
When examining an event, there must be no subjective existence of love and evil, and think that it is a criticism, otherwise the lover will be close to his psychology and will not feel inclined to support it; and the evil one will often focus on attacking with the feelings of hatred and hatred.
In recent years, the attitude of ordinary people towards Chinese opera has not been rid of the above two intentions, and the criticism of Chinese opera performed by the Mei Opera Troupe by the American "Doctor Yang" seems to be practical. This is without him, appreciating art with a calm eye, and there is so that it is also.
And this time Jia and Gu Fa question music and singing, hand movements and expressions, can be regarded as standing in the artistic position to ask questions, especially Jia Bolin's feelings about music, unlike the "layman" asked by "Old Man Xiao", it is actually a more noteworthy, but first solemnly declare, I am by no means a fan who admires "foreign masters", nor am I a believer who worships the idols of old dramas, and I sincerely play with the "scenes" of Chinese opera, which is indeed not a "lively" and meaningless move.
Just think, why is it that in the middle of reading and singing in this role, how many strokes of the gong are used? And in the singing of the other character's recitation, it is accompanied by a small gong? How to play the gong and drum in martial arts? And the single skin is continuous? If we are in the song field, concentrating on it, and if God pays attention to it, we will understand the principles of "scene" performance and be extremely interested. Those who want to expound their essence one by one, I am afraid that those who have a profound study of the "Gong and Drum Sutra" will not be able to understand its important key.
In 1936, Chaplin and Mei Lanfang were reunited in Shanghai
It is because I think Jia Bolin has feelings for the music and singing of Chinese dramas, which can be described as "half-known", but the reason why Jia Bolin is Jia Bolin seems to be famous only by the funny of "top hats and big leather shoes"!
Ms. Gu Dai's question of "whether the actor's movements and expressions are related" is the same concept as the welcome of the Americans "Bluestone Mountain" and the welcome of the Russians "Zhong Kui Married Sister"! I know the strength and beauty of the dance ingredients in chinese opera!
Chaplin and Ms. Gu Dai took a group photo with Ma Lianliang after watching "The Strange Adventure of Double Jiao"
I would like to speak to those who advocate Kunqu opera, not to focus on the words and words, the words of the song, but also to the performance skills. It is necessary to try to inject "preservatives", and must not think that the improvement is too good to be improved, such as "novel sets, gorgeous heads, quasi-sixteen engravings, front decorations, and rear decorations".
However, the meaning of Yu is not necessarily to replace the national opera with Kunqu opera, and then it is enough to make other dramas contain the wonderful parts of Kunqu opera, which is a negative way to preserve the national opera today, and it is also the key plan for rectifying the national opera.
(Beiyang Pictorial, No. 1376, 1936)