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The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

author:Online calligraphy

Calligraphy is regarded as an art and is rich in the beauty of Chinese tradition. So, what is the beauty of calligraphy? Some people think that it is beautiful when it is rigorous and regular, horizontal and vertical, while others think that dot painting is beautiful when the artistic conception is flying and lively. However, the true beauty of calligraphy lies in the harmony of the chapters, the agility of the dot painting, the tactfulness and liveliness of the brush, and the far-reaching artistic conception, like a beautiful rhythmic music, which is unforgettable.

The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

Liang Shizheng is an outstanding calligrapher, and his calligraphy works incorporate the techniques of his predecessors such as Liu Gongquan, Wen Zhengming, and Yan Zhenqing, especially the most exquisite calligraphy. Its font is strong and steady, with Liu Gongquan's backbone, and the dots are natural and smooth, giving people a sense of harmony and comfort. Known as the "most beautiful book" in the past 200 years, he has become Qianlong's "royal ghostwriter", but Liang Shizheng cherishes himself and never splashes ink easily.

The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

Liang Shizheng's inscriptions are often found after the authentic works of famous artists, such as Wang Xizhi's "Clear Post when the Snow is Fast", "Fuchun Mountain Residence Map" and so on. Among them, the most widely circulated is Qiu Ying's "Qingming Riverside Map" after the "Luo Bin Wang Emperor Jing Chapter", the full text of a total of 649 words, elegant and elegant gestures, the fusion of Zhao Mengfu's charm, Yan Zhenqing's vigorous, and willow body's strong bones, showing the beauty of chic and sparse, can be described as a rare boutique in the Qing Dynasty to the present.

The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

Although Liang Shizheng's calligraphy retains a slight "pavilion style" style, it is not all based on it. His calligraphy incorporates ancient techniques, maintaining artistry and practicality. This fusion was not only praised by Mr. Qigong, but also gave his calligraphy a deep charm.

The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

Regular practice of calligraphy can help us understand the penmanship and charm of the ancients, improve our calligraphy skills, and become more comfortable copying the calligraphy of the ancients.

The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40
The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40
The "overlord" of calligraphy in the past 200 years, Xingshu can "coexist" with Wang Xizhi, Qigong: 40

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