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Discuss the phenomenon of "fake poor" in domestic dramas
In domestic dramas, there are various ways to portray the image of the poor, but there is a phenomenon called "fake poor", which is highly controversial. He Saifei's "cheap" mother's shirt in "Chenghuan Ji" has become a breakthrough to expose this phenomenon. How serious is the phenomenon of "fake poor" in domestic dramas? Let's start with He Saifei's "cheap" mother's shirt and explore this issue in depth.
The fit between the character and the dress
He Saifei's role in "The Legend of Cheng Huan" sets an image of the word "poor", and the "cheap" mother's shirt she wears perfectly fits this image. These clothes are not flashy and expensive, but are characterized by affordability and cheapness, reflecting the simple living conditions of poor families. This realistic style of dressing makes the character closer to reality and has caused widespread resonance.
The story behind the clothes
Every piece of clothing has a story behind it. The "cheap" mother's shirt worn by He Saifei in the play is not only a simple costume, but also carries the bits and pieces of family life. These clothes may be a deliberate choice, perhaps to take care of the family's finances, or to nostalgia for a bygone time. Whatever the reason, these clothes become a part of the character's image, making people feel the truth and warmth of life.
The audience's resonance and thinking
The role played by He Saifei and the "cheap" mother's shirt she wore aroused the audience's resonance and thinking. In this materialistic era, people often pursue luxury and famous brands, but this simple dress in the play evokes people's yearning and thinking about real life. The audience may see themselves, their families, and the true and beautiful life in the characters.
The vividness of the character image
The image of the characters in the play needs to fit with life in order to show it more vividly. The character played by He Saifei has become a real and credible image through the detail of "cheap" mother's shirts. The audience seems to be able to feel the warmth and tenacity of the family from her dress, and the true display of this state of life makes the character more three-dimensional and flesh-and-blood.
The intersection of reality and fiction
The clothing of the characters in the play is often carefully designed by the screenwriters, which must not only match the identity and background of the characters, but also arouse the resonance and empathy of the audience. He Saifei's character image in "Cheng Huan Ji", through the wearing of "cheap" mother's shirts, successfully integrates reality and fiction to create a character image full of life.
The "fake poor" in domestic dramas
The image of the "poor" in many domestic dramas is very different from the poor in real life. These characters often live in luxurious villas, dressed in fashionable and luxurious clothes, in stark contrast to the real image of the poor. This phenomenon of "fake poor" makes the audience feel aesthetic fatigue and questions the authenticity of the plot.
Distorted image of the poor
In many domestic dramas, the so-called "poor" characters often live a luxurious life, living in luxuriously decorated villas, wearing brand-name and fashionable clothes, and living a rich and worry-free life. This distorted image of the poor is far from the living conditions of the poor in real life, making it difficult for the audience to identify and accept.
Aesthetic fatigue of the audience
The frequent appearance of the image of the "fake poor" has led to the aesthetic fatigue of the audience. Audiences crave real, life-like plots and characters, rather than fake scenes of luxury life. This kind of aesthetic fatigue has greatly reduced the audience's acceptance and trust in domestic dramas.
Doubts about the authenticity of the plot
The phenomenon of "fake poor" in domestic dramas has also aroused the audience's doubts about the authenticity of the plot. Viewers began to wonder if the writers had enough understanding and portrayal of social reality, and whether they were pursuing ratings and showing off a luxurious lifestyle. This kind of questioning further weakens the audience's trust and favorability of domestic dramas.
The line between truth and falsehood
The phenomenon of "fake poor" in domestic dramas has blurred the line between truth and falsehood. The audience often has difficulty discerning the true identities and living conditions of the characters in the play, and feels a sense of being fooled and deceived. This kind of plot presentation that loses authenticity further deepens the audience's disappointment and distrust of domestic dramas.
Calling for the presentation of real life
In the face of the phenomenon of "fake poor", the audience is more eagerly looking forward to the presentation of real life. What they want to see is a real-life, authentic plot and character image, not a fake show-off and flashiness. Only by returning to the truth can we regain the trust and love of the audience.
The reaction of He Saifei's "cheap" mother's shirt
He Saifei's "cheap" mother's shirt in "Chenghuan Ji" aroused resonance and discussion among the audience. The audience has said that this real dressing style is closer to life, making the character image more three-dimensional, and increasing the credibility of the plot. At the same time, this also makes people begin to reflect on the portrayal of the poor in domestic dramas, and calls for more real and close to life expressions.
The source of aesthetic misunderstanding
The emergence of the phenomenon of "fake poor" in domestic dramas is not accidental, and its root cause lies in the producer's confusion and misunderstanding of aesthetics. In the pursuit of the gorgeousness of the picture and the tallness of the character, they often ignore the presentation of real life, resulting in the unreal and untrustworthy image of the character. Producers are often pressured by commercial considerations and market competition to pursue high ratings and advertising effectiveness. In order to attract the audience's attention, they tend to choose gorgeous scenes and lavish costumes, ignoring the real life state behind the characters.
Misjudgment of the audience's tastes
The producers may have misjudged the audience's tastes, believing that the audience prefers to see the luxurious life and the lofty scenes. However, audiences are more eager to see real, life-like stories and characters rather than fake show-offs and flamboyance. The phenomenon of "fake poor" in domestic dramas also reflects the lack of creative level of directors and screenwriters. They may lack an in-depth understanding and observation of social reality, and cannot realistically portray the details and scenes of the lives of the poor, resulting in distorted and untrustworthy character images.
The solution to the aesthetic dilemma
To solve the aesthetic dilemma in domestic dramas, producers need to re-examine their own creative concepts and value orientations. They should pay more attention to the details and scenes of real life, and realistically present the life status and social status of the characters, so as to win the trust and recognition of the audience.
Get back to the real and regain trust
Only by returning to the truth can we regain the trust and love of the audience. The producer should pay more attention to the observation and portrayal of social reality, and use real life as the prototype to create a character image and storyline that is closer to the hearts of the people. Only in this way can domestic dramas be invincible in the fierce market competition.
How to break the phenomenon of the "fake poor".
To break the phenomenon of "fake poor" in domestic dramas, the key is to re-examine the setting of the plot. The producer should abandon the tendency of one-sided pursuit of gorgeous appearance and tall image, and should pay more attention to the authenticity of the characters and the closeness of life. Through in-depth research into social reality, digging into real life scenes and emotional details, we create a more representative and credible plot setting.
The true shaping of the character image
In addition to the plot setting, the realistic shaping of the character image is also crucial. The producer should abandon the "outer packaging" of the characters, but should portray the personality and emotions of each character from the bottom of their hearts. Through the rich inner world and life experience of the characters, a more three-dimensional and real character image is created, so that they can get closer to the life and emotional experience of the audience.
The portrayal of the details of life
To make domestic dramas closer to the audience, the key lies in portraying the details of life. The producer should pay attention to the depiction of daily life, including details such as clothing, food, housing and transportation, so as to show the real life status and social status. Through real life scenes and detailed descriptions, the audience can be immersed in the scene and better understand and identify with the life situation of the characters.
Give the character more emotional layers
In addition to the details of life, the emotional level of the characters is also the key. The producer should pay attention to the excavation and performance of the inner world of the characters, and give them more emotional layers and humanized characteristics. Through colorful emotional expressions, the characters are more three-dimensional and vivid, and the audience can better resonate and connect emotionally.
Establish the correct aesthetic orientation
In the end, to break the phenomenon of "fake poor" in domestic dramas, the key is to establish a correct aesthetic orientation. The producer should start from the needs of the audience, pay attention to authenticity and closeness, rather than one-sided pursuit of gorgeousness and show-off. Only by establishing a correct aesthetic orientation can we create more high-quality domestic drama works that are close to life and win the recognition and love of the audience.
Present real life
He Saifei's "cheap" mother's shirt in "Chenghuan" is not only a clothing matching, but also a presentation of real life. These cheap clothes reflect the simple living conditions of ordinary families, allowing the audience to feel the life situation of the characters more immersively. Through such detailed depictions, the audience can more realistically understand the living conditions and social status of the characters, which enhances the closeness and credibility of film and television works.
Reflect on the phenomenon of the "fake poor".
He Saifei's image in "The Story of Cheng Huan" is in stark contrast to the image of the "fake poor" in domestic dramas, which has triggered the audience's reflection on the authenticity of film and television works. In many domestic dramas, the so-called image of the poor lives in a luxury villa and wears fashionable and luxurious clothes, which is far from the image of the poor in real life. This phenomenon of "fake poor" makes the audience have aesthetic fatigue and questions the authenticity of the plot, which needs to be highly valued and reflected on by the producer.
Find a taste of real life
By observing He Saifei's character image and costume matching in "Cheng Huan Ji", we can not only see the producer's presentation of real life, but also feel the real atmosphere in film and television works. This pursuit of real life can not only make film and television works closer to the audience, but also arouse the audience's deep thinking and resonance for life. Let's look for the taste of real life together, break the superficial gorgeousness, pursue the inner richness, and jointly create more real and close to life film and television works.
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