Spring is a season full of vitality and hope, and when it meets Jiangnan, it is picturesque and dreamlike. The spring in the south of the Yangtze River is a colorful picture, peach blossoms, cherry blossoms, apricot blossoms, and pear blossoms bloom one after another, competing for beauty, like a well-dressed girl, showing her beauty and charm to the world.
In the spring in the south of the Yangtze River, the small bridges are flowing and the trees are shady, and the boats on the river carry the people who are laughing and laughing, drawing a beautiful arc on the water. The willow trees and jasper on the shore are made up, with the strings of ripples blowing lightly, like an intellectual and slender woman, beckoning to passers-by, telling the tenderness and romance of spring.
The drizzle is like a silk mist, gently drifting in the air, falling on the lake and sprinkling on the green hills, adding a layer of hazy filter to the entire Jiangnan water town. Jiangnan in the drizzle, like a shy girl, with a fresh breath, exudes infinite charm, making people intoxicated and lingering.
Spring in the south of the Yangtze River is a flowing picture scroll, and every literati and ink artist is fascinated by it. Bai Juyi, Zhang Zhihe, Zhang Yanghao and other literati of all dynasties have used pen and ink to depict the beautiful scenery of spring in the south of the Yangtze River to express their love and attachment to this land. And Wei Zhuang, a literati of the late Tang Dynasty, also found solace in the spring in the south of the Yangtze River.
Wei Zhuang, after the wealthy family, was displaced by the blows of the Huangchao rebels. When he came to Jiangnan, he was deeply attracted by the scenery here, as if he had found a spiritual home. In the spring in the south of the Yangtze River, he felt unprecedented tranquility and warmth, and also wrote many popular poems.
Wei Zhuang's "Bodhisattva Barbarian, Everyone Says Jiangnan is Good" is his most affectionate memory of Jiangnan Spring. He used delicate brushstrokes to depict the beautiful scenery of spring in the south of the Yangtze River, expressing his deep attachment to this land. Even when he was a great minister in his later years, he still remembered Jiangnan, which shows the importance of Jiangnan's spring in his heart.
"Bodhisattva Barbarian, Everyone Says Jiangnan is Good"
Everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao. The spring water is blue in the sky, and the boat is painted to listen to the rain.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists. If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.
Wei Zhuang's poem depicts the beautiful scenery of the south of the Yangtze River as picturesque and dreamlike. With concise and poetic language, he outlines the unique charm of Jiangnan, making readers feel as if they are in the picturesque scenery and feel the tranquility and beauty of Jiangnan.
The spring water in the south of the Yangtze River is as green as jade, crystal clear, as if it is one with the sky. The painting boat swayed gently on the surface of the river, listening to the sound of the rain and falling asleep, as if in a peaceful and beautiful picture. In the restaurants in Jiangnan, the beautiful women sell wine and flirt their sleeves, and their smiles and postures have become an indispensable part of the beautiful scenery of Jiangnan.
Wei Zhuang wrote in the lyrics: "If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown." This sentence not only expresses his love and nostalgia for Jiangnan, but also reflects his inner contradictions and helplessness. He knows the beauty of Jiangnan, but he can't return to his hometown for various reasons. This kind of sorrow of not being able to return to a hometown and a home makes people feel helpless and sad.
Wei Zhuang's poem not only shows the beauty and charm of the south of the Yangtze River, but also expresses his deep attachment to his hometown and his helplessness to return. The sincerity and depth of this emotion have made this poem a classic in the history of Chinese literature, and has been widely praised and praised by later generations.