Recently, I saw "Guangkun" again.
Blocking the door of people's houses and scolding.
But this time he was stupid, his momentum was short, and he was grabbed by someone:
Don't get in front of me
I don't have a few in front of me
How arrogant to come.
The back was carried away in a straight way.
Let him mess with anyone, but he got into trouble with this family.
For a week, they contracted Sir's jokes:
Ride the waves
Starring 乔杉 + 杨子姗.
A CP that I never thought of.
I never thought that they would be period dramas.
One will be "To Youth".
After a while, it will be "Country Love" again.
Sir found that recently, the audience has been complaining that domestic dramas are either too suspended or too preachy.
The beginning of "Riding the Wind and Waves" is not very eye-catching, but the more it is broadcast, the higher the demand.
The main thing is the "three senses":
A sense of life, relaxation, and companionship.
Don't try to output anything to you, just show a tasteful and playful life.
01
The first episode is very "thunder".
Qiao Shan looked at the pants and was fascinated.
Don't get me wrong, this time it's no longer a bathing brother.
Peng Jinxi, a scholar in a small coastal town in Northeast China, was one of the only three local students to be admitted to university in 1978.
Not only is it a reading material, but also a lot of business acumen.
The trouble was that he was too business-minded for those days.
and his girlfriend Luo Hong (played by Yang Zishan) - one of the three prospective college students - on a date at the beach.
Something sweet was about to happen.
Suddenly, 听见:
"Catch him!"
Discovered?
At first glance, it turned out to be a naked swimmer at the beach.
You must know that in that era, in some places, the three brothers wore a pair of pants, and those who could wear canvas pants printed with "urea" were considered people with status.
Swim trunks, you say, are not many people have ever seen them.
Or because of the naked swimming thing.
Peng Jinxi came to the police station to fish for people, and when he saw the swimming trunks on the clothesline, he was fascinated.
When I asked, I learned that it was a new thing that the leader brought back from the provincial capital.
Ask again, this small piece of cloth costs three yuan?
He immediately thought that this was a good business:
Why don't you try to produce it yourself and sell it to people who swim on the beach, and no one will be caught.
But who would have thought.
He came to the police station to fish for people, but he put himself in it.
The reason is that his rival Qin Sheng - among the three people who were admitted to the university, there is also him - because he is the second generation of officials, he greeted the leader and reported Peng Jinxi.
Just because he helps the family and sells dried tofu.
You must know that this was "speculation" in the year when it was not completely opened.
That's good.
Peng Jinxi did not succeed in university and spent a year in prison.
And in this year, the crime he was convicted of at the beginning is no longer a crime.
And it is also promoted, and it is glorious to get rich......
Go round and round.
Peng Jinxi is back in swimming trunks.
The plot of "Riding the Wind and Waves" is not complicated, with Peng Jinxi as the core, and the family revolves around the happiness and prosperity of the swimwear business.
Parents are short, bitter and sour.
But overall, we are full of energy.
"Shameless", not afraid of difficulties.
The front foot was chased by the industry and commerce, and he invented the family heirloom incurable disease "Old Hanyu" who wore more than a dozen pairs of swim trunks on his body, and the back foot continued to sell secretly on the beach without skin and face, even if he was suppressed by the official's father and son, he could find a way to counteract......
Even when his love with Luo Hong was hindered in various ways, he was not discouraged, and he was about to come to the door with two bottles of wine, and agreed on the goal with his father-in-law.
With the help of the whole family to sell homemade swimming trunks, in the changing tide of the times, he changed from a labor prisoner to the first 10,000 yuan household in the county.
Life began to get better, the whole family had meat to eat, Peng Jinxi took his brothers and sisters to buy new clothes, and then there were three turns and one ring, and there was a TV......
"Riding the Wind and Waves" is a long-lost domestic drama suitable for the whole family to sit and watch together.
This is also the process that many families have gone through since the reform and opening up:
In the hard work, the days are getting better day by day.
While watching the drama.
People who have come can reminisce about the past, and young people can experience the times.
It's like running a business and family with a group of lovely and fresh people, sharing the joy of harvest.
02
If Sir is asked to use an adjective to summarize the story of "Riding the Wind and Waves".
Up.
And it's the kind that can't be stopped.
The setting of the cool story definitely accounts for a part, but more importantly, the comfort when watching is very high.
Small county town.
Ordinary working-class families.
The unique joy and e-human attributes of the Northeast.
In the play, these people usually speak in the Northeast sketch-style chatter, and whether they are talking daily or noisy, all kinds of dialects, local dialects, and slang are exchanged casually, without a sense of disobedience at all, and the atmosphere of life is full.
The addition of accent joy is only the first step, and what is more interesting is the setting of the relationship between several pairs of characters in the play.
Peng Jinxi's family is a typical county worker family in the 70s of the last century, he has an old mother, eldest brother Peng Jindong and sister-in-law, and a younger sister Peng Jinxiu.
Everyday bickering, but love each other.
The eldest brother is a worker who is in the middle of the road, thinking that doing business is speculative, and there is a danger of being caught again, so he should stop it immediately, and the second brother should take the right path.
But Peng Jinxi felt that there was nothing wrong with subsidizing the family.
So the brothers fought each other, from not eating the meat bought with business money at the table, to the boss locking the sewing machine used to make swim trunks, to hiding a dozen pairs of swim trunks in a sauce vat.
Outcome?
In order to help his younger brother cover up in front of industry and commerce, he wore more than a dozen pairs of pickled swim trunks in the sauce jar, and pretended to be "old and cold" with his younger brother.
When I got home, my ass was rancid.
Similarly, there is a group of sisters-in-law in this family who have contradictions.
If the brothers love and kill each other, then the sister-in-law and sister Peng Jinxiu are typical brainless and unhappy designs.
Daily mutual damage, teasing, ridicule, noisy.
One has no culture, short knowledge, but no bad intentions, and the other is mainly popular, sharp-tongued, and unforgiving in quarrels.
Everything has to be fought over, from food and clothing, to food, clothing, housing and transportation, to job opportunities, all have to be argued.
And it's often this style of painting:
Nesting at home can be noisy, and opening the door can be consistent with the outside world.
Luo Shifu came to the door to scold, and the whole family sent a Peng Jinxiu to directly put Lao Luo into the health center.
Coupled with the mother's pressure on the top, the style of the Peng family is a "frame and everything".
In addition to the Peng family, the strongest comedy power in the whole drama has to look at Luo Hong and her father Luo Shifu.
Old man Guangkun can be said to be the "eternal god" of this drama.
Trying to stick the mandarin duck to start.
is to cry, make trouble, and hang yourself, so as to prevent the girl from being out of tune.
It was the front foot that kicked the door of Peng's house, and the back foot was scolded by Peng Jinxi's sister and pulled over, and was carried away by the neighbor with the door panel.
Faced with Peng Jinxi's proposal.
He directly prescribes the conditions:
The new three turns sounded, and when he became the director of the state-owned factory, the whole family came to apologize.
This condition, even Luo Hong was angry.
finally waited for Peng Jinxi's family to come to apologize for Jinxiu's hair.
He rehearsed at the site one night in advance, performing all kinds of non-physical performances, slapping the left and slapping the right, showing his skills in the air.
is comparable to Ma Xiaojun (16 years old) in "Sunny Days" with his majesty in the mirror.
The result?
Because he was obsessed with waiting all night, as soon as Peng Jinxiu came, Lao Luotou knelt down directly.
The audience died laughing.
Later, I finally agreed to the marriage.
As a result, because the leaders of the unit attended the meeting, he took it upon himself to persuade all of Peng Jinxi's small trader friends to leave, thinking that it was easy for people to collide with the leaders.
If we talk about the cool side of "Riding the Wind and Waves", it is to see the protagonist make a fortune step by step in the face of the opportunities of the times through hard work.
The side above it is the comedy and dog blood in this kind of life, which makes people laugh and cry for a while, and shake their heads and smile bitterly repeatedly.
03
Domestic period dramas, especially those that tell about the period dramas after the reform and opening up, are easy to summarize the methodology:
Standing in the present life, to review the pain experienced in the past, through the protagonist's growth in a gradually improving era, comfort the audience, and gain resonance.
And, because of the admiration for realism.
The tone of this kind of story is likely to retain a lot of realistic bitterness.
For example, "The World", with the ups and downs of Zhou Bingkun's family, in the rapidly changing half century, let the audience feel the hardships of ordinary people's lives and the difficulty of doing good deeds.
For example, "Parents' Love", even though Jiang Defu's tolerance and love for An Jie are presented in a large space, it does not cover the sting and destruction of ordinary people, intellectuals, and the younger generation in the special era.
For example, the difficulty of Song Yunhui's college entrance examination at the beginning of "Big River", and the pain of Xiaolei's family and Yang Xun's entrepreneurship.
Such as "Under the Zhengyang Gate", "Chicken Feathers Fly to the Sky", "The Glory of the Fathers", "South to North", ...... Whether it is entrepreneurial inspiration, family emotion, or career story, in the story of Shuangwen, period dramas will inevitably add a lot of real pain.
A poor economy, a rigid system, a repressive society, rigid thinking, coupled with the chaos of the superstructure.
Often the "villain" of period dramas is hardly a specific individual, but a whole backward era.
Part of the coolness of period dramas.
It is also because the protagonist takes the hitchhiker of the big era for the better, completes the turnaround and changes his life, and becomes more and more courageous.
The emotions, mentality, and encounters in it can give the audience enough substitution, sighing and resonance, not to mention the sense of security brought by the foreseeable "better life in the future".
Among them, the spirit that can be recognized by the current audience:
Full of hope for the future, the courage to change the status quo, the great era is full of opportunities, and the relatively traditional feelings and value orientations are all moving places for period dramas.
"Riding the Wind and Waves" has obvious imitation in the routine this time, and in the shaping of the sense of age, a large number of objects from the time are used:
For example, three turns and one ring.
Sewing machines, bicycles, watches, radios.
For example, cameras.
The lens is directly aimed at the nameplate, the camera of the Peony brand, and the camera of the Seagull brand.
For example, the popular culture of the time.
The "Man from the Bottom of the Atlantic Ocean" imitated when selling swim trunks commercials, and the "Lushan Love" mentioned during the discussion were all popular products in the early 80s.
And, of course, the perception of the people of the time:
The pursuit of state-owned factories and the status of the establishment.
Contempt and disparage for petty traders.
For example, even if Peng Jinxi is already developed, once there is a setback, the attitude of the eldest brother is still the same.
Why don't you go back and find a class?
But imitation doesn't stop there.
More attention is paid to typology, such as showing specific evils.
Or even the bad guys who are face-painted.
In the first eight episodes, the rich second generation who used his father's power to pursue Luo Hong for himself was a bad guy.
The director of the supply and marketing cooperative, who uses his power to find a partner for his son, is a bad person.
Peng Jinxi was suppressed by them and went to prison, lost his reputation, and even his whole family was pinched, and had to break up with Luo Hong, which is a certain realistic portrayal of that era.
But how does "Riding the Wind and Waves" do it?
Don't get entangled in the pain, just do a "peak loop turn", accelerate and accelerate:
The second generation of the official's father, the director of the supply and marketing office, had a heart attack and died.
The second generation of officials is, crazy.
The second generation of officials reported Peng Jinxi in the past was known to Luo Hong, and then made it public, and his reputation was ruined.
That's right.
That's what you want.
Moreover, even if it is a more everyday reality element, the series is also weakened by various jokes.
For example, give a gift to a leader.
At the beginning, the sister-in-law wanted to please the director of the supply and marketing cooperative, and asked for the work index that had been set a long time ago.
But what she did was ...... Go to the office and knit sweaters.
also compared himself to the director in front of others, and did not treat himself as an outsider, forcing the director to not get off the stage.
When she was kicked out of the office, she found out that the matter was going to be yellow, and she felt sorry for the gift she had given before, so she asked Peng Jinxiu to ask for a gift.
The latter didn't say a word, and went to the door to scold the director, saying that he had taken bribes and threatened to report it, forcing the director to hastily return the gift.
If it's just this paragraph, some people may think that this is not nonsense, how can there be such a gift-giving service.
But if you know that this director is a bad seed, you will only feel relieved.
And in terms of the attitude of the creators.
The kind of little people who are afraid of these petty officials, full of the thoughts of masters, forgetting their righteousness when they see profit, and are complacent about their success in currying favor with them, is not Luo Shifu.
And Lao Luotou's laughter has already killed the audience.
So, is reality not important, is it pain that is not worth saying?
Neither.
But now, decades later, there is no need to add a moral armor to the sweetness of the moment every time by remembering bitterness.
The story that can be liked by the audience at the moment does not need to be deliberately decorated with unnecessary tribulations.
After all, for most ordinary people whose lives are not easy, the farcuous comedy that can be eaten is also a kind of spiritual food.
At present, the popularity of this drama is not high, and compared to many people who say in the comment area that the protagonist does not have a strong sense of CP, Sir is a bit of a pity that just because there is no popularity, many people have missed this relatively light genre attempt.
Especially in the more heartfelt theme of domestic period dramas.
When a number of creators are in this genre, they are committed to a grand narrative and a magnificent masterpiece of fate.
There is such a small volume (after all, a small family has been studying how to sell swimsuits from beginning to end), and it is a northeast-style family comedy that takes the easy route.
Not being valuable, not being anxious, not being about life and death, and moral kidnapping is definitely a relatively rare attempt.
After finishing this year's dramas yesterday, Sir was a little pessimistic.
More than half of them are occupied by ancient puppets, which shows the difficulty of the current creative environment.
In the domestic entertainment environment, there is no traffic, no topic, how can creation survive?
Sir thinks.
Just like no matter how turbulent the tide is, it can't wash away the reef on the shore, and no matter how noisy the environment is, there should be a piece of land for itself.
At a time when most are going with the flow and competing to be the first to be the first to go.
There is always a reef.
Sit back and watch the wind and clouds rise and fall.
The picture in this article comes from the Internet
Editorial Assistant: Gilmour's Spinning Top