An encyclopedia of ancient calligraphy, a collection of 420 texts, known as the "ancestor of calligraphy"
Calligraphy Net
2022-06-26 17:59Shandong Beijing Ink Culture Technology Official Account, Creator in the field of high-quality art
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There are many great projects in the history of Chinese calligraphy, which have left an extremely important and valuable heritage in the history of Chinese calligraphy, which shows that the ancients attached great importance to the inheritance of calligraphy art.
The earliest period was the period of Emperor Wu of Liang, and the original writing of Wang Xizhi, the imperial edict of the inner government, was "Thousand Character Text", which was copied and studied by the princes, grandsons, princes and ministers. Of course, in the Tang Dynasty, there was also Wu Zetian's edict to copy the scriptures and copy 12,000 volumes of Xiaokai.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
In addition, during the period of Taizong of the Tang Dynasty, more than 3,000 volumes of Wang Xi's authentic writings were used in the inner house, which lasted 25 years, and was compiled into a magnificent Dharma post "Jiwang Shengjiao Order". During the Qianlong period of the Qing Dynasty, the compilation of the "Sanxitang Fati" is also a feat in the history of calligraphy.
If we talk about the greatest project in the history of calligraphy, it is none other than the "Chunhua Pavilion Post" compiled during the Song Taizong period.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
A.D. 992, that is, the Song Dynasty of Chunhua three years, this year became an extremely important Japan in the history of Chinese calligraphy, this year "Chunhua Pavilion Post" came out, became a beginning of Chinese calligraphy carving, for the prosperity of calligraphy laid the foreshadowing, in addition, the establishment of this from the post, so that Wang Xizhi further established the status of "calligraphy".
In this year, Song Taizong carefully proofread all the most classic masterpieces of the past dynasties in the inner government and the people's collection, classified them into categories, and engraved them all on the jujube woodblock, bringing together a total of 420 pieces of Dharma posts from 103 people.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
There are a total of 10 volumes of these texts.
The first volume is the imperial law of the past dynasties, from Emperor Wu of Jin, Emperor Ming of Jin, Emperor Kang of Jin, Emperor Jianwen to Emperor Xiaowu, and the second to fourth volumes are the laws of famous ministers of the past dynasties, including Kong Linzhi, Wang Shengqian, Li Yong, Chu Tinghai Ouyang Xun, Liu Gongquan, Wang Ningzhi, Suo Jing and others.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
The fifth volume is the law of famous calligraphers who are not kings and ministers, such as Song Dan's "Receiving Worship Post", Mrs. Wei's "Urgent Post", and the ancient law post "Virtuous Brother's Post" and so on.
The most eye-catching are the sixth, seventh, and eighth volumes of the following, these three volumes are the collection of all the texts of Wang Xi, and the ninth and tenth volumes are the collection of Wang Xianzhi's surviving calligraphy, which is a grand view.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
This "Chunhua Pavilion Post" because of the abundance of collection, the essence of copying, the wide coverage, known as the "ancestor of the law", can also be said to be the largest and most complete in the history of Chinese calligraphy, if there is no record and inheritance of this classic, a large number of precious calligraphy ink in the history of calligraphy has been lost. And the ninth volume of the Dharma offered by the king has also been lost.
After this post was engraved, a copy was given to the royal family and ministers, and then because it was too precious, it was forbidden to copy it.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
It is a pity that during the period of Song Renzong, the original jujube wood version of the "Chunhua Pavilion Post" was all burned, it is a pity, among the rubbings that currently survive, the different versions add up to dozens of kinds, and among them, the most finely engraved and there are the small notes of the ancients, which belong to the collection of the Freer Museum in the United States. Because it is in the United States, it has never been published, and it is verified that it is a copy of the master of the Southern Song Dynasty, and it is also the most complete and high-definition version in the world.
This volume has a total of ten volumes, and the tenth volume is the inscription and table of contents for later generations, among which the "two kings" of the law, a total of five of them, its preciousness is self-evident.
Song Ta's "Chunhua Pavilion Manuscript Book" is the seventh of the Fa Ti, a total of 10 volumes
For every calligrapher, "Chunhua Pavilion Post" is the most precious and treasured calligraphy "encyclopedia" of the ancients.
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