laitimes

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

author:Meow Meow Entertainment Group

#冬日观影计划#

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment
Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Sentence | An-ching-hsien

Edit | 9527 Meow Goo-kun

The Weibo night that will be held in Beijing finally released a blockbuster guest on January 11, in addition to the powerful movie coffee Huang Bo and Zhu Yilong and Xu Zheng, the spire Xiao Zhan, Wang Yibo, and Di Lieba in the traffic have also been officially announced.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

However, compared with the upcoming Weibo night, the W annual ceremony held in Shanghai was the first to kick off, gathering many big names.

Judging from the lineup alone, the W Festival did not invite too many traffic idols, but there were still many famous celebrities in the country to help. On the red carpet, the performance and state of female stars are the most worth discussing.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

01

Deformed aesthetics are rampant, and internal entertainment is still chasing white and thin

Zhou Dongyu, the queen of the three golden films, can be said to be the best among the 90 flowers, although Zhou Dongyu's screen works have not been recognized well in the past two years, but her coffee position in domestic entertainment is really convincing.

It's a pity that Zhou Dongyu herself is a petite natural beauty, with a flat body and a more ordinary head and body, especially when she is getting older, the collagen on Zhou Dongyu's face is slowly lost, and there is a problem of looking old and mean.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

At this red carpet ceremony, Zhou Dongyu wore a mint green hollow dress, the dress was high-end and sexy, but Zhou Dongyu's figure was like a child, and there was no point to watch. Under the camera, Zhou Dongyu even had serious cheeks because he was too thin, his face was rugged, and his face became more and more unpleasant.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Also thin and out of appearance is Jin Chen, in the early days, Jin Chen was full of collagen, but in the past two years, she began to pursue a bony body. On the red carpet this time, her style has tried her best to cover up the problem of the flat upper body, but through the camera, the audience still finds that Jin Chen is becoming more and more like a sharp-beaked monkey.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

In the camera, as long as she makes an expression, she will have falling apple muscles, sunken cheeks, a nose that looks like Gargamel, and crooked eyes and a slanted mouth.

The most outrageous is Haiqing, Zhou Dongyu and Jin Chen themselves are in the heyday of actresses, chasing the aesthetics of white and thin, and they are also forced to involute the aesthetic culture of internal entertainment.

But Haiqing has obviously passed the stage where you need your body and state to maintain exposure.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

In the past two years, she has almost abandoned all the star baggage in "I Am a Mountain" and "Hidden in the Dust", but she still can't escape the control of deformed aesthetics.

On the red carpet, Haiqing chose a modern workplace look, a blue shirt with a retro blazer, atmospheric and majestic, full of oppression.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

can take a closer look at Haiqing's state in the lens, her face is shriveled, pale, and obviously concave below the apple muscles, the key is that Haiqing's mandible is relatively wide, in this case, her face has become a polygon without curvature, and there is a particularly frightening stiffness.

For an actor of her age, collagen is very important, and if you don't have enough fat, it will only look worse and more ugly.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

In contrast, the following more natural and relaxed aesthetic pursuits can be more eye-catching on the red carpet.

02

Sun Li naturally gets older, and Zhu Zhu is plump and sexy

On this night in Shanghai, the female stars rolled their shapes, their status, and their figures, but as soon as Sun Li appeared, she immediately relied on her mother's aura to dominate the crowd.

On the red carpet, Sun Li chose a white suit and played with the missing bottom.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

A closer look at this costume is actually simple and atmospheric, and the style is mediocre, but Sun Li's figure is full of flesh, especially a pair of long legs exposed outside, not like the chopstick legs of most female stars, but a typical wine glass type, thick at the top and thin at the bottom, and the feeling of fat covered muscles, natural and plump, comfortable and healthy.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

The key is that Sun Li is now 41 years old, but she is not like other actresses, she is crazy about concealer and foundation, and she can't wait to apply putty on her face, her makeup is transparent, and she can see the tiny flaws on her face, and there are already problems with lying silkworms, sagging apple muscles and nasolabial folds on her face, but the trend is natural, and there is no feeling of stiffness and swelling.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Obviously, in the face of aging, Sun Li is very calm, her big pie face has a strong sense of presence, and the trend of cheeks on both sides of her cheeks is becoming more and more obvious, but her body management and skin management are casual and free, without deliberate technology and ruthless work.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

And from the actor's point of view, this is also her responsibility to the audience. After all, if an actor uses his hands and feet on his face, it is destined to affect the emotional transmission of the performance and the delicate shaping of his expression.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Sun Li is beautiful in the natural atmosphere, while Zhu Zhu is brilliant by plumpness.

Zhu Zhu has always had the charm of a mature woman, in film and television dramas, she has integrated her unique temperament into the role, making the audience want to stop, and now on the red carpet, she is even more plump and beautiful throughout the character.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

On the red carpet this time, Zhu Zhu chose a red long skirt, the style and design of the skirt are relatively simple, compared with other people's dresses, and even some overly wrapped constraints.

But Zhu Zhu's control of this skirt can be called a full score, the big waves and bright red lips complement the enthusiasm of the skirt like fire, and the wrapping of the tight skirt makes her curves more obvious, and such a skirt is worn on the body of ordinary people, it is a proper red autumn coat.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

In Zhu Zhu's full-body shots, you can even find the bucket waist around her waist that is difficult to ignore, but even the little belly that female stars hate is a cute label on Zhu Zhu's body.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

On this red carpet, female stars have all joined hands, Zhu Zhu is not necessarily the most beautiful one in the audience, but it is certain that her red dress style can be called the big red robe in the world, even if it is just a glance, it can make netizens fall instantly.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Of course, in addition to the two, there are many actresses in Shanghai who are online this night, such as Yang Mi and Liu Shishi, the two of them have well-proportioned figures, full aura, full marks in demeanor, and dream back to "Fairy Sword III" when they are in the same frame in the infield, and the picture is full of eye-catching.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

It's just that Yang Mi and Liu Shishi's performance on the red carpet has always been stable, and their styles are changeable, and they are not very unique in terms of red carpet style, and their experience still makes the two of them a little less calm and unhurried like Sun Li and Zhu Zhu, and a little more aggressive ambition.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

It is no exaggeration to say that Sun Li and Zhu Zhu, whose figures and state are not perfect enough at this red carpet ceremony, are the most powerful counterattack to the deformed aesthetics of internal entertainment. Sun Li's big cake face and Zhu Zhu's bucket waist both let the audience see the inner beauty of more relaxed and natural.

Zhu Zhu's "bucket waist" and Sun Li's "big cake face" are a counterattack to the deformed aesthetics of internal entertainment

Finally, what do you think of the performance of female artists at this red carpet ceremony? Do you prefer a flat body like Zhou Dongyu and Jin Chen, or a natural body like Sun Li and Zhu Zhu, who don't deliberately cater to deformed aesthetics? Participate in the discussion in the comment area.

Read on