"Flowers" Reiko returned domineeringly and became a real heroine with two points

The two elements of becoming a fake heroine.

The popularity of "big heroine" has been blowing for several years, so I would like to ask you: what is a real big heroine? Is there a clear definition and standard?

Is it the flaming red lips, the gorgeous costume, the eight-centimeter heels, and the monotonous and loud "Declaration of Independence"?

Of course not, that's too superficial, and life is not about making commercials, just making a show is not enough.

Or is there infinite scenery in front of people, but in fact, there is a strong think tank behind it, which is always supported together, so that the little woman has today's brilliant cause?

Ma Yili in "The First Half of My Life".

Of course not, not everyone has the good fortune to find a "good tree" early in the shade.

Everything depends on the essence, the "big heroine" is not confined to a certain external identity, the jewels may be canaries raised at home, and the countryside may also be entrepreneurs who work hard to do business.

To become a big heroine, the key lies in the mentality, the mentality is twisted over, and the resources at hand, including time, money, talent, connections, etc., can be brought into the right path.

As Chizuruko Ueno said: If a woman is spiritually impoverished, obsessed with being loved, and too eager to be recognized, it will be difficult for her to save her from the real predicament, no matter what abilities and resources she enjoys.

Ma Yili in "Flowers" plays Reiko

So the question is, what is the manifestation of breaking this attachment?

Recently, I was chasing dramas, and I unexpectedly found a reliable answer from "Flowers". This time, Ma Yili, who has been away from "The First Half of My Life" for many years, finally made a correct demonstration.

Because of the crisis that caused Miss Wang to encounter a crisis due to the "20,000 necklace", Reiko and Mr. Bao completely broke up. She is still doing the same as usual, arguing, unforgiving, and unreasonable, but she can no longer rely on these old tricks to turn the conflict into a jade silk, and let the conflict end with the old procedure of the other party laughing and counting the money.

Lingzi who looked at Mr. Bao's back should be disheartened, right? Maybe at that time, the words that Tao Tao, Teacher Ge, and Ling Hong said on her back echoed in her ears: "She is so old, and she still thinks she is a little girl, it is impossible for Bao to want her." ”

It's like a prophecy that comes true, and it's like a sharp knife in the heart.

Swearing words are not afraid of how dirty they are, mainly to see if they are stuck to the point. That sentence is Reiko's love complex, has she always been looking forward to becoming Po's lover or wife? Yes!

"When we first knew each other, I helped you, and after you developed it, you directly helped me take down this store, then I became the proprietor, I can't just take advantage of it, I also have to find a way to give back to you Bao Zong's order! Allah is backbone and affectionate!"

Then, the two of them went back and forth, and over the years, they unconsciously became more and more unclear and endless.

Night Tokyo, on the surface, is a legally operated restaurant, but in fact it is a warm rear of Mr. Bao of the shopping mall, a home with fireworks, just like he said, the delicacies of the mountains and seas outside, and the staggered selection of chips are not as good as a bowl of rice here.

Reiko, on the surface, is the proprietress of the proprietor, but in fact she is more like Bao's family, a sister, or even a mother. As Tao Tao said, we only go to Tokyo at night when we are scattered.

Moreover, Reiko seems to be good at accumulating money, but in fact, she is paving the way for Po in disguise. The business situation is changing, and there will be nothing left one day, at least there is a bottom here. Hey, isn't this owed again, isn't the fate of this life even more endless?

But the key is that Reiko is not willing to be only a sister or mother, she wants to be a lover, and lovers have exclusivity, not a fraction of the red-faced acquaintance, but only willing to be the only one.

So when she looked at Li Li and Miss Wang, she was somewhat hostile, otherwise Li Li would not have been slaughtered by Reiko for 500 yuan in the face of the siege of his peers and went to Tokyo at night to ask for help from Bao. There is a sentence that exposes her true thoughts - "Why is she in the limelight, and I will do the dirty work?"

This is obviously jealousy-"Why should I carry a sedan chair for another woman?"

I'll answer for Po - "Because you are my family, dear!

If there was no quarrel that night, no departure the next day, Reiko would always be vulnerable in this relationship, because she wanted more, but the master of the relationship was Po, and he could only maintain the balance he wanted and could not give her more.

In the face of this "unfairness", she still had luck, was unwilling to leave, and even deceived herself, pretending to be the first heroine in the other party's heart.

Fortunately, Miss Wang's incident, the quarrel that night, and the "unintentional words" of her friends broke the illusion in time.

After going to Japan for a few days (or maybe doing a business investigation), Reiko returned domineering in a suit of Issey Miyake, and she still looked beautiful, but she had experienced a broken rebirth inside.

She quickly did the following four things:

1, kicked out the major shareholder of Mr. Bao, so that he had nothing to do with Ye Tokyo, and wanted to return the "Fortune Road" sent back that year;

2. smashed the original furnishings and decoration, and redecorated it with its own business philosophy and easier way to make money, so that this store can truly belong to Reiko's night Tokyo;

3. Take the initiative to come to the real garden, spend money to order food and ask the proprietress Li Li for advice;

4. Settle accounts with Tao Tao, Linghong, and Teacher Ge, and no longer put human feelings first.

In fact, to sum up, she only did two things:

First, establish your own home field and be the protagonist of your own life, not a so-and-so appointed by others, and you don't expect someone else to give you a coffee one day.

After all, in a short period of time, if you can't do it well, you can simply cut off all the ties through various "physical cuts", not giving the other party a chance to turn back, and not giving yourself the slightest possibility of self-pity.

Only by escaping the judgment of other people's eyes can we gain true independence and freedom.

Second, learn from Bao, regard everyone as a friend with their own function, be less vexatious, be more friendly and cooperative, and don't let people carry some unnecessary expectations or non-existent charges at every turn.

Reiko not only asked Li Li for advice, but also apologized to Miss Wang for coming to the door, and gave the opening gift of the new company. When you don't take that man so seriously, these women are no longer imaginary enemies who take love, they can be teachers, they can be friends, they can be evenly matched, or they can sympathize with each other.

By no longer asking men for high-purity love, and no longer fighting for this "only love" from other women, you can look at him and them from a more objective perspective, especially his shortcomings and their brilliance.

The above two points are the two important signs of becoming a big heroine, you are welcome to take it for self-inspection, and it can also be used to review the characters in the play in the future.

But speaking of which, what are the specific benefits of becoming a big heroine (in addition to making more money)?

In fact, making money is already a great benefit, and money can bring freedom and the right to speak?

Of course, in view of some clichés, I will focus on the process, the refreshing feeling in the process is no less than the sense of accomplishment of getting the result: how you want to smash it, how you want to do it, you don't have to look up to others' snorts, look at other people's faces, even if you lose a mess in the end, this process is beautiful to think about.

Secondly, it is easier to gain the respect of others.

Why did those friends dare to talk about Reiko behind her back, saying that she was old and decrepit, and Mr. Bao wouldn't want it? Because this was the case at the beginning, she just wanted to have a relationship with Mr. Bao, but the reality was not what people wanted. What others gossip about can only be your frustration, and it has nothing to do with morality, and this is true of human nature. (I don't believe you can go to the various titles of the entertainment version~)

And Reiko can deceive herself so much that she has always allowed such frustration to exist in her life for a long time, so doesn't that make herself a long-term talking point for others?

But once you become the "big heroine", everything is different from the past, let's change the script ourselves, face the problem, solve the problem, how can we always be the sad female No. 2, 3 or 4?

In the advertisement, it is always said that "people should love themselves", and how to love, just love like that. True love for oneself cannot tolerate any self-contempt and self-pity.

Correspondingly, others naturally don't dare to look down on you. Not only does he not dare to look down on him, but he may also be infected by you.

Seeing the first night of the refurbished Tokyo opening, Ling Hong was blinded by the halo of the big heroine on the spot.

Reiko didn't want to be Po's so-and-so anymore, and Linghong suddenly felt that she couldn't be Reiko's little follower anymore. So he quickly packed his bags and decided to go to Beijing to find his own dock.

Reiko took a wad of money and gave it away with tears in her eyes, at that moment, she looked like a mother again, but it was not Bao's, but Linghong's, and the female line was worried, but she had to let her go.

In the past, Tokyo was a warm family, and perhaps everyone who ate old wine together in the past thought about "maintaining the status quo and being happy until old age", but after all, a short intersect cannot change the reality that each destiny trajectory has its own direction.

If you want to really grow up, you always have to end up.

After Reiko came back, she turned into a cold-faced boss lady, and she didn't allow her friends to be as lazy as before to chat and gossip, not that she was ruthless, but that she knew the true meaning of growth after this trip - "There are times when you get together and leave, don't escape the call of fate by indulging in stability." ”

If she doesn't do this ruthless person who overthrows everything today, the life of the Ming Dynasty will also smash this comfort nest to nothing. And Linghong is just one of the students with the best understanding.

suddenly remembered a description of the big heroine many years ago - "The means are not ruthless, and the status is unstable." ”

Pretty apt.

Author: Mademoiselle Bovary

Follow me and read people's hearts and understand customs in the entertainment world.