"Mid-Autumn Festival" is written together, it seems that the courage to open the pen tone soars, and the connection appears in an instant. First, the two words "Mid-Autumn Festival" are connected, and then there is a slight pause, and then the four words "no return" are swept through like a whirlwind, and they are full of pain. These four words are so fast that people are overwhelmed, the lines are suddenly left and right, and the loops are undulating. Some long lines are involved in large distances, such as the word "no longer", which is smooth and cheerful, long and not chaotic; Some lines rotate in a relatively short distance, such as the word "must not", the space is not large, the pen tone is delicate in indulgence, and it is flipped and hooked, and it is not bad at all. In particular, the few small holes left in "must not" are just right. The chapter of calligraphy pays attention to breathability, ventilation must have a "window", to achieve the "look" of aesthetic space, these small holes are "windows", in the "look" of black and white, like the Qing ren Ma Rongzu said: "rhyme flows outside the air, the air in the middle", can not help but stretch. If the ink is slightly fainted and the small hole is flooded with ink color, it is too real to be clear and open-minded. The tone of the pen that is unfolding, after receiving it after "no return", suddenly came a "phase" character like a jade pendant, this word belongs to the line, solemn and full, especially the two horizontals in the "eye", according to the convention, passed by, but Wang Xianzhi seriously wrote it, a serious book. The word is written in a somewhat strange way, as if it is a long run, stopping to rest. It can be seen from the ink that the front ink has been exhausted, and now the pen is full of ink, the pen is full of ink, the next pen is slow and heavy, it is written firmly, solemnly, compared with the rhythm of the above words, it has formed an abruptness, and it is impossible to find a reason to do so for a while, and it is difficult to continue to appreciate the psychology for a while. After the word "Xiang", Wang Xianzhi's pen rose again, oscillated its momentum, and swirled around its commission until the end.
The scale of the Jin people's calligraphy works is small, can not be viewed on the wall, but on the case, although the scale is small, does not affect the spiritual transmission, and even if it is still unfinished at the end, it is more interesting and skillful than the long-form masterpiece! Wang Xianzhi in this piece 28 cm x 12
Centimeters, although only 22 words in the sketch, unfold a new world of different Wang Xi's book style, on the weather, "Mid-Autumn Festival" can be called the most atmospheric in the Eastern Jin Dynasty book world!
The "Mid-Autumn Festival" was originally five lines and thirty-two characters, but after two lines were cut off, only three lines and twenty-two characters remain. Interpretation: The Mid-Autumn Festival is no longer allowed to return to each other, that is, how to defeat the people He Qing and other large armies. There is no money office, there are Ming Dong Qichang, Xiang Yuanbian, Qianlong and other people's collection of seals.
The "Mid-Autumn Festival" glyph size is combined obliquely, the rows and grass are mixed, the calligraphy is ancient and thick, the ink color is fresh, the word spacing is tightly arranged, the operation is fluent, and the continuous repetition is repeated. The whole picture keeps the middle line, breathes between the lines, heads and feet, rhymes through, majestic and unrestrained, and swallows thousands of miles.