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The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

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The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

Text: Your circle beep beep

Editor|Guiquan beep Ji

On December 23, Feng Zhaoyang, a popular actor in Deyun Club, brought a group talk with Yang Hetong and Wang Xiaoyi in the small theater. When he introduced himself, he directly asked the audience if it was the first time to listen to a cross talk performance, knowing that some of them were frequent visitors to the small theater, but these audience members also actively cooperated with him, raising their hands and saying that this was their first time.

The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

Feng Zhaoyang directly pointed out that they were lying, and the audience laughed constantly. Then, Feng Zhaoyang began to "fool" the audience even more blatantly, saying that he was Guo Degang, Yang Hetong was Guo Fenyang, and Wang Xiaoyi was Yu Qian. The audience also enjoyed it and praised Feng Zhaoyang for being so good at playing.

This interactive video became popular all over the Internet, and netizens expressed their opinions, some agreed with the zero-distance interaction between the actor and the audience, some were worried about affecting the image of the actor, and some criticized not to take the joke seriously.

The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

This incident quickly attracted widespread attention on the Internet, and many netizens participated in the discussion and expressed their opinions.

Some netizens expressed their understanding and support for Feng Zhaoyang's approach: "It's a good thing for actors and the audience to have zero distance contact, which can enhance the relationship between the two parties; you chase me on and off the stage to achieve the best performance effect, this is the charm of street artists; Feng Zhaoyang is so energetic and humorous, and he makes the show very high, as a fan, I am happy." ”

The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

But some netizens also expressed concern about this: "Feng Zhaoyang is now a popular actor in Deyun Club, and he should not blatantly 'fool' the audience; this will make people feel that he is not stable and old enough, which will affect his image and brand building; actors must learn to keep an appropriate distance from the audience, and they can't take the jokes seriously, let alone openly tease the audience." ”

In addition, some netizens directly expressed their dissatisfaction: "Feng Zhaoyang openly treats the audience as fools, which is disrespectful to the audience; the audience pays to watch the performance, and participating in the interaction is also voluntary, and it will be very unpleasant to be forcibly teased." Actors should learn to respect the audience and not treat them like monkeys. This style is too unprofessional. ”

The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

In general, many people recognize Feng Zhaoyang's lively and generous stage image, but some people think that he has gone too far, and even affected the audience's experience. This has a certain impact on an actor's career and brand image.

Feng Zhaoyang, as a popular actor in Deyun Club, is a happy thing to return to interact with the audience at zero distance in the small theater. But in the process of interaction, you should also pay attention to proportion, and you can't tease the audience too much. There needs to be a sense of distance and respect between the actor and the audience. Excessive entertainment may affect the professional image of the actor.

The popular actors of Deyun Club returned to the small theater and blatantly "fooled" the audience, and they all played like this

Therefore, we call on actors to pay attention to their words and deeds while pursuing interaction, and establish an equal, respectful and harmonious relationship with the audience. Do you think Feng Zhaoyang's approach is too much, and how should the actor view the sense of distance from the audience?