After "Beijing Monster" was launched a few days ago, it immediately topped the hit list, and yesterday the heroine Han Suxi also shared relevant stills on social media, but was denounced and criticized by Japanese netizens, what is going on?
Han Suxi shared stills and mood
South Koreans are heartbroken, and Japanese netizens leave messages to express their anger
Among the photos shared by Han So-hee are Ahn Jung-geun, a South Korean independence activist who is considered a national hero, as well as photos of the Korean Independence Army and North Koreans who were captured for human experimentation.
She wrote with feelings: This is not the romance of the capital, nor the culture of the Japanese colonial period, but the story of people in the brilliant and dark era, fighting against the monsters born from human experiments turned into tools, and only by embracing each other with love can we change the spring of that year when we are strong and united.
"Monster of the Capital" is set in the capital city of 1945, and through the encounter of the hero and heroine, the deep secrets hidden in this turbulent era are revealed. Because of the special time background, coupled with the frequent appearance of independence activists and patriotic groups and other national anti-Japanese and national salvation movements, the Korean people immediately reminded the Korean people of the suffering they had encountered during the Japanese colonial period, and made them angry.
Park Seo-joon and Han So-hee during filming
I already have the idea that I will never be able to go to Japan again
Due to the sensitive historical background of "Monster in Beijing", not only Koreans were very angry when they watched it, but after Han Suxi shared a series of stills yesterday, Japanese netizens were also angry! Many Japanese people poured into her messages to express counter-remarks.
Han Suxi is not unaware that these words and photos may trigger strong anger among Japanese people, because she has long been prepared not to go to Japan. After this turmoil, the music director of "Monster in Beijing" also expressed his support, and revealed that Park Seo-joon and Han So-hee had always held the idea that they might never be able to go to Japan again after filming, and they also talked to each other a lot, and they could feel their sincerity.
In recent years, there have been many Korean dramas set in the Japanese colonial period, and they can often be touched and resonated by Koreans.