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The post-80s collective childhood memories of "shooting foreign paintings"

author:To giggle and laugh in life

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The post-80s collective childhood memories of "shooting foreign paintings"

Shooting foreign paintings is also called making foreign films in our place.

For the post-80s generation, taking pictures is a popular game. It's a simple and fun game that only requires a picture and a hand.

A foreign picture film is a type of card that looks beautifully printed at the time, usually printed with various patterns, mainly animated characters, all of which were popular animations at the time. There are Saint Seiya, Transformers, Three Kingdoms, Water Margin, etc. It's all an animated character that boys like. Merchants may know that this game is mainly the home of boys, so there are basically no girl-themed characters on the market.

The post-80s collective childhood memories of "shooting foreign paintings"

The paper used for this kind of picture is very similar to the piece of hard paper inside the newly bought shirt. I bought it back in a large one, and I need to cut it out one by one with scissors and then tie it with a rubber band. That's the capital of the game.

We usually play in two or several ways, and each participant takes out the same number of foreign pictures and places them on the ground, then guesses the order and takes turns slapping it with one hand to turn it over. If there is a picture that is turned over, then the person continues to play. Then arch the hand and use the short "vacuum" created when the hand is quickly lifted to turn the picture back again. If you can turn over the foreign picture is yours, if you can't turn it over, you need to replace the next person and continue to beat.

If you can win enough foreign pictures, it will definitely be a trophy that you can show off at that time.

It's a deceptively simple game, but it definitely has a lot of physics to learn about dynamics.

At the time, I didn't understand this, but everyone was keen to analyze how to turn over these pictures more.

From the depth of the crease in the middle of the picture, the size of the angle of folding, whether to use air impact or palm fan for the first shot, how much air should be left in the palm of the hand when sucking the picture, whether the thumb is buckled to the palm or folded on the outside of the palm... That's when everyone thinks these are questions worth thinking about, and they form their own theoretical systems.

I have to mention Lao Yuan, his big hands really take too much advantage.

The post-80s collective childhood memories of "shooting foreign paintings"

Now that I think about it, if you put all the energy you studied at that time on the right path, what else would you not be able to do!

At that time, the game of shooting foreign paintings was also one of the important channels of communication between boys. Whether you know each other or not, as long as you have the capital in your hands, you can meet and come to the two.

The post-80s collective childhood memories of "shooting foreign paintings"

It's a pity that almost no one around me left these trophies with a winner's posture. Most of them were destroyed mainly in two channels: the teacher confiscated it and the mother threw it into the stove for heating and cooking.

Nowadays, although we have grown up, whenever we recall the interesting stories of our childhood, we will remember the good times when we took foreign paintings. Those foreign pictures are not only precious memories of our childhood, but also witness the friendship between us and our friends.

The post-80s collective childhood memories of "shooting foreign paintings"
The post-80s collective childhood memories of "shooting foreign paintings"