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The rivers and lakes are full of emotions, carrying all kinds of emotions, and those who are in it are involved in an intricate grudge. In this martial arts world, the discord between good and evil has always been an eternal theme in the story. Jin Yong once said that his martial arts stories focus on the word "xia" rather than "wu", emphasizing the chivalrous spirit. In order to highlight the opposition between good and evil, he often makes the protagonist hero fight fiercely with various villains, sometimes not even to eradicate it, but to make him change his mind. The dispute between good and evil and the conversion of villains are becoming classics in Jin Yong's works, and we will explore some examples of them below.
1. Chivalrous sinners
In "The Legend of the Condor Heroes", Qiu Qiancheng, the leader of the Iron Palm Gang, has done a lot of evil deeds, and in order to get the glory of a false name, he actually killed the infant in his infancy. This kind of villain is really unbearable, but deep down, he is not without conscience. He once saved the life of Shangguan Jiannan, the former leader of the Iron Palm Gang, and received the inheritance of the gang lord for this, and this kind act achieved Qiu Qiancheng. Later, Hong Qigong's stern reprimand awakened the goodness in his heart, and Qiu Qiancheng sought teachings from Master Yidang and embarked on the road to reformation. Although Qiu Qiancheng's change seems absurd, this plot emphasizes that the wicked can also be influenced by chivalry and find their own nature, which is a complex contest between good and evil.
Second, the contradiction between good and evil
In Jin Yong's works, there is often a plot of "hiding the protagonist", so that the protagonist appears later, such as the virtual bamboo in "The Legend of Relying on the Sky and Slaying the Dragon", which he did not officially appear until the twenty-ninth episode of the original work. The character in stark contrast to the protagonist is Zhao Min, who was originally Mongolian and was originally a villain, but gradually changed her evil in the development of the story. Not only solved the dead knot of the protagonist Zhang Wuji, but also eventually became his lover. Jin Yong's planning makes this love-hate relationship more tortuous, and the dramatic conflict between good and evil becomes the core of the story.
Third, Zhao Min's victory
One of the most unexpected character changes in Jin Yong's work is Zhao Min's radical transformation. The original villain Zhao Min is the daughter of King Ruyang, who at first made enemies of the Central Plains and even ordered his subordinates to deal with the protagonist Zhang Wuji. Her actions were cruel and murderous. Because of her peerless beauty, she is lost in the desire for power and hatred. But in Jin Yong's planning, even such a bad character can be changed by his association with the protagonist Zhang Wuji. In the end, Zhao Min is willing to drop everything and return to the desert with Zhang Wuji, which makes her the winner in the story.
Fourth, the profound meaning of the villain's change of evil and return to the right
These examples highlight the contest between good and evil and the complexity of characters in Jin Yong's work. He creates characters who seem evil at first, but behind the evil deeds, they often have inner struggles and complex emotions. The transformation of these characters not only makes the story more vivid, but also conveys the profound connotation of chivalrous spirit.
V. Conclusion
Jin Yong's martial arts world is full of drama and emotional complexity, and the struggle between good and evil and the transformation of villains are the charm of his works. In this world, the character and fate of the characters are full of variables, and the ultimate winners are often those who have changed their ways. Jin Yong's works inspire readers to think about justice, chivalry and morality, leaving a deep imprint.
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