Luzhou noodle molding is a traditional handicraft made of flour as the main material through kneading, molding and carving. It originated from the ancient Chinese "color sculpture", and after the improvement and development of the literati and inkers in the Luzhou area, it gradually formed an art form with local characteristics.
Luzhou noodle sculpture, also known as noodle people, is a craft that originated from the people. It uses flour and glutinous rice flour as the main raw materials, and adds glycerin, salt, sugar, etc., fully mixed well and exposed to the sun, to prevent mold and cracking, to make soft dough of various colors, so that the dough works remain for a long time.
Little do not understand
Luzhou Noodle Sculpture, which was selected for the "Traditional Art" project, has two inheritance series in Hefei, one is the Wujian Fu lineage and the other is the Yang Junsheng lineage. The lineage of Wujian Fu was a famous kneading family in Dongxiang, Hefei, and this craft was passed down from generation to generation. From the generation of Wuzishan, it is the skillful hand of people who go south and north to pinch noodles. They usually make a living from farming, and they are engaged in the production and sale of noodle molds during the agricultural leisure season. His representative works include mythological character series, historical character series, animal series, modern hero character series and cartoon character series.
The main activities of Yang Junsheng's genealogy in history were in the Chaohu and Lujiang areas. Yang Junsheng studied noodle pinching and sculpture with his father Yang Yechuan at the age of 13, and came to Hefei in the 80s of last century to make a living, setting up stalls in the area of Xiaoyaojin and Chenghuang Temple all year round, selling small noodles for a living. His main works include the Ten Marshals, the Eighteen Arhats, the Eight Immortals, the Journey to the West, the Four Beauties, the Chinese Dragon, the Long March, the Ancestor Confucius, and modern character modeling.
The shaping of Luzhou noodles is vivid and exaggerated, the colors are bright and generous, the style of the works is delicate and simple, concise and bright, full of traditional artistic beauty appreciated by both elegant and customary, and has distinct local characteristics and folk characteristics. A ball of noodles was kneaded casually in the hands of inheritors Wu Jianfu and Yang Junsheng, and in just a few minutes, animals, characters, flowers, mascots and other works jumped to the fingertips, with a strong sense of artistic scene. After a long period of exploration, the face sculpture works of Wu Jianfu and Yang Junsheng can be "not moldy, not cracked, not deformed, and not faded", which is easy to preserve and carry. Some foreign friends call Luzhou face sculpture "Chinese sculpture".
Luzhou noodle sculptures have a unique three-dimensional sense and rich colors, and they are often used to express people, animals, flowers and other images. These works are not only a handicraft, but also a symbol of culture. Many Luzhou noodle sculpture works depict local history, culture, customs, etc., and these works have become an important carrier for people to understand the culture of Luzhou region.
Luzhou noodle molding is a traditional craft with local characteristics, which is not only an art form, but also a cultural inheritance. We should cherish and pass on these precious cultural heritages so that they can continue to flourish in contemporary society.
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