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The superstar of the crosstalk industry, a generation of masters Hou Baolin, whose name is almost a household name. He has undoubtedly made outstanding contributions to the prosperity and development of crosstalk, and some even believe that in the century-old history of crosstalk, Master Hou Baolin has made the most outstanding contribution. However, with the death of Master Hou Baolin, the controversy over his disciples continued to heat up. In order to clarify this issue, the media and newspapers specially published a list of Master Hou Baolin's protégés, but surprisingly, only ten students were among them.
As early as the 40s of the last century, Master Hou Baolin became famous with Guo Qiru, broke into the Tianjin crosstalk stage, and quickly emerged with his unique talent. They became one of the most popular comedian actors at that time, even overpowering senior giants such as Ma Sanli. There are only a few actors in the crosstalk world like Little Mushroom Chang Baokun who can match Hou Baolin. With the founding of New China, Master Hou Baolin became a leader in the crosstalk industry, actively promoted the purification and reform of crosstalk art, and made outstanding contributions to the development of this art.
Under the tradition of comedian worship, Master Hou Baolin is no exception. He has always been admired by many students, but he is very careful in his selection, because it is not easy to become a disciple of Master Hou Baolin. In the end, Shi Shengjie had the honor of becoming his closed disciple.
However, with the change of society, Master Hou Baolin abolished the old mentoring system and replaced it with a relationship between teacher and student. This change makes it more complicated to distinguish who is a student of Master Hou Baolin and who is a disciple.
After Master Hou Baolin passed away, the media and newspapers specially published the list of Master Hou Baolin's protégés. According to this list, there are only ten officially recognized disciples of Master Hou Baolin, they are Jia Zhenliang of the Beijing Quyi Troupe, Huang Tieliang of Tianjin, Yang Ziyang of Sichuan, Ma Ji of the China Radio Rap Troupe, Yin Peitian of the Beijing Quyi Troupe, Jia Jiguang of the Second Artillery Cultural Troupe, Ding Guangquan of the Coal Mine Cultural Troupe, Li Rugang of the Hebei Quyi Troupe, Wu Zhaonan of the United States, and Shi Shengjie of the Heilongjiang Qunyi Museum. This list seems to provide a clear definition of the distinction between disciples and students.
However, some controversies remain, such as Yu Shiyou, Hao Aimin and Kang Dafu. Yu Shiyou was once a beloved disciple of Master Hou Baolin, but due to a prison incident, Master Hou Baolin publicly expelled him from the division. Although Yu Shiyou was later released from prison, he did not restore the relationship between teachers and inheritance before Master Hou Baolin died, and could only be regarded as a freelance comedian.
The situation of Hao Aimin and Ma Ji is also quite complicated. Although they had studied under Master Hou Baolin in a Chinese radio rap group, the newspaper did not recognize Hao Aimin as a disciple of Master Hou Baolin, and even Master Hou Baolin's family did not confirm the relationship. Kang Dafu and Li Rugang worshiped Master Hou Baolin as a teacher, but it seems that the media only recognized Li Rugang as an official disciple, but did not recognize Kang Dafu's status. It is not uncommon for such worshippers to be denied after being disowned, just as Young Master Ma Ye once set up a stall to accept disciples, but later did not recognize the two disciples, but only recognized the Huang people who did not formally worship the teacher.
In general, although Master Hou Baolin's list of disciples clarifies the identities of some disciples, there is still controversy and complexity. The development of the crosstalk world is inseparable from the contribution of this legendary master, and his disciples, whether officially recognized or not, have played an important role in inheriting and developing the art of crosstalk.
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