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A much-watched domestic drama "Crazy" ended last week, however, its residual heat continues to ferment, especially the performance of an actor has attracted widespread attention, and she has become a new favorite on the Internet. The actor's name is Gao Ye, and her role in the play, Chen Shuting, swept the audience with her unique charm and even set off a "sister-in-law trend". Chen Shuting's makeup, hairstyle, and outfit have all become the object of imitation, and her character is not only full of power, but also sexy and majestic. But Gao Ye's acting career is not all smooth sailing, and her ups and downs and hard work in the entertainment industry are also worth discussing.
Takaya's acting career has not been smooth sailing. Her early acting experience can be described as "nameless", and although she graduated from Nortel, her acting path was full of challenges. Once, she starred in a movie called "Border", in which there was a scene where she was wrapped around her head with plastic wrap without protection, and this scene was full of danger for her. After the shoot, her fingertips turned purple due to lack of oxygen. Although she was lucky to save her life, when the movie was released, the capital erased her name from the poster, and it was not until Sun Honglei supported her at the press conference that the audience recognized her existence for the first time.
In the early days of the entertainment industry, Gao Ye was unknown, and she participated in some works, but did not attract much attention. Her roles are often limited to images of "dust women", such as the patriotic geisha in "Life and Death Talisman" and the sex worker in "Find You", which are easily objectified. Takahba's appearance is not particularly delicate, but her sexiness has become one of her great strengths and has become her label. However, she did not want to be stereotyped as a vase, knowing that this would limit her theatrical path, so she chose to hibernate, not to take on more roles, but to focus on the depth and quality of the characters. She puts all her heart and soul into the study of the character, even when the character's presence is not high.
Until 2020, Gao Ye starred in the TV series "I Am Yu Huanshui", which made her popular for the first time. She played the vicious strong woman Annie Liang in the play, especially a seductive scene, which became the joke in the play. However, in the original novel, Annie Liang's role is relatively thin and just a tool person. Takaba took on this role, not only for appearance, she deeply analyzed the character's heart and presented a more colorful image. This kind of performance allows the audience to see the helplessness and bitterness behind Annie Liang, who successfully breaks the stereotype of the character. Takahba's performance is even better in "Crime Hunting Guide", where she plays a murderer who is behind bars but still full of style. Her performances are nuanced and impressive.
Gao Ye's performance in "Crazy" should not be underestimated. She not only injected her own understanding, but also personally designed the makeup of the character Chen Shuting, emphasizing the concept of "strength". Chen Shuting's makeup has tough lines and angular lines, which contrasts sharply with Meng Yu's makeup. Gao Ye also had ingenuity in the action design of the characters, adapting a scene in the script to add more ambiguous atmosphere, a change that impressed the audience. The combination of Gao Qiqiang and Chen Shuting's characters, although there are only a few scenes, is convincing, which plays a key role in the advancement of the plot.
Not only the performance of the actors, but also the quality of the script is crucial to creating a successful "sister-in-law" image. Chen Shuting's character has a strong aura in the play, she not only holds the initiative in the family, but also shows great wisdom and decisiveness at critical moments. Her character highlights the complex situation of a woman in the man's world, and she needs to skillfully mediate various relationships. This portrayal of the character allows the audience
Chen Shuting's choice is more reasonable and convincing. Chen Shuting's strict attitude and resolute stance aroused strong tension in the play. She showed a gentle and firm tone in her confrontation with Tang Xiaolong, which made people have to admire her wisdom and persistence. The positive image of this "sister-in-law" does not reduce her IQ, does not compete for drama, and is not willing to become a vase, and her performance has become a correct solution to the image of "sister-in-law".
However, to create a popular "sister-in-law", it is not only necessary for the excellent performance of the actor, but also for a compatible script. Looking back at the Hong Kong gangster films of the 90s, there will always be an impressive "sister-in-law" character, who usually has popularity, beauty and figure, and their status is no less than that of the male protagonist. However, they are often limited to the image of "sexual objects" and become foils for the male protagonists. This image is reflected in some classic movies, such as Qiu Shuzhen's Ding Yao in "Confused Boy 2: The Dragon Crossing the River" and Wu Junru's sister-in-law in "Jianghu Urgent". While some characters exhibit independent qualities, in most cases they are still seen as foils to male characters.
However, there are also characters who succeed in breaking this stereotype. For example, the wife of Han Chen played by Carina Lau in "Infernal Affairs 2", her image is more real and multi-dimensional, no longer just a symbol of sexiness. This way of shaping makes it easier for the audience to empathize, because the characters are no longer passive objects, but have their own lives and emotions. This innovative way of representing the role is crucial to driving the evolution of the "sister-in-law" image.
When Gao Ye played Chen Shuting, she not only relied on excellent performance, but also managed to create an image of "sister-in-law" full of personality and charm through in-depth character research and makeup design. Her performance opens up new possibilities for 30+ actresses, proving that they are more than capable of navigating richer and deeper roles. I hope that future domestic dramas can increasingly present such diverse and attractive female characters, so that the audience can see more unusual "sister-in-law" images in front of the screen.
All in all, Takaya's excellent performance in "Crazy" and her deep understanding of the role have allowed her to successfully break the stereotype of the image of "sister-in-law". Her characters are not only powerful and charismatic, but also have a complex inner world. This shaping method provides a broader space for the development of female actors in the entertainment industry, and also presents a more colorful character image for the audience. I hope that more works will continue to explore and break through traditional character settings in the future, presenting more impressive female images to the audience.
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