laitimes

Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing

author:Let's talk about calligraphy

The formation of Lishu has also contributed to the enrichment of calligraphy forms, and has been loved by the public, the highest tide of Lishu was in the Han Dynasty, and in modern times, Lishu has also been developed and innovated, especially in his body is more perfect, his Lishu takes Hanli as the main style, and also adds his own unique views on Lishu, fused together, and gradually formed a new style characteristic, he is Cheng Qian, mentioned Cheng Qian, I believe many friends are familiar, he is not only an excellent calligraphy everyone, But also a revolutionary, Xiucai he was born, not only high in culture, but also on the insight and understanding of calligraphy, but also very experienced, especially in Lishu, his Lishu presents an obvious personality, plump and full, square and simple, let people fall in love at first sight, let us enjoy his Lishu works together.

Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing

From the perspective of Cheng Qian's Lishu works, as soon as you look up, you feel that there is a different force, especially in pen and ink, not only gives people a full feeling, but also very uniform, which is a rare sight in many calligraphy, not only that, we are also very, the spacing between his Lishu and dot paintings is almost equal, that kind of uniform treatment, not only needs a deep shame, but also needs a solid and stable processing method, a lot of unique, also very fresh, refreshing.

Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing

Cheng Qian's Lishu, in the use of the pen to highlight the beauty of the wave, this is also the most essential place of the Lishu, especially the treatment of the horizontal pen, a wave of three folds, some although the phenomenon of the wave is not obvious, but it is hidden surging surging, very feeling, between the dot painting and pressing, there is a change in pitching, to a certain extent, greatly increased the artistic beauty, from this point of view, his understanding of the Book of Lishu is very unique, but also profound, not only that, but also highlights the square, this kind of square, let people have a sense of stability and stability, The feeling is very wonderful, and the contrast between thickness and thinness is also presented on the lines, and the contrast is very obvious, forming a strong visual impact, these phenomena are scenes that we have never seen before, a lot of freshness.

Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing
Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing

His Lishu also always permeates a Chia Tai atmosphere, which makes people fall in love at first sight, and for Cheng Qian's Lishu, I don't know if you also feel the same way, share your views and insights.

Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing
Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing
Cheng Qian's Lishu has a distinct personality, plump and full, square and simple, down-to-earth and steady, and the pen is amazing

Read on