On September 2, the costume suspense drama "Cloud Feather" was airborne.
After actress Song Moumou's accident, many film and television dramas starring her faced the problem of not being able to be put on the shelves, in this case, it is reasonable that "Cloud Feather" starring Yu Shuxin and Zhang Linghe was put on file.
In fact, when the show started filming, it attracted a lot of attention.
At that time, Yu Shuxin's popularity was very high, and he and Zhang Linghe fried a CP in "Canglan Recipe". In "Cloud Feather", the two collaborated again on CP, so fans' expectations have always been high.
Secondly, the director and screenwriter of "Cloud Feather" is Guo Jingming.
Whether it is a novel or a film and television work, Guo Jingming's style has always been "youth gout", dazzling and luxurious, pretending to be X, and forcing new and sad narrative means, attracting many young audiences with immature minds.
There are many controversies on Guo Jingming, plagiarism just makes his reputation slip, and let him overturn in the film and television industry because of the entrainment of private goods, and the wind is serious.
In a movie that has been removed from the shelves, Guo Jingming vainly tried to "replace China with a wa", hyped up the culture of "small days", distorted the historical view of teenagers, and was rejected by netizens and industry insiders.
Therefore, as the director and screenwriter of "Cloud Feather", Guo Jingming did not dare to sign his real name in this drama, but replaced it with the pseudonym of "Gu Xiaosheng", almost writing "heart void" on his face.
As for the name "Gu Xiaosheng", where did it come from? Netizens ridiculed: This is the abbreviation of the initials of "Guo Xiaosi", GXS=Guo Xiaosi=Guo Xiaosheng.
If this is the case, it seems that Guo Jingming is still very fond of his "Little Four" title.
Back to Cloud Feather itself.
This drama is under the main line of love and growth of the male and female protagonists, telling a growth story about the spy "Yun Weiyi" and the rebellious son "Gong Ziyu".
The author has watched a few episodes that have been broadcast, and the overall impression is that this show is "pretend" and "expensive".
The costume road is gorgeous, the set is luxurious, and the camera movement and soundtrack all embody the word "burning money".
After checking the information, it is said that when the drama was filmed, Hengdian's somewhat famous "special actors" all participated in the group drama of "Cloud Feather", far better than some crews who could not afford to hire "group actors".
In fact, look at the dense list of actors at the end of "Cloud Feather" to know the production amount of this drama.
Starring Yu Shuxin is today's "popular little flower", the salary is natural, and Zhang Linghe, Chen Duling, Zeng Keni, Zeng Shunxi and others have joined.
The actor's remuneration alone is a large investment, in this case, there can be such a beautiful costume and mirror soundtrack, how big the investment of "Cloud Feather" is, you can imagine.
But a large investment and a willingness to burn money do not mean that the work is good.
Guo Jingming's film and television works have a characteristic, that is, pretending to be X.
"Cloud Feather" also shows this characteristic of the director at a glance.
The way of expression is the "showmanship" of the full screen.
In fact, after the director who made the movie switched to the TV series, he had more or less the problem of "showing off his skills".
These people try to embody the so-called film aesthetics in the TV series, and the result is this self-confident but unfounded "sense of substitution", resulting in a "nondescript" effect on the entire work.
"Cloud Feather" is like that.
In terms of camera movement, whether it is overall or close-up, it reflects a kind of "showmanship".
The constantly staggered shooting, the back-and-forth reversal of the shot, is like a child desperate for praise, struggling to show the adults what he has learned.
To put it simply, it embodies a sense of "I'm very good X, come and praise me".
In particular, the close-ups of the characters have been "dazzling" to the extent that the audience can make a play.
For example, eye play, always use the camera to suggest to the audience, this person has a problem, this thing will be reversed.
Therefore, a little or two of mysteries will make the audience feel fresh, but it is all this kind of shot, and everyone will be bored after watching it for a long time.
Coupled with the abuse of "slow motion" in the fight scenes, the rhythm is very protracted, and a feeling of "top-heavy and light roots, thick skin and hollow belly" is born.
The plot is also mysterious.
For example, let the shopkeeper pass on the assassin hidden in the bride, and then deliberately pinch the point to say "there is an assassin", but it is too late to say more about the assassin.
Such a blunt and old-fashioned arrangement is rare in today's ancient puppet dramas.
As for the acting skills of the actors, there is no need to mention more.
Yu Shuxin is a rich second generation who debuted in the draft, relying on the "personality" under the package to get out of the circle, and relying on the gameplay of the rice circle to maintain popularity.
In the eyes of the author, this kind of artist is not compatible with the profession of actor. Using her as the protagonist is nothing more than fancy popularity and traffic, and acting skills are not considered in casting at all.
Even Yu Shuxin filmed a scene in the mud, and was praised by fans as "good effort, good dedication, good bravery" and hung in the hot search list on September 3, this blunt marketing technique is simply inexplicable,
This is also the embarrassing situation faced by ancient puppet dramas today, and it is a common phenomenon in this circle to regard appearance as acting skills, not to mention that Yu Shuxin is not even a high appearance in domestic entertainment.
The other leading actors are the same, Chen Duling's dullness, Zeng Shunxi's cuteness, aside from the blessing of serving the Tao, what these artists can attract the audience is the face.
Overall, "Cloud Feather" is a "show-off beauty drama", which is XX packaged in gorgeous coats, and as for what XX is, it depends on the advancement of the subsequent plot.
For ordinary audiences outside the rice circle, "Cloud Feather" seems gorgeous, but in fact, it is lackluster.
If it's just like this, "Cloud Feather" can also be regarded as a decent ancient puppet drama, but it's a pity that Guo Jingming's "Chongri" problem has been committed again.
The whole style of the play is full of a strong "boo wind".
The low and cramped architectural structure and interior set, combined with the actor's kneeling posture, looked at the past, and thought that he was broadcasting Taiga drama (a type of Japanese drama).
There is also a male protagonist when checking his father's back tattoo, the director strangely put the character in a "small day section" shape.
It is clear that the actor can lie on his stomach to present this picture, but he wants to engage in this controversial "moth", Guo Jingming's small body, what kind of big mind is hidden, it is elusive.
The costume styling of the characters is also difficult to say.
The costumes of the actors are typical "kimonos" from the position of the embroidery.
The costumes of the group performers are also the consistent style of the "big nuclear underworld".
The set also embodies the "waku wind" everywhere.
For example, the "chrysanthemum print" of the eaves tile, we rarely used chrysanthemum as a "print" to decorate the tile in ancient times, but the "little day" was influenced by Chinese culture, and the chrysanthemum was regarded as its own symbol and used in all aspects of life.
"Cloud Feather" chose the "print" preferred by "Little Day", and it is reasonable to be questioned.
And the name of the protagonist, it's even more pulled.
The whole story takes place in the place of the "palace family", and the names of the sons and fathers and brothers are also called "Yu", which is completely inconsistent with the ancient Chinese tradition of avoiding the same name as the elders.
Some netizens said that the protagonist and his father and brother are called "feather" because they are both "feather palace", which can be described as full of "waku wind".
Netizens also felt that the character name was very strange, so they picked up a system that "palace family" turned out to be a "small day".
The author does not know much about the traditional system and surname of Xiao Rizi, to be honest, the name of the character in "Cloud Feather" gives the author the impression that it seems to come from the traditional Chinese music "Yugong Jiao Huishang", but the style of the whole play can be described as "one glance at the wa".
The little four director, who has always loved "Wafeng", doesn't he have a long memory this time, and he can't help but "carry private goods".
The Japanese-style screens that appear in the play also seem to prove the fact that Guo Jingming likes small days.
The "Wind" full of screens naturally caused the disgust of netizens, so everyone ran to the official media account to leave messages, pointing out the problems in "Cloud Feather", questioning how the relevant departments let this kind of drama pass the review, and asking the show to be taken down.
Moreover, September 3 is the anniversary of our victory in the War of Resistance, and when it starts broadcasting on this special day, the "small day style" of "Cloud Feather" full of screens is definitely controversial.
Japan's discharge of nuclear sewage has caused the indignation of netizens, and now the director of Little Four has made this film and television drama full of "boogy", which is simply "self-determining the future".
And Guo Jingming didn't even dare to sign his real name, which seemed to confirm his weakness.
I hope that the show can face the problem directly and give netizens an explanation, otherwise it will be removed from the shelves again, not to mention how Guo Jingming is embarrassed, and whether he can continue to mix in the film and television industry in the future, it is another matter.
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