#Power Film Critics# #Zeng Xiansen's View#"The Rescued Django": Hi to the extreme is romance, and hitting chicken blood to full is bursting.
The nagging lines and the music of the western cowboy style play a role in adjusting the color of the film and the height of the narrative. The chatter makes the plot produce an unexpected sense of humor in the tension, while the desolate and chilling music expresses the heroism of the struggle for independence and freedom on the one hand, and on the other hand, it is also plucking loud notes to remove the brand of "sin" on the body. The rendering of the atmosphere of the rise of each race or nation, guns or music, is absolutely essential. In order to save his wife, the black slave Django did not hesitate to make enemies of the world, killing all the evil white people, and the shootout scenes were bloody and beautiful. After blowing up the candy manor, he showed love and romance to his wife. There is a touch of warmth in the cruelty, and a touch of romance in the vulgarity. Quentin Tarantino, a director who grew up as a video hall salesman, is a genius created by wild roads and movie-watching habits. This man, who loves Hong Kong movies and even idolizes John Woo, blends the Hong Kong-style coolness with the black violence of American B-grade films.
The film continues Quentin's usual low-key and luxurious style, with whimsical humor elements and bloody and wild action scenes everywhere. Based on the aesthetic of violence, several powerful actors, including Leonardo DiCaprio and Christopher Walz, were installed to dedicate a good show. The film was nominated for Best Picture, Best Cinematography, and Best Sound Editing at the 85th Academy Awards. Won the Best Original Screenplay Award, Christopher Waltz won Best Supporting Actor for this film.
