Li Bai is a poem, but "Chang'an 30,000 Li" is not

Author: Green Stream

Let's start with a brain hole. Gao Shi looked particularly like a star, and after watching it for half an hour, he suddenly realized that he was not painted by Tan Junyan. But Tan Junyan is not a big star, he also has an identity as Dillon's son. So in the film, Gao Shi and Li Bai, rounding up, refer to the CP of Dillon and David Jiang?

Before and after writing this film review, I had not read the publicity materials, so I didn't know much about the idea of film production. I can only directly talk about the feeling of watching the movie.

First of all, I watched the movie in Sichuan, the floor where the restaurant in this mall is located, called "Will Enter Wine", and there are many elements of Li Bai on the wall.

Yu Guangzhong once praised Li Bai:

"The wine is in the bowels, and seven points are made into moonshine

The remaining three points roared into sword qi

As soon as the embroidery spit out, it will be half a Sheng Tang"

And this poem became Li Bai's words of praise for Gao Shi in the movie. Not only that, looking at the entire film, the protagonist is Gao Shi, the narrative angle is Gao Shi, the highlight character is Gao Shi, and the positive image is Gao Shi.

So, where is Li Taibai?

I believe that many people who come to see this movie, like me, come with feelings for Tang poetry. And Li Bai, who achieved half of the Tang Dynasty poems, became the first son-in-law of the Tang Dynasty in the film, so down.

Let me ask: Li Bai is like this, what is Sheng Tang?

Compared to feeling sorry for Li Bai, he was even more distressed for middle school students, and only after the exam was locked up in the cinema to memorize poems for three hours.

And even middle school students know that poetry is about artistic conception, and it does not need to be broken. There are many scenes, the artistic conception of the picture is enough, there is no need to read poetry. If you could read a few fewer poems, the movie would not be so lengthy.

Of course, there are several places in the film where poetry is used appropriately. For example, Gao Shi's "Yan Ge Xing" is used to express his ambition and the reality that "the warrior army is half dead and alive in front of the army, and the beauty is singing and dancing under the tent".

The best use of poetry is in the Chang'an Huji Wine Shop, where He Zhizhang, Zhang Xu, Wang Wei and others appeared together to reproduce the universe of Tang poetry and inspire Du Fu to write the grand scene of "Eight Immortal Songs in Drinking". There are fine wine, orchid dance steps, and madmen who squander their talents.

However, compared to the Sheng Tang meteorology in "The Legend of the Demon Cat", the expressiveness here is still a little worse, to be honest, the cartoon should work better.

The poems of Gao Shi and Du Fu are well told. Li Bai's "Will Enter the Wine" is unsatisfactory, beautiful, but not amazing, lacking a fire at the climax. By the way, since the discovery of Dunhuang color matching, the national style animation has been used at every turn, and it is so gorgeous that it is aesthetically fatigued.

In fact, there are quite a few art highlights in "Chang'an 30,000 Li". Especially impressive is the Zhaoling Liujun, a fat and healthy war horse that looks much better than a person with a 6:4 stature.

(Stills not found, the last real Zhaoling horse to see)

The portrayal of the character's sense of age is also good, the youthful spirit when he was young, and the crow's feet at the corners of Li Bai's eyes and the beer belly around his waist in his later years, which is embarrassing. However, didn't Tang Dynasty men grow armpit hair?

The most beautiful picture is the empty mirror showing the mountains and rivers, which has a sense of thought.

Returning to the story itself, it tells Li Bai's life from the perspective of Gao Shi, and by the way, the poetry and history before and after the Anshi Rebellion are pulled over. It's like acting out the first episode of the documentary "Tang Zhiyun" in the form of animation.

And Li Bai's life in the film is not as good as in the documentary "Characters of the Ages". "Characters of the Ages" also shows the dilemma and dilemma in Li Baibai's life, but the overall tone of the picture and copy is very beautiful and subtle, flowing with poetry-like rhythm, grasping the image of "Immortal Man".

Finally, let me read two verses.

One of them:

"Title Li Taibai's Tomb"

Yuan Dynasty Mei Zhihuan

A pile of soil by the quarrying river, Li Bai's name is high for thousands of years.

A poem comes and goes, and Luban gets a big axe in front of the door.

Second:

The play is the second of the six sentences

Don Dufu

Wang Yang Luo Luo was physically at that time, light and thin, and he was not resting.

Ercao's body and name are destroyed, and the rivers and rivers are not wasted.