The history of Chinese calligraphy developed to the Wei and Jin dynasties, the various bodies have been completed, and there are huge commonalities between the changes in knots and the characteristics of the pen between the five bodies, but this commonality was cut off by Tang Kai, and the face of calligraphy has since gone in another direction.
In this seal book, lishu, cursive writing, xingshu, and calligraphy, especially cursive writing is the most expressive expression, cursive is a kind of calligraphy that exerts the greatest individuality in the boundaries of the law, the Jin people respect Cui Yu and Du Du, and the cursive writing of Zhang Xu and Huai Su in the Tang Dynasty has influenced the cursive world of later generations.
Zhang Bi "Huai Su Shangren Cursive Song" long volume
In the history of Chinese calligraphy, all the cursive masters are all influenced by Jin and Tang cursive, and we introduce a cursive master today, who is not well-known in the history of calligraphy, but his cursive writing has spread far and wide at home and abroad.
He is Zhang Bi.
Zhang Bi was a jinshi in the Chenghua years, the highest achieved the bingbu waiter, equivalent to today's vice minister of national defense, he wrote a cursive work that spanned more than 500 years after a drink, this character is known as "Zhang Xu is alive", which shocked the entire book world!
This work is his cursive god work "Huai Su Shangren Cursive Song"!
Cursive is the most taboo to stick to the old rules, Zhang Bi is one of the few people in the history of Chinese cursive who dares to break through the customs of the times, and he brought a wind of reform to the Ming Dynasty book circle lined with "Tai Ge style". In his early years, he taught the "Three Song Dynasties" of the early Ming Dynasty in cursive writing, obtained the correct pulse of jin and Tang dynasty penmanship, and in middle age, he diligently pursued it in the cursive writing of Zhang Xu and Huai Su.
Zhang Bi's contemporaries had a master of calligraphy called Jiang Ligang, Jiang Ligang became a xiucai of the Hanlin Academy at the age of 7, the title of the book is known all over the world, but Jiang Ligang's calligraphy is still in the category of "Taige style", and Zhang Bi's artistic mood in cursive far exceeds the entire Ming Dynasty!
Zhang Bi's cursive "Huaisu Shangren Cursive Song", the words are amorphous, changeable, with pens and glyphs with the shape of the word, known as: collapse clouds and sunset tens of millions, change at will to stand empty'!
This work is not blindly indulgent, in the opening of a "for" word, obliquely inserted, through the upper and lower character posture, in the following "Feng" word and "silk" word processing, there are collection and release, there is sparse and dense, vertical and vertical combination, Zhang Bi is very good at using the partial side of the collection and the exaggeration of individual strokes to create contradictions, this technique also comes completely from the Tang!
Wang Xizhi wrote cursive and once had a famous exposition:
If it is a book of paper, the meaning of the words must be different, and it must not be the same.
Zhang Bi's "Huai Su Shangren Cursive Song", all the words that encounter the same can change according to the situation, no word is the same, in fact, no word is not difficult to be the same, people are not photocopiers, each word is definitely different, the difference here actually refers to the different mechanism of change, is to create a different contradiction and conflict!
The History of the Ming Dynasty refers to Zhang Bi's cursive writing:
"Cursive writing, strange ups and downs, shocking a lifetime."
In the Ming Dynasty, Zhang Bi's cursive writing even spread overseas, with great influence!
The great calligrapher Dong Qichang commented on Zhang Bi's "Cursive Song of Huaisu Shangren":
All are prepared, whether intentionally or unintentionally, or as dignified as a man of etiquette, or as dashing as a man of prey. Although he is drunk with Xi Zhe's classmates, and the crazy and angry Zhang is inevitable, Weng Wu is also.
Dong Xiangguang's words mean that Zhang Bi's painting is the realm of "unintentional jia nai jia", this character is elegant and free, but strictly abides by the law. Zhang Bi and Zhu Zhishan's classmate Huai Su, but Zhang Bi did not have the slightest anger!
Zhang Bi's "Song of Cursive Writing by Huaisu Shangren" is a masterpiece in the history of cursive writing in the Ming Dynasty, inheriting the tang cursive heritage and is an excellent model for future generations to learn cursive.
Today, we have copied Zhang Bi's "Cursive Song of Huai Su Shangren" 1:1 according to the original ratio, restoring the work that is no different from the original work, delicate and clear!
To purchase this cursive scroll, please click below for a special purchase:
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Zhang Bi "Huai Su Shangren Cursive Song" ¥79 purchase