Zhou Chen character Shunqing, the number of the East Village, is good at painting figures and landscapes, and the painting method is strict and meticulous. His landscape master Chengchen Xian has assiduously copied the works of Li Cheng, Guo Xi, Li Tang, Ma Yuan and others, which are mainly taken from the Li Tang faction. The painting of mountains and stones is solid, the rules are rigorous, and the pen is skilled. Go hand in hand with Dai Jin.
Songquan Shisitu Ming Dynasty Zhou Chen
In the picture, the distant mountains are looming, and under the strong pine branches in the near distance, on the majestic rocks, there are two hermits on relativity. The painting of Zhongshan Stone adopts the method of large axe splitting, which makes people think of the humor of ancient times. This picture Zhou Chen said that he imitated Dai Jin's work, which shows the love of Wumen painters for Dai Jin, Zhou Chen's paintings generally only have a name, and this painting is written to indicate who imitates him, which is really a hope.
Ming Dynasty Zhou Chen
There are several huts in the shade of pine, bamboo and miscellaneous trees. In the house in the middle of a large thick tree, a woman is digging (rubbing the analysis of the practiced hemp into a line), there are two children around her studying intently, and there is a daughter cooking in the back kitchen, judging from the simple clothes of the characters and the mottled condition of the lower wall of the open window, which is partially peeled off and mottled, this picture should be the meaning of writing the cold door. The pen is the typical style of Zhou Chen, clean and neat, learning the penmanship of Li Tang and Liu Songnian of the Southern Song Dynasty, and is a masterpiece of Zhou Chen.
Spring Mountain Riding Chart Axis Ming Dynasty Zhou Chen
Based on the theme of the traditional Spring Mountain Journey, this picture depicts the steep and steep rock cliffs of the high mountains, and the pavilions and houses are hidden in them. A few spring flowers on the shore of the mountain stream, the turbulence of the mountain stream, the flow of the small bridge, and the three people of the master and servant are crossing the bridge. The mountains are thick with pine and vigorous. Behind the house, there are trees and trees, and there is a scene of spring opportunity.
Bai Tan Tu Ming Dynasty Zhou Chen
The picture is surrounded by a waterhole surrounded by mountains, a person sits on a seat, holding dust in his hand, meditating on practice, and the boy on the side is fanning the stove and burning the fire, and the trees nearby are green. Technically, the mountain stone is solid, the lines are firm, the edges and corners are sharp, and the pen is skilled, taking the method from the Li Tang faction.
Mao Shitu Li Axis Ming Dynasty Zhou Chen
"Mao Shi" is the Mao family version of the "Book of Poetry" of the poets, and the most complete, and later the "Book of Poetry" is also known as "Mao Poems". Painted mountains, green trees, several huts, several people gathered to talk about the world, the scene is harmonious.
Chunquan Small Hidden Figure Ming Dynasty Zhou Chen
The picture begins with Pei Jun's caotang as the center, which is open and bright, simplely furnished, and the ancient pines outside the hall are coiled. The master is sleeping on the case, and a boy outside the hall is cleaning with a broom, reflecting the fun of idleness and elegance. After that, banqiao is connected to the shore, the spring water is babbling, the green mountains are in the distance, and the flat lake is endless.
Idly watching children catch willow flowers sentence intention Ming Dynasty Zhou Chen
This painting is taken from Yang Wanli's "Idle Early Summer Nap": "Daily sleep is ruthless, idle children catching willow flowers." And Bai Juyi's "Don't Willow Branch": "Who can learn more about children's drama and hunt for the spring wind to catch willow flowers." "The poetry of two poems. It depicts a scene of one of the four people watching in the afternoon and three catching willow flowers.
Pine window to Yi Tu axis Ming Dynasty Zhou Chen
The mountain range is tall and tree-lined, and on the banks of a majestic river, two hermits are playing against each other, and pedestrians are endless on the roads and bridges in the distance.
Ningqi rice cattle figure Ming Dynasty Zhou Chen
The picture depicts Ning Qi, holding a branch, feeding a cow, and the ox yoke is placed against the edge of the mountain rock, suggesting that the ox cart is behind the stone. The painter uses his pen to express the texture of the tree and stone, the hanging vines, all of which are flying pen and ink lines, with the style of the Fifteenth Century Zhejiang School. In the picture, the cow body is first slightly painted with cow hair, and then the local light ink is blended, which is already a literati freehand shape compared with the Song people's cow painting.
Yu Le Tu Ming Dynasty Zhou Chen
The picture depicts the life scene of fishermen in Jiangnan Water Village. The author delicately captures the various actions of fishermen, such as buckling fish, casting nets, fishing, fishing shrimp, weaving nets, etc., portraying the frank and natural demeanor of fishermen, showing their simple temperament and attitude of finding fun in their livelihood, portraying them in detail, vivid and bright.
Shanting Na Liang Tu Axis Ming Dynasty Zhou Chen
In the picture, the strange stones stand upright, and several plantains are hidden in the middle. The trees and stones tower over the pavilion, and in the pavilion a scribe rests on his left arm, holds a lupine fan on the right, and places a scroll, a book, and a tea on the side, and sits in the cool breeze. The boy outside the pavilion is reaching out to pick hollyhock flowers for bottle insertion, showing a leisurely and quiet atmosphere.
Water Pavilion Qingxing Chart Axis Ming Dynasty Zhou Chen